A movie is a creative process from its conception, through its writing, to its execution, to the editing. I think with the best films there is some kind of contribution from one person all the way through that. The best films are made by people who write, direct, and edit, so there's continuity.
The experience we all share and the outcomes, which have been remarkable in a way I never could have predicted. Taking unmotivated people - maybe marginally motivated to get on TV and make money - and ending up with a group that values and is changed by the treatment process and wants to share it with other people.
The fact of the matter is, if you have to have a process, I think, to figure out how to make everything work together, you just don't get that. But maybe there's a way to do it.
I have a deep respect for musicians, and I feel like I would want to be so prepared and so well-educated and deep in the process before I ever release anything.
The artwork had very little to do with the thought process, and the writing too, for that matter. What happens, happens, and it happens outside the brain.
Because I'm such a studio guy, I really trust my process. I really believe in myself in the studio.
Do I consider myself a part of the casino capitalist process? No I don't. I believe in a society where all people do well.
Songwriting requires some sort of ceremony to even get the process started, and it can be somewhat arbitrary.
I've always been interested in the form itself, so I always feel like I've never been good at going ahead with the artifice and not acknowledging the self in the artistic process, and not acknowledging the absurdity of pretending that's required in fiction.
The long takes process doesn't allow for that many takes. In the past I have shot over 50 takes of different shots. Sometimes you end up using take 64, sometimes take four.
The process is to me is going onstage night after night after night after night until I get a new hour. And then once that hour is solidified and recorded, I move on.
Each book starts from ashes really. I don't feel that I have this to say or that to say or this story to tell or that story to tell, but I want to be occupied with the writing process while I'm living.
I try to write every day. Sometimes the things come out well, and sometimes they don't. When they come out well you think, Wow, I must be really great; and when they come out poorly, you think you must be terrible, but the truth is that's how any process works.
I'm trying to avoid any more asshole roles, at least for a little bit. The main criteria for me when choosing a project is a good director. I just want to work with these guys that I admire because I do want to direct my own films one day, and I want to pick their brains to see what their process is like, and see what I can take from that.
I love the process of auditioning and having the chance to play a million different characters in one week - it's great.
If I spend all my time being upset about having lost a job, then the next however many auditions I have are going to be useless. So as you're going through the process, you get excited and put your all into it. But you don't get carried away, because until you do the thing, nothing hasn't happened yet. The rest is just talk.
We are all in the process of becoming.
My process in making a music video is pretty much a formula of talking to the artist. I've never made a video where I didn't talk to the artist before I wrote the treatment. Basically, I enter into it knowing we are collaborators.
Sometimes you arrive late in the process of filming, which makes it a little scary because they've already got this well-established technique going on, and all of the relationships are comfy and cozy. You have to figure out how to fit in, which can always be a scary first day.
In the process of developing a character, you do, in fact, start to take him on as a personality. It's part of my job.
Sometimes it's an external approach where one can learn the skills required, let's say, learn to play the trumpet and in that process other things happen. It's magical: through the process of practicing four hours a day you start focusing on emotion and when you pick up the trumpet it's filled with feeling.
I think filmmaking should be a wonderfully free collaborative process, and it so very rarely is. I often see directors as jailers of my talent.
I'm very keen. Adaptations of other people's work, too. I got fascinated by the adaptation process, so I think that'd be a really interesting task. I would happily write original screenplays as well. I think it's become one of my favorite genres.
I can't do modeling disconnected. And I thought, "What do I like? What do I love about modeling?" And what I love is that it's such a creative process, with a bunch of people, and I wanted that more, which is how the acting thing came about.
If you're going to do a memoir, then it's sort of at this age - in your late sixties or seventies - that you do it. I don't understand people who do memoirs when they're 20. I think most people need a little more time than 20 years to become the person they are. In fact, that process of becoming who you are is still ongoing when you get older, where you go, "Let's see where my next 10 years is going to take me." S
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