Having a persona people recognize, it's the thing that probably gets you paid the most - but it's also the thing that virtually every actor in the world doesn't want. 'Cause, like, no one would believe me if I wanted to play something ultra-realistic, like a gangster or something.
I'm just glad that the whole John Wayne persona of a man is sort of old school now, because I'd never be able to do that. If that was the going rate today, I wouldn't be working.
You can always spot a 'television personality', even when they aren't actually on television, because they carry their 'made-up' persona in front of them, like some sort of baffler, or Ready Brek force field. Their reach for notoriety predicated on that fulsome mediocrity of talent detailed above has become frozen in their faces.
If I'm meeting somebody for the first time, I don't look them up on Wikipedia, or I try not to, because I would not want somebody to be thinking they knew me based on that. It's like even private citizens have to deal with this persona phenomenon.
When my first book came out, it was very disorienting. My health went south. I didn't know how to relate to people. I thought, "Now I have this way to be in the world that's going to be wonderful. It'll be like driving a great car, really streamlined." But it actually was difficult because, if you have a public persona, something you don't fully have control over, it's more like being in a car with controls you don't really understand.
I'm kind of conscious and aware of how ridiculous everyone involved with politics or talking about politics, especially on television, is - all the shouting matches and the screaming and the over-the-top personalities, and everyone's just playing. It's like WWF for news, almost. It's really ridiculous and I really don't want to be a part of it, and I'm not trying to put on this persona of this angry revolutionary to get people to follow me.
No matter who you are, no matter what greatness you've achieved in your life or what gifts you've given to the rest of humanity, if you criticize Israel, you must expect to become persona non grata. You should expect an utter onslaught of attacks.
For me, Twitter is a public persona. I don't interact. It's a lousy form for conversation and opinion, but a wonderful propaganda and sloganeering tool. I use it as a one-way street.
I did one interview with the Atlantic. It was very interesting; I could write an entire book on that one experience. I've never had any type of public persona outside of the face recognition I have with this job, so I was really ill prepared to have this conversation. I think the real story was that it became a source for a flurry of other derivative stories. I remember the Post headline said "Marcarelli's Bizarre Life," which to me is code for gay, primarily.
I do think Hillary Clinton, I mean the Clintons, I`ve got a lot of critiques of the Clinton foundation. I do think they bend the law. But Hillary Clinton accepts the concept of legality, she accepts that courts are supreme, laws must be complied with and the power of the state is not to be used for persona revenge or personal enrichment. And that`s something - not something I trust Donald Trump to do.
En ningún momento de la historia, en ningún lugar del planeta, las religiones han servido para que los seres humanos se acerquen unos a los otros. Por el contrario, sólo han servido para separar, para quemar, para torturar. No creo en dios, no lo necesito y además soy buena persona.
I'm not a public enough persona to be big and loud at the front of the ship. I'd rather more quietly interact with the artisan animators.
Obama entered the presidency trailing clouds of intellectual self-regard. His carefully cultivated persona was of a uniquely thoughtful, judicious, deliberative, evidence-driven man comfortable with complexity. The protracted consideration of Keystone supposedly displayed these virtues. Now, however, it is clear that his mind has always been as closed as an unshucked oyster.
Like night dreams, stores often use symbolic language, therefore bypassing the ego and persona, and traveling straight to the spirit and soul who listen for the ancient and universal instructions imbedded there. Because of this process, stories can teach, correct errors, lighten the heart and the darkness, provide psychic shelter, assist transformation and heal wounds.
Part of Obama's persona is self-reliance. He's calm; he's cool; he's self-possessed. In many ways, he has tried to define himself in opposition to Clinton's sometimes needy, often undisciplined, emotionalism.
The real meaning of persona is a mask, such as actors were accustomed to wear on the ancient stage; and it is quite true that no one shows himself as he is, but wears his mask and plays his part. Indeed, the whole of our social arrangements may be likened to a perpetual comedy; and this is why a man who is worth anything finds society so insipid, while a blockhead is quite at home in it.
My whole persona is vodka bottles and marijuana The hope in Nana was rockin', inspired from my Mama
There's no difference between my persona on Twitter and Instagram and in real life.
Being chronically shy I needed to create a persona for myself and be involved with a band where I could be ruler of my own kingdom. Then Pulp became hugely popular and I lost control of it, which is when it all went wrong.
We all have one other world we live in: our public world. Some people call it our public persona. This is the world where someone who doesn't know you privately, personally, or professionally hears your name and has some opinion about you one way or another. So the question becomes: where is integrity rooted? Some people think it's rooted in their public life. They spend all of their time trying to spin their public image. It's not rooted there, however. It's simply revealed there. People who lack integrity will have it revealed publicly.
My uncles represented a strength and a power I think that to a certain degree I looked up to. But from another perspective, I had really no artist role models to fall under. No guidance in terms of intellect. In terms of not having to relate to a physical persona to get through. I wanted to relate, combine the physical personal, combine the machismo with intellect, with intelligence, with craftsmanship, with creating works that people would just look at and their jaws would just drop open, and "Wow! This is like incredible work!"
When I first came to New York, in the '70s, artists were certainly divided about the Andy Warhol persona, and about the work. I thought it was utterly cool - I thought the Factory was utterly glamorous - but there were a lot of artists I really admired and respected who were older that kind of dismissed it, couldn't get it, and felt that there was a lack of seriousness about it.
The visual world has blown up, the world of writing has blown up; there's so much text online. Anyone and everyone can express themselves. It's a lot to think about as an artist. Also, that the persona of the artist might actually be of some importance. When I came of age, it was important to be quiet and hang back and be mysterious. I knew artists who didn't even want to show up at their own openings. They never wanted to have their picture taken, didn't want to autograph a book, didn't want to answer a question. I came of age in a world where it was "Let the work speak for itself."
In Fleetwood Mac I have a persona, I call myself the 'Spider Woman'. I try to imagine myself putting on a spider mask. I become very subdued and quieter, I don't move so fast., I'm in a state of suspended animation.
I am not an alcoholic. I'm a social catalyst. People pay me to illustrate for other partygoers the chemical process involved in transforming from one persona into another drunker, more fun one. It's a matter of going from dull point A to exciting point B. And I'm a raving success at it. So successful that sometimes I wind up at Mysterious Point C.
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