The Second Amendment to our Constitution is clear. The right of the people to keep and bear Arms shall not be infringed upon. Period.
Usually, ordinary histories don't get the emotional feel of a period. That's what a novel can do.
In the old days, land was important as the giver of all things. That period is gone now. Technology and brainpower are all that matters and yet conflicts over land, specially one like on the India-China border, that yields nothing, continue. This is a burden of ancient history that we continue to carry. If tomorrow there is settlement on planet Mars, we will begin to worry if others are interested.
Being an entrepreneur does require a lot of sacrifice of your personal time and personal hobbies and things that you enjoy. At least for the period of high growth that you experience at the beginning of a company's life cycle, you have to be ready to make a lot of time sacrifices and personal sacrifice.
I think we're entering a new period of filmmaking that's analogous to switching from black-and-white to color, or from silent to sound. The medium is completely flexible, and it's not bound by anything. If you imagine something, you can do it.
There's a weird period of learning how to play guitar where your fingers are constantly messed up a handful.
My poetry is not lyric. The epigrams are lyric because they come from my youthful period of lyricism, but my other poetry is not lyric.
I know my priorities... I love music and I will continue to make songs, I know it's not just a period in my life. But I am focused on my studies.
Everybody reacts differently. For me defeat lingers around for different time periods. I can dwell on some for five minutes or sometimes I can still be thinking about it a week later. It all comes down to experience. You need to reflect on your mistakes and move on. Luckily you always get the opportunity to turn things around in your next performance.
When you're betrayed there's a period of shame and then there's always forgiveness.
There's a kind of edge to what you're doing, the kind of leading edge of what you're doing. Inside that edge [are elements you] are familiar with, and are probably becoming slightly bored with, as well, over a period of time. "I've pulled that one out before. Oh, no, I can't I'm just fed up with that. Let's do something else."And you always think "Oh my God I've never done anything at all like that before." But, of course, in retrospect, and to an outsider, they'll say, "Oh, yeah that's typical Eno.
When you look back on a historical period of music, it seems so obvious to you what the characteristics of it are, but they're not obvious at the time. So, when I look back at my own work, I could easily write a very convincing sort of account of it that made it look like I had planned it all out from day one and that this led logically to that and then I did this and then that followed quite naturally from that. But that's not how it felt.
I know I have patterns and I've always tried hard to avoid them. There are definitely certain things in my music, if I'm looking back, "Well, that was a period where I was experimenting with a certain kind of chord structure or a certain kind of sound." I've tried really hard, but I'd be hard pressed to tell you what that sound, what that tangible sound of "me" is.
Every kid has a bug period, I like to say, and I just got so fascinated and I had that experience, that wonderful life of being able to go out on my own without really any supervision at all. I just lucked out that way. I was trusted as a kid.
I definitely go through periods where I'm in a particular mood, or there's a consistent imaginative context that I feel I'm in, and I'm drawn to certain things. I can sometimes feel it when I'm moving away from something that I was once interested in - an idea or an exploration of particular relationships. I go, 'Well, I think I've done that and I don't want to do it again.'
The first period of getting famous was incredibly strange to me and really fun at the beginning because you didn't realise the consequences of anything. You could say or do whatever you wanted and it just didn't matter.
[Sometimes] I will go through periods where I will think 'Oh maybe I should do a commercial movie' and then I just think, someone gave me a really great piece of advice, someone from my agency weirdly, they said the only clients that are happy are the ones that just do what they want to do. So I just kind of do everything for myself.
When I was a producer, the fun of the show was waking up with a hit and enjoying the period after the show opens. The fun of a director stops the day it opens. No matter if it's a success or a failure, it's not a whole lot of fun anymore.
As soon as you start acting in an accent, you're sort of out of your comfort zone. Maybe people start getting used to accents after a long period of time. But as soon as you do that, it's not so much as capturing the sound of the way other people speak, it's being able to actually be and move around in the sound.
My work is very dear to me, and certainly I have had all the emotional highs and lows that go with trying to get it to an audience. But I do have some kind of detachment that seems somewhat unusual in my trade. I'm a writer who writes every day. I don't have a period of months where I can't get anything done and I wander around tearing my hair out. When I come back from a book tour, for instance, I might have one day where I sleep late and then check my e-mail, and then go for a walk, and then the next day I'm really itching to get back at writing a story.
I write from the place of inquiry. The first draft is a discovery period to see what I know and what I don't know. My task is simply to follow the words. There are surprises along the way. I just have to get it down. Call it the sculptor's clay.
I would describe myself as a filmmaker, period.
Vegetarianism is not implicitly important for the mental progress or the intellectual development, unless it is supposed to be a remedy to clean the body from slag. A temporary abstinence from meat or animal food is indicated only for very specific magic operations as a sort of preparation, and even then only for a certain period. All this is to be considered with respect to sexual life.
Over an extended period of time, if a culture does not entail any traditions...if there are no values or if there is no awareness or social consciousness...a heritage tradition can never be developed.
There is always a bit of pressure to do a good album - to do good work, period. I really put a lot of pressure on myself, more so than other people. But I try not to let that overwhelm me to the point where I can't even do good work. I just put it aside and do the best that I know that I can.
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