My own little rule was two for one. If one of my teammates got knocked down, then I knocked down two on the other team.
The best pitchers have a short term memory and a bullet proof confidence.
It's a bottom line business where a lot of gray suits are brought in and then, within two years, these guys suddenly know everything about baseball.
The game has a cleanness. If you do a good job, the numbers say so. You don't have to ask anyone or play politics. You don't have to wait for the reviews.
In the end, it all comes down to the art of breathing.
If they knocked two of your guys down, I'd get four. You have to protect your hitters.
The difference between relief pitching when I did it today is simple, there is too much of it. It's one of those cases where more is not necessarily better.
When I knocked a guy down, there was no second part to the story.
In Brooklyn, it was as though you were in your own little bubble. You were all part of one big, but very close family, and the Dodgers were the main topic of everybody's conversations and you could sense the affection people had for you. I don't know that such a thing exists anymore.
Some of these guys wear beards to make them look intimidating, but they don't look so tough when they have to deliver the ball. Their abilities and their attitudes don't back up their beards.
Most pitchers are too smart to manage.
To a pitcher, a base hit is the perfect example of negative feedback.
In the end it all comes down to talent. You can talk all you want about intangibles, I just don't know what that means. Talent makes winners, not intangibles. Can nice guys win? Sure, nice guys can win - if they're nice guys with a lot of talent. Nice guys with a little talent finish fourth, and nice guys with no talent finish last.
Pitching is the art of instilling fear.
Cooperation in the most natural thing in the world
You don't save a pitcher for tomorrow. Tomorrow it may rain.
The two most important things in life are good friends and a strong bullpen.
After I hit a home run I had a habit of running the bases with my head down. I figured the pitcher already felt bad enough without me showing him up rounding the bases.
Poets are like baseball pitchers. Both have their moments. The intervals are the tough things.
I became a good pitcher when I stopped trying to make them miss the ball and started trying to make them hit it.
Hitting is timing. Pitching is upsetting timing.
The pitcher has got only a ball. I've got a bat. So the percentage in weapons is in my favor and I let the fellow with the ball do the fretting.
Every great batter works on the theory that the pitcher is more afraid of him than he is of the pitcher.
The pitcher has to find out if the hitter is timid. And if the hitter is timid, he has to remind the hitter he's timid.
Anybody who's ever had the privilege of seeing me play knows that I am the greatest pitcher in the world.
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