A friend tweeted me with 'The Big Freeze.' I don't know about that one. I've got to go home, play around with the kids and figure something out. I'll have one.
I knew Rick Pitino was going to make them play that outbreak, monkey defense. He's been doing it all his life.
I got into foul trouble, so I really kind of had to play on egg shells from there on out.
I'm the first player in history that doesn't want to play defense and still gets in foul trouble.
Do we play Chicago again? I going to hit Othella Harrington right in the mouth. If he didn't have his clumsy ass on the floor, I wouldn't have fell. How he got on the ground, I don't know. He's clumsy. Quote me on that. I'm going to get him.
He can play. He can shoot. He can dribble. He can pass. He's a great player. Period. No question about it. And if anyone thinks Dirk is not a great player, I'll punch them in their face.
Now I see why everybody who plays for him doesn't like him.
It's over now. He said what he had to say, I said what I had to say. Don't play with me. Seriously, don't play with me.
I'm pretty much able to play any style. I'm not here to demand 40 or 50 shots. But I would like 30.
I think being able to age gracefully is a very important talent. It is too late for me. The horse is out of the barn... In past generations, people would try to play younger than they really are. My trick is, I don't try to play younger than I really am.
There's so many intangible forces that come into play when making a film, I have no idea what the public will ultimately think of something that I do, let alone critics.
I'm just naturally gravitating towards different things. As you mature, different subject matters. And as you're older, you can't play as many parts, or you shouldn't be playing the parts that you used to play. But also there's the opportunity to play parts that you couldn't have.
I've gotten to play some pretty intense characters and I tend to think it's therapeutic for me.
A lot of artists come into the game with a radio record, but they don't establish the fans as fans of their style of music. It's just that they're a fan of that song, and after that song plays out, it's real hard for 'em.
There's different girls in my life that play different roles and I see at different times, but collectively they kind of make up the roster of happiness for me.
Ladies like improv stilts, and I think men like improv giant cocks. But one of the great things about improv is that you get to play some roles you'd never get to play otherwise, you know, like the old Italian pizza-maker who's passing on the business down to his son. You get to play it all when you improvise.
I'd like to think that I don't have a stock character that I go to. I'm lucky in that when you get to initiate your own scene, you get to play whoever you want. That's really kind of cool, but all my characters are short. I look on the videotape, and I thought they were taller, but they're all 5'2".
There wasn't a big tradition of comedy at Dartmouth. More than that, there wasn't really anything artsy going on in Hanover, or even in New Hampshire. The cool thing about the school is that there's nothing for people to watch, so if you were to do a play or a sketch or an improv troupe, it was always packed. There's nowhere else for anyone to go. But there was no comedy.
Every club if I am not playing, I leave because I want to play football. All I wanted to do since I was a kid is play football and if I wasn't at a club I'd be playing with my mates on a Sunday. I still come home and play five-a-side with my mates.
I get paid to play football, not to sit on the bench, I don't enjoy that. Over the years loads of players have been very happy to do that and pick up their money. That used to really wind me up.
[If] You don't like the rule, change the rule; but play by the rules.
I love theater. I go all the time. It's one of the reasons I moved to New York. But I understand that I have limited range as an actor. I can only play people who talk like me.
You have a great road map when you play somebody that exists. That's the amazing thing. But then you have great limitations from that road map. It's hard to deviate from it creatively as an actor. It's like, "Oh wait, he'd never do that."
I always tend to like the characters that I play. I'm convinced that I am this person and I'm OK with whatever they do.
You play all your life and train all your life and then you are not playing. It's not easy to deal with. But you can't roll up in a ball and hope it goes away. You have to take it on the chin and train hard and be prepared to play. We all know the game changes in an instant and anything can happen so you have to keep the hope that comes your way.
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