Making an album can be like being pregnant: you want to pop that thing out and show everybody!
Warhol and other Pop artists had brought the art religion of art for art's sake to an end. If art was only business, then rock expressed that transcendental, religious yearning for communal, nonmarket esthetic feeling that official art denied. For a time during the seventies, rock culture became the religion of the avant-garde art world.
I was raised on pop music. Anything classical ran together in a complicated blur.
Maia Sharp is one of America's great singer-songwriters. Her storytelling runs profound and deep while honoring a pop tradition that urges you to sing along and feel good. Maia sings with an angelic voice that's shrouded in stark realism and a healthy dose of cynicism.....it's an exotic cocktail!
I love the song 'Into the Night.' It's Roy Orbison meets David Lynch meets Iggy Pop on amphetamines. It has a punk edge that is not HIM, per se. It is super melodic and super '60s, and that is very new to me and it is a sense of achievement to me.
Pop music is a fashion, and fashions come and go. The public retires you as their tastes change.
It was a huge challenge to learn digital painting well enough so that computers don't pop into mind when one sees one.
When I think about sanctification, a couple things immediately pop into my head. One is how slow it actually is. I think everybody wants the silver-bullet, the thing that makes sanctification move like a superhighway rather than the dirt path that it is. The other is that, by in large, the greatest single asset in ongoing sanctification is a serious pursuit of joy in the face of Jesus Christ.
Brushing my Grilzz Before I Booty Pop. A Woman's work is never Done!
Jesse James is like a Leonard Cohen song, I wanted to do something that was like a pop song.
I was feeling a bit down, I went to a therapist a few times, at a hundred bucks a pop. But then I realized that no therapy session would ever cheer me up half as much as if I was just strolling along and found a hundred dollar bill.
I listen to all kinds of songs. There's something to be learned from every type of music and from the one making it, whether it's pop or jazz or hip-hop.
There is no comparing the brutality and cynicism of today's pop culture with that of forty years ago: from High Noon to Robocop is a long descent.
The whole thing about rock music, pop music, is it's really for kids.
It was when I saw Iggy Pop, that's what did it for me. That changed my life pretty much.
Man hardly comes in more than two varieties, wherever he is, whatever he does: workers and pimps ... they're either one or the other! ... and inventors, the worst kind of jobholder! ... they stand condemned! ... the writer who doesn't pimp along, peacefully plagiarizing, who doesn't pump out the pop stuff, he's had it! ... everybody hates him!
As long as a man stays alive he can't tell what chances will pop up next. But a dead man signs no checks.
As Elton John, my days on pop radio are over, and I know that and I accept it and I'm not unhappy about it.
You see Michelangelo and Picasso and you read literature. I had some innate inchoate yearning for that, but I never really saw where I would fit in. That's called art. And then something happened to pop music, which is that it became art under the hand of the Beatles, the Stones, and Bob Dylan and some other people.
You know, some of the good part of blog theory was that blogs would be like diaries that the world could read. They would be spontaneous, whatever pops into your mind, as a diary would be.
Actually, if I could deliberately sit down and write a pop hit, all my songs would be pop hits! Let's put it this way. I play what I like to hear. And sometimes I like to hear something poppy, and sometimes I don't.
No planet is more earth-like than Earth itself, so if life really does pop up readily in earth-like conditions, then surely it should have arisen many times right here on our home planet? And how do we know it didn't? The truth is, nobody has looked.
Maybe we didn't even have a chance. The message of American Pop Art was so powerful and so optimistic. But it was also very limited, and that led us to believe that we could somehow distance ourselves from it and communicate a different intention.
The first colour charts were unsystematic. They were based directly on commercial colour samples. They were still related to Pop Art. In the canvases that followed, the colours were chosen arbitrarily and drawn by chance. Then, 180 tones were mixed according to a given system and drawn by chance to make four variations of 180 tones. But after that the number 180 seemed too arbitrary to me, so I developed a system based on a number of rigorously defined tones and proportions.
I first came up with the idea for the colour-chart pictures back in 1966, and my preoccupation with the topic culminated in 1974 with a painting that consisted of 4,096 colour fields. Initially I was attracted by the typical Pop Art aestheticism of using standard colour-sample cards; I preferred the unartistic, tasteful and secular illustration of the different tones to the paintings of Albers, Bill, Calderara, Lohse, etc.
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