The most 'popular,' the most 'successful' writers among us (for a brief period, at least) are, 99 times out of a hundred, persons of mere effrontery-in a word, busy-bodies, toadies, quacks.
Oh yes, the Klitschkos. They got to learn how to fight. Period. But I'll tell you one thing - they're great human specimens. And I'd be happy to be able to work with them. If they chose to work with me. They had an opportunity when they got free of Peter Kohl - they didn't come to me. You know, I'm with who's with me. And I really don't care what fighter it is. I would be happy to promote them..Who could beat Vitali? Rahman could beat Vitali. His style is suited to beat Vitali.
I'm a legend because I've survived over a long period of time and still seem to be master of my fate - I'm still paddling the goddamned boat myself.
Good preparation is key for me. Nowadays everyone is an actor slash writer, slash this, slash that, its cool; and you can only go so far on pure talent so you also need to know your craft well. I directed tons of shorts in college and acted in a slew of non paying acting work. You just have to be prepared. Period.
In fact, because I am very time conscious and want to make the most of every moment, I make it a practice to remove my watch before I light the candles as if to suggest that for this brief period, my life must transcend time.
I'm pretty hardcore. I stick exactly to what I'm doing. So I write a novel in one period, and then I'll write stories in another period. I only work on one thing at once, because I'm afraid that I wouldn't finish what I'd started.
Art imitating life and life imitating art, and it's beyond the job - it will always be a marked period in my life.
I think women have the ability to stick with things over a long period of time.
I think the zenith of popular songwriting to the United States of America was that period that started in the '20s and went into the '50s. It was the period of the great American standard song.
There aren't very many women of color in positions of power, period. Much less on television.
Some period of time later you look up and say, "That concern was right on the mark; it happened exactly as I thought it would." So that's been really helpful to recognize.
The press is going to have to learn anew that it's possible to work in an environment that is not so toxic and to readopt those kinds of techniques. The relationship between the press and the Clinton White House during the later period was not a healthy one. There was a lot of hostility and a lot of suspicion. This administration has done systematically what no other administration had done. They came in with a corporate mentality, an ability to stay on script that was without parallel.
When you get new people in, you're going to have a breath of fresh air and there's going to be a window when people will decide what direction to go. It'll be determined by outside events, by the personalities that occupy those positions, and by the treatment they receive both from the press and the public, of the honeymoon period.
Democracy is about criticism. I didn't elect Obama because he's a black; I voted for Obama because he was the right person at the time. Period. The exceptionalism of a black U.S. President is not important to me. It's what he does. And who he has at the table. And what he does to change the world - that's what's important.
I feel like you can have entertainment, and you can laugh, but during that period of time you can also think, and people should get upset. America is spending a lot of time and money pretending to be searching for people who we're not really searching for. That is enough to get someone angry.
My grandfather died in the war, my family went through the war, and it affected my parents in really profound ways. I've always wanted to write about that period - in some ways to digest it for myself, something that defined me but that I didn't go through.
I'm English and I'm used to coming from a world of period dramas, where there's a very polite restraint to everything. Everybody's sort of sitting in drawing rooms.
In science we see progress. In art there is no progress. In art the questions have always been the same. From the beginning of time till now, we are always asking the same questions. There are very few. We are looking for God, we are asking why we die, we are contemplating sex and the beauty of nature. The only thing that changes is that, in each period of questioning, we speak with the language of our time.
When I closed in "King Lear" I went into a period of depression for about three weeks, and every actor I've talked to who's ever played a major, major Shakespeare role has done this.
I don't draw every day. I tend to draw intensely during certain periods of time. I draw to amuse myself on occasion, when I am bored and drawing is the only fun to be had.
I think this is the beginning of a really cool period in music because what we've been living through has been mostly super-testosterone rock, and there's nothing wrong with testosterone but it is damn boring.
It was an honor to work with Samantha Morton on this Casablanca-esque, silent-film-esque, Americana photobooth Woolworth's hay day period piece of surrealism/ realism/ story time tell-tale-ism, black and white 35 mm film, washed in strange light, over this love hate tune, heartbreak song, life-goes-on lullaby, The Last Goodbye. It's a doorway into the future of the fatal past-tense. Get it?
Guys don't go for me. Period. I don't distract them. They don't sneak glances in my direction. They don't think of me when I'm not standing right in front of them. I'm scenery. I'm background.
No iron spike can pierce a human heart as icily as a period in the right place.
We've fallen into a fin-de-siecle period of crisis in which people believe only the things they see right in front of them
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