When anyone can produce dreck or publish gibberish, and not only get away with it but be celebrated for it, the discipline is no longer a discipline, and it will get no respect.
I think those women who get themselves to write essays, it's not an easy thing to do because as women, you're not encouraged to think; you're encouraged to feel. This is a broad, broad statement. So I think those women who go out on a limb and publish essays are highly conscious of how they are writing their opinions.
I'd known the people at Rolling Stone for a while. I'd gone to them with a piece I'd done on Beirut for Vanity Fair that Vanity Fair didn't want to publish, because they said I was making fun of death... This was Tina Brown.But they paid me for it. So I've got this big chunk of a piece, and Rolling Stone liked it, but they thought it was a little dated. But then they called me back and asked me to do a similar piece about the Turks and Caicos Islands, where the whole government had been arrested for dope smuggling. That was fun.
Each time I have the urge in me to make a statement or send a message or to issue a manifesto, I don't bother to write a novel. I write an article and publish it in a popular newspaper, or I make a television appearance.
Though Geographic didn't publish that photo in the story that it was done for, "The Life of Charlie Russell," a cowboy artist in Montana. But later, maybe a year and a half ago, they named it one of the 50 greatest pictures ever made at National Geographic.
I publish things that in my judgment are good science.
I always write the best that I can. And I won't publish it until I have done it right.
My first book published in France was translated and titled Exercices d'Attente in 1972. It was a collection of short works written and published in Romania. In 1973 I was ready to publish the novel Arpièges, which I had started writing in Romanian and of which I had published some fragments under the title Vain Art of the Fugue. Some years later, I finished Necessary Marriage.
On the one hand, there is no question that English - frequently bad English - has become the universal language of scholarship. It is clearly a tremendous handicap for people outside of the United States, Britain, and Australia and a few other countries because few of them are native speakers, but we demand that they present and publish in English.
I want to keep growing as a writer. I find myself doing unexpected projects and sort of challenging my idea of where I am in my career, or what I'm supposed to be doing. In fact, I'm not supposed to be doing anything. Just finding projects that are challenging to me. I want to be a writer who keeps growing and figuring out new things and hopefully people will follow me along as I publish these things.
I have poetic failures all the time. Many failed poems. I try not to publish those, though some have slipped into each book, since I can't always tell they're failures until later... or I don't want to admit that they are.
The job of conservatives is to keep the Republican Party driving on the right-hand side of the road. There are many ways we do this. We argue, we publish, we lobby, we campaign for conservative candidates. Another thing we do is, when the GOP goes off the rails on really key issues - size of government, the National Question, Wilsonian adventures - we stay home on election day.
Write for pleasure and publish for money.
What's the right way to think about the distribution part of Steam? You need to worry about viruses and people trying to publish other people's content, but the underlying thing is to eliminate that barrier between people who create stuff and people who want to have access to it.
I am thinking of keeping a diary, not with the intend to publish it, merely to record the facts for the information of God, in case God does not know my version of the facts.
When I'm writing, it's about the page. It's not about the movie. It's not about cinema. It's about the literature of me putting my pen to paper and writing a good page and making it work completely as a document unto itself. That's my first artistic contribution. If I do my job right, by the end of the script, I should be having the thought, 'You know, if I were to just publish this now and not make it . . . I'm done.
But it's clear to me that us slow-poke writers are a dying breed. It's amazing how thoroughly my young writing students have internalized the new machine rhythm, the rush many of my young writers are in to publish. The majority don't want to sit on a book for four, five years. The majority don't want to listen to the silence inside and outside for their artistic imprimatur. The majority want to publish fast, publish now.
I set up a system for myself where I work on a lot of pieces at once. I'll switch between them and keep working on a piece until it comes together, and then I'll publish it. This way some pieces can take a year if they need to. The trick is to just make sure one is ready every week.
The thing about how that process works is that it's more about the editing and time for judging the ideas. Most pieces I publish each week have been around for months. This is a response to the beginning of the strip, when I was making them so quickly. I would just conceive a piece, finish it, and then the next day see it in the paper. That was when I was doing dailies four days a week.
WikiLeaks does not publish from the jurisdiction of Ecuador, from this embassy or in the territory of Ecuador; we publish from France, we publish from, from Germany, we publish from The Netherlands and from a number of other countries, so that the attempted squeeze on WikiLeaks is through my refugee status; and this is, this is really intolerable. [It means] that [they] are trying to get at a publishing organisation; [they] try and prevent it from publishing true information that is of intense interest to the American people and others about an election.
The New York Times claims that they publish all the news that's fit to print but what they really do is print all the news that supports their agenda. What they are is the power base of the left.
There are few writers who, if they publish anything, I am going to buy it: Ian McEwan, Scott Turow, Pat Conroy - he was a buddy of mine and I always read his stuff. Also: Harlan Coben, Elmore Leonard, John Le Carre, but he's pushing ninety.
I did publish a Bill once called "Common Sense" with a new constitution for Europe called the "Commonwealth of Europe," setting it all out - what it's rights were, how it would work. And I think that that will be where is has to go. But I'm not anti-European, I'm just a democrat, a very committed democrat. I don't see why the hell I should obey a law made by someone I didn't elect and can't remove.
We're still really in catch-up mode in terms of alerting people to the risks of social media, to the kind of consciousness that you need to have when you do publish something. It used to be such a deliberate and elaborate process to get to publication with many steps and phases and editors and you know, now it's instantaneous and it's wonderful, you know, the immediacy and the power of that but it also can be dangerous.
I think I write or publish as much as I do because I can bear being without a book to work on. But routinely when I finish a book, I think, "What will I do? Where will I get an idea?" And a kind of low-level panic sets in. And then eventually something happens. I don't know. If I knew how it happened I would repeat the process, but I don't know - something just occurs to me.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: