I was on acid and I looked at the trees and I realized that they all came to points, and the little branches came to points, and the houses came to point. I thought, "Oh! Everything has a point, and if it doesn't, then there's a point to it".
You want a showman, go see rock 'n' roll bands today. You want to have a shamanistic experience, get psychedelic, then you watch The Doors.
I do the protest stuff. I do country and western. I play both acoustic and electric guitar in a lot of different styles, from loud, psychedelic stuff to quiet finger-picking.
Many of us who have experienced psychedelics feel very much that they are sacred tools. They open spiritual awareness.
I'm a former hippie; I did drugs back when they were healthy. The only time I ever did LSD was at Disney World. I didn't go there - it came to me. I was Snow White.
Nobody stopped thinking about those psychedelic experiences. Once you've been to some of those places, you think, 'How can I get back there again but make it a little easier on myself?'
Eros is an ego-overwhelming, boundary dissolving, breakthrough creating force scripted into human life that is pretty intrinsically psychedelic.
Another aspect of the psychedelic vision for me that has been very profound, is the sense that every-thing is alive or at that at least, there is no distinction between what we call living and non-living.
LSD is a catalyst or amplifier of mental processes. If properly used it could become something like the microscope or telescope of psychiatry.
TURN ON. to contact the ancient energies and wisdoms that are built into your nervous system. They provide unspeakable pleasure and revelation. TUNE IN. to harness and communicate these new perspectives in a harmonious dance with the external world. DROP OUT. detach yourself from the tribal game. current models of social adjustement - mechanized, computerized, socialized, intellectualized, televised, sanforized - make no sense to the new LSD generation who see clearly that American society is becoming an air-conditioned anthill.
I think that what these psychedelics do, is they actually do connect you to the whole circle. You stand outside of the moment from which you embarked on your psychedelic experience, and you see eternity like a vast landscape deployed in front of you. So what I think psychedelics are is they're about time, and they somehow make all time co-present.
For me, what all these years of psychedelic taking came to was a new model of how reality works, a new model of what the world is.
Every person's body chemistry is different. The effect of one single drug that appeals to me might have a different effect on someone else. There's no way to tell what the perfect psychedelic drug would be, because it would be perfect for only you.
There's not enough psychedelic stuff on TV. I want the world to be a bit weirder than it is. I hate reality, so I hate reality TV. But I love Columbo.
LSD...reinforc ed my sense of what was important-creat ing great things instead of making money, putting things back into the stream of history and of human consciousness as much as I could.
It's mind-altering when you slip into someone else's shoes. That's psychedelic, man.
I found that the breakthroughs for me, as I went through school, came through sexuality, explorations of consciousness, reading, loving, friends, time in nature, and through psychedelic experiences.
As long as I had easy access to psychedelics at the government-sponsored research project, most of my energy went into psychedelic sessions.
LSD was an incredible experience. Not that I’m recommending it for anybody else; but for me it kind of – it hammered home to me that reality was not a fixed thing. That the reality that we saw about us every day was one reality, and a valid one – but that there were others, different perspectives where different things have meaning that were just as valid. That had a profound effect on me.
Our culture difinitely takes an egocentric dominator view. The fear of the psychedelic experience is quite literally the fear of losing control. Dominator types today don't understand that it's not important to maintain control if you are not in control in the first place.
I've always been curious about people's psychedelic experiences, and I kind of had this assumption that I was going to have some kind of crazy mindblowing psychedelia thing happening, but actually, it was very quiet, and I didn't have any hallucinations at all. Nothing changed, except that suddenly I could hear the voice of my conscience, which I didn't ever think of as being a real voice. And ever since having that experience, I've had that voice in my head and followed it occasionally.
It doesn't matter what your cultural conditioning is, it falls into question under the influence of the psychedelic. And for most people that's frightening.
Just because it's true, I say as often as I can in as many ways as I can form, "I sure love you."
The world amazed me, in that I saw it as I had when I was a child. I had forgotten the beauty and the magic and the knowingness of it and me.
Memory is just as much of an instrument as anything else in music, so I wanted to create soundscapes that are evocative of places that only exist in your head - that's where the fun, psychedelic stuff happens anyway.
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