Without some form of censorship, propaganda in the strict sense of the word is impossible. In order to conduct propaganda there must be some barrier between the public and the event.
Our constitutions purport to be established by 'the people,' and, in theory, 'all the people' consent to such government as the constitutions authorize. But this consent of 'the people' exists only in theory. It has no existence in fact. Government is in reality established by the few; and these few assume the consent of all the rest, without any such consent being actually given.
Pornography as propaganda, according to feminist analysis, represents women as objects who love to be abused, and teaches men practices of degradation and abuse to carry out upon women.
The very essence of instinct is that it's followed independently of reason.
There is massive propaganda for everyone to consume. Consumption is good for profits and consumption is good for the political establishment.
Men willingly believe what they wish.
The most important service rendered by the press and the magazines is that of educating people to approach printed matter with distrust.
It is well known that in war, the first casualty is truth - that during any war truth is forsaken for propaganda.
The same day I saw my first horror camp, I visited every nook and cranny. I felt it my duty to be in a position from then on to testify about these things in case there ever grew up at home the belief or assumption that the stories of Nazi brutality were just propaganda.
It's quite scary when academics start dictating to artists that they should be politically correct or follow certain rules of behavior - which means we have to start making dishonest work, which means it becomes didactic and propaganda in nature.
Mexico just needs more journalists, and especially more good places to publish and exhibit. There are all kinds of censorship practiced in Mexico, not just violent repression. Perhaps the biggest threat to good journalism here is the massive power of the country's media monoliths - Televisa and TV Azteca - who have 80% of the market. They endlessly saturate the country with propaganda and inanity.
I hate political films that have one particular message that they're trying to convey. I think propaganda is very dangerous, and it's very easy for anything to slip into it. I also think that propaganda is something that defies the identity of cinema. I hate propaganda in cinema, even if it was promoting the political stance that I myself am allied with. I always say that the responsibility of a film is first and foremost: To be a film. It's not a manifesto, it's not an op-ed.
I remember my days as a graduate student at Stanford, within any leading university, a very active Israeli support, for Israel, Jews fighting for the cause of Israel. Now you find Israelis, former Israelis, and Arabs, and Jews, fighting for the Palestinian cause. We are somehow losing the moral high ground, and I keep telling our people it's great to deal with propaganda, to activate many ways, to deploy PR firms all around the world.
I remember Nazi election propaganda posters showing a hateful Jewish face with crooked nose.
So much of the news was invented for propaganda.
The orchestration of press, radio and television to create a continuous, lasting and total environment renders the influence of propaganda virtually unnoticed precisely because it creates a constant environment.
It is the emergence of mass media which makes possible the use of propaganda techniques on a societal scale.
Textbooks are Soviet propaganda.
It is no longer enough to simply read and write. Students must also become literate in the understanding of visual images. Our children must learn how to spot a stereotype, isolate a social cliche, and distinguish facts from propaganda, analysis from banter and important news from coverage.
What I may call the messages of Brave New World, but it is possible to make people contented with their servitude. I think this can be done. I think it has been done in the past. I think it could be done even more effectively now because you can provide them with bread and circuses and you can provide them with endless amounts of distractions and propaganda.
It is said that those whom the gods wish to destroy they first make mad. It may well be that a war neurosis stirred up by propaganda of fear and hatred is the prelude to destruction.
Poetry leads us to the unstructured sources of our beings, to the unknown, and returns us to our rational, structured selves refreshed. Having once experienced the mystery, plenitude, contradiction, and composure of a work of art, we afterward have a built-in resistance to the slogans and propaganda of oversimplification that have often contributed to the destruction of human life. Poetry is a verbal means to a nonverbal source. It is a motion to no-motion, to the still point of contemplation and deep realization.
Art functioning as propaganda is not art.
The advance planning and sense stimuli employed to capture a $10 million cigarette or soap market are nothing compared to the brainwashing and propaganda blitzes used to ensure control of the largest cash market in the world: the Executive Branch of the United States Government.
Story is morally neutral. It can express profound truth or propaganda. The two greatest political storytellers of the 20th Century were Winston Churchill and Adolph Hitler. Because storytelling is a form of persuasive jujitsu, and because world is full of black belt storytellers, the corporate leader has to train both his offensive and defensive moves
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