The only difference with wrestling is we're like a live performance. So we're feeding off the audience and if they do't like something, they can let us know immediately.
I had been creating music on tape that was to be listened to as a recording, rather than through performance.
When you have performers, there's the uniqueness of live performance and what performers do in concerts.
I can't imagine a successful comedy movie without a successful comedy performance at the heart of it.
I write and rewrite and memorize, and then inject my performance with improvising and spontaneity, because if something feels too rehearsed, it's not going to be fun.
Performances have a bit of a life and a time scale to themselves.
When I go into the editing process, I re-look at the original intuitive thoughts and then it becomes the written performance or text work. Because they look quite big there's this assumption that there isn't much editing, but that's a huge part of it.
I'm interested in really particular details, ideas, thoughts, and emotions, yet it's defused with performance, where you can play with hiding things, or be more confrontational about something shielded. There is this process of layering in performance.
I'm not really interested in making someone endure a performance or stand there for too long. I like to think about the length.
I let the performance speak for itself.
They call them performance artists, but they shouldn't be making an album. They should just be dancers. I don't know, I'm a musical snob. I feel like if you're going to record music and you're going to be a singer, you have to be able to sing.
If he [Donald Trump]can boost Mitt Romney`s performance five points among white folks, he could have a shot.
When I was a junior in college I moved to New York and went to this performance school the Experimental Theatre Wing. We had singing class and again, some of the other students would cry when I was singing, and I really didn't know why. I started to realize that there was something in the tone of my voice that was evocative for them.
I have never played a superhero in real life and I would imagine it is very different Voiceover is super easy. You just come in and do a bunch of versions of it and then the animators and directors on that side of the movie put your performance together.
My favorite thing in moviemaking is to shoot in chronological order if at all possible, because it just helps for continuity and all the logistical purposes. It also helps with performance and the journey of each character, but I also think it's good for the director and everyone [else] involved.
When I go to a show, all I really want is to hear a performance that sounds legitimate, and not just going through the motions. I'm not sure any amount of jumping up and down really persuades me in either direction.
As buoyancy is not contrary to other characteristics of leadership, including decisiveness, accountability and performance standards, I don't ever think it can be self-defeating.
I'm in awe of how grounded Ms. Tyson is and how her performances can be different but the same. She can switch up the delivery, but it's still with the right intention. Her words are effortless in terms of their meaning and how she inhabits them. She's been doing Trip to Bountiful for four months, and it still feels real. She's pretty amazing.
I can't say what my greatest strength between acting and singing is...I'll leave that to the critics. Maybe my best strength is performance itself, being with the audience and feeling what they feel, bouncing off of them.
There is a great amount of precision within each individual's technique and role in the play. When you put 22 of them out there, it can look chaotic but when you break down individual performance, it looks less so.
Performances are so defined by their venues - it'd be nice for the music to dictate more of the reaction.
There's something strange about a laptop, how you can make the tiniest gesture and make the biggest sound. I don't feel I've resolved working a sense of performance into a piece yet.
I always have to pretend I'm somebody else to give the best performance. It kind of feels like I'm acting; it's definitely an exaggerated version of me. I'm a very normal, down-to-earth person, but I wanted the videos to be striking, so I have to lay it on a little bit.
Even as a fan, as someone who's into his performances, the Stooges and his own stuff, Iggy [Pop] is one of the people who kept underlining something that a lot of my older musician friends with punk roots say: you get into this space in your life where you feel like a weirdo, you're marginalised, you don't fit in... and then you can get up on stage in front of people who probably hate you.
I really love watching the 70s live performance TV series "The Midnight Special" and "The Old Grey Whistle Test". Those are the best performances you've ever seen, and they sound incredible.
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