The lowest form of popular culture - lack of information, misinformation, disinformation, and a contempt for the truth or the reality of most people's lives - has overrun real journalism.
Popular culture no longer craves archangels and new dawns. Pop culture traffics in vampires and deads of night.
If there are signs that Americans bow to the gods of advertising, there are equally indications that people find the gods ridiculous. It is part of the popular culture that advertisements are silly.
Reality TV is sleazy, it is manipulative. It is as momentary as anything in popular culture.
The cacophony of contemporary popular culture makes it hard to discern the call of truth and wisdom. There is no area in which practicing asceticism is more important.
Frankly, my dear, I don't give a damn.
I'm going to make him an offer he can't refuse.
I'll make him an offer he can't refuse.
You can't handle the truth!
May the Force be with you.
Pop culture is a reflection of social change, not a cause of social change.
Popular culture is the new Babylon, into which so much art and intellect now flow. It is our imperial sex theater, supreme temple of the western eye. We live in the age of idols. The pagan past, never dead, flames again in our mystic hierarchies of stardom.
Today, ordinary Americans are being stuffed with garbage.
I just don't care about popular culture. It looks to me pointless and superficial. If I had free time I'd rather read a 19th century novel.
Popular culture has become engorged, broadening and thickening until it's the only culture anyone notices.
Whether we're talking about race or gender or class, popular culture is where the pedagogy is, it's where the learning is.
At its best, cinema does retain a remarkable ability to speak to people of every age, from every background, and in ways that almost any other art form in popular culture struggles to compete with.
Brands and branding are the most significant gifts that commerce has ever made to popular culture.
Now there's a whole generation of filmmakers who grew up making their own films with video cameras, and have dined entirely on a diet of popular culture. It's been reflected in a lot of their work. It's self-reflective, it's quite knowing, but it's very literate.
The term 'popular culture' always used to mean what the people do - pop songs, folk songs, music in general used to live because people would sing these songs and tell these stories together. Then all of these new technologies came out and it became the work of professionals.
I think we really need a movement to drive how popular culture understands the issues that feminists care about. When I think about the LGBT movement for example, they have had a really intentional strategy to try to change images and representation of LGBT people in the media and the culture. It really moved the dial politically. That's what is needed in the women's movement - a strategy that can drive awareness and culture change.
As one might expect in a society with mass communications and mass markets, the pseudo-ethic says that whatever is popular, is right. Where the traditional ethic derives its sanction from the superiority of a few, the pseudo-ethic derives its sanction from the inferiority of a great many. The pseudo-ethic is keyed, not to the spiritually gifted, but to the spiritually ungifted.
We are being swallowed up by the popular culture of the United States, but then the Americans are being swallowed up by it too. It's just as much a threat to American culture as it is to ours.
The popular culture still ridicules religion and often treats it like the plague.
a steady diet of mass culture is a form of deprivation.
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