I understand why people do vote on the conservative side of the ticket because people have a tendency to go for strong governments when really, from an idealistic point of view, it's a bad thing.
There is no essential difference between the material of comedy and tragedy. All depends on the point of view of the dramatist, which, by clever emphasis, he tries to make the point of view of his audience.
With film, you have very limited tools to convey subjectivity - voiceover, the camera's point of view, good acting - but even the very best actor in the world is crude by comparison with what you can do in a written paragraph.
We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far.
From my point of view, compatibilism is a little like saying: a puppet is free so long as it loves its strings.
I think you're always subjective because you always have a point of view, but I'm always sort of curious about what is the point of view I don't agree with. There is a truth in that because there always is.
I started hiding my paintings in certain ways, like behind panes of glass for example. Then, instead of hiding them I did something quite cold and clinical: I built a wooden box, filled it with enamel paint and dunked the painting in so you could only see a suggestion of it from a controlled point of view.
From an over-arching point-of-view, in war there is heroism on both sides. Obviously, the victor gets the spoils, the victor gets to write history, but there's heroism and compassion on both sides, and to me that's very important.
One of the things in the Mary Shelley [Frankenstein] is that the creature tells his story, so this begins with the creature's point of view. So, it literally starts with the creature opening his eyes and is born - but is obviously in his 30s. But because they're the creator and the created we thought it would be really interesting if they could look at each other every other night and play each other's roles.
Particularly, the actors, to have analyzed the script in great detail from the point of view of their specific character. So that they have a handle on exactly where the character is in the chronology of things. In that sense the actors become your best check on the logic of the piece, and the way in which it all fits together. They become essential collaborators. The main thing is you have to work with very smart actors.
The structural notions to me always have to be worked out very carefully in the script stage. Whatever a particular structure is. Whether it's chronological or non-chronological. To me that's always about what point of view are we trying to address in the film?
The idea of fixing of healing is an important part of any genuine spiritual approach. Kabbalah is very much about this idea of fixing of things that have been damaged. From a Buddhist point of view, things have been damaged because ignorance has intoxicated the mind.
If you're going to play a hooker in a movie, the movie has to have the perspective, of course, that it isn't such a great thing. Probably the only way to really play a hooker well is to believe you're doing something that's good. But at the same time, the movie can't have that point of view.
Since I've started to star in pictures I have always managed to retain my singularity of purpose when I got into the business, which was to be an artist, as an actor, more than anything else. But to get the certain kind of role you want, you have to be in a certain position in the business and it's dog-eat-dog and it gets very hairy and you can lose your point of view sometimes.
I like to believe that most human beings go about things with a point of view that they're just doing what they feel like they need to do at that time. Sometimes people make bad decisions, but it's not evil, not malicious.
In Paris, when the picture came out [Casablanca] they weren't too pleased with it. They didn't like the political point of view. The picture was taken off immediately and was never sold to television. A while ago it was brought in and opened in five theatres in Paris, as a new movie. They had a big gala opening where I appeared and people were absolutely crazy about it.
In film as a medium, you're often given a baddie and a goodie and told what to think about them; it's usually a very definite point of view.
I write poetry. It comes naturally to me, but from a technical point of view it forces me to pay close attention to language and to scan.
From a public health point of view, still the overwhelming problem is that people are not treated enough for depression; depression remains under treated.
I'd been assured, at age 21 or so, by a well-known editor who saw the first part of The Secret History in what was basically its final form, that it would never be published because "no woman has ever written a successful novel from a male point of view."
You can't come to a new point of view until you realize what your brainwashing has been.
From my point of view, being out is not about anything political. It's just because I can't be bothered to be in.
Gray and overcast from my earthly perspective, but it's sunny above these storm clouds. Grace lets us see life from God's point of view.
Modern man has so long preached a doctrine of false tolerance; he has so long believed that right and wrong were only differences in a point of view, that now when evil works itself out in practice he is paralyzed to do anything against it.
School is basically about one point of view - the one the teacher has or the textbooks have. They don't like the idea of having different points of view.
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