I feel a huge gratification out of being right. To see my projects connect in a way in which the audience is passionate is a huge compliment. For me it's like, if a person is ambitious enough, they run in a tunnel that doesn't end...And I learn things about myself all the time.
I was with Brian De Palma at the time, and he said he wrote the role specifically for me. I don't know what that says about the way he saw me, since the role was of a castrating killer. Brian came one morning to the house, said "Here's your Christmas present." He wrote the character to have a Swedish accent, but since I couldn't pull that off, he switched it to French-Canadian. It was such a romantic time in my life. Everyone was young and passionate and convinced they were going to change film forever.
If I read a script and the subject stays with me - then that's when I want to go to work. Before, I was very addicted to being on set, and I was doing three or four movies a year for many years. Now, fortunately, I can go to work only when I am passionate about a project, and the rest of the time, I can live my life. I'm not interested in doing movies just as a marathon. When I go to work now, I have much more to give. But the other way, you get empty.
My mother was very passionate about life and she would do anything for us. And she had to fight alone to raise us. We never had a lot of money for extras or anything. She had to work six days a week, and then she would do breakfast, lunch and dinner. She was a super-woman! For me, I don't know how she did it with three kids.
I'm passionate about history and there's no more historic place than London. We're sitting on a thousand years of history and you can smell it as you're walking around the streets.
For me being able to see all different places where I've skied and cherish them, and be able to see them - really see them - is something that I'm passionate about. I'm into photography, so I really enjoy taking photos of all the places that I've gone. I think that's the coolest part about being an Olympic sportsman, I get to travel around and see the world for free, technically. And get to see different cultures, and all the different people that I've met along the way - it's a pretty awesome job.
I wanted to be more hands on. Otherwise, every time you finish acting in a movie you have to almost go and beg people for the next job, whereas if you have the chance to create and produce your next movie that keeps you busier, it gives you more options and hopefully enables you to make the type of movies you're passionate about.
I think the reason why I haven't done a film in India so far is because I haven't found a script that's completely gotten my attention and made me passionate to get it made. I keep saying I'm not at all famous in my own country, because people do not think I have done anything for India. The reason why I'm making movies outside my country, bit by bit, is to be able to come back to India equipped with the knowledge and understanding of how to hopefully produce my own films one fine day.
The current state of music journalism is not bad, but it's not great at all. Some of the hip-hop stuff people get into is exciting, because there's a passion and there's something to explain to a more mainstream audience, so you get these passionate writers who want to express their love for rap and hip-hop, which is cool. But there are too many magazines, and the access has been diminished, so the quality of profiles has gone way down. Internet stuff can be really good, though. I like the dialogue between fans on the Internet. I think that's the best rock writing that's going on right now.
Music is all about seduction, so it's an ongoing flirtation, but watching anyone do what they are talented at is totally intoxicating. Take even the ugliest guy and have them do something they are really passionate about - they are instantly attractive. Unfortunately watching someone write is a little lackluster. Maybe if they had a really sexy keyboard face.
The record business is an oxymoron. In the 1960s, there was an upside to selling plastic discs so labels took the risk - they paid for the record, for marketing, promotion, publicity, everything it took to make the artist a star. But now we have to go back to the venture capital model. The business is stopping and everyone's complaining but you can't blame labels. It's a shitty business. You do it because you're passionate, or because it's what you've always known. But if you lived through the nineties, nobody is thinking this is great compared to what it used to be.
I stumbled into soul music at a very young age. It had something that really spoke to me. Nowadays it's not only American gospel or soul music, it's whenever somebody decides to do music in a way that's honest and passionate. I got into the Motown songs. It had to do with where I come from - we don't really have that where I come from, the sense of mystery and the pain. Sweden has been a wealthy and happy country for some time now. I think I got really drawn to that.
In almost any industry, if you're passionate about doing a great job and making people that buy your product or service as happy as possible, it's really fulfilling.
Cachao is obviously Cuban. He's known for traditional Cuban music and that's the music that I'm most passionate about. Cachao is one of the greatest innovators and visionaries. At the base of the tree, the roots, there is Cachao. So I was blessed to have had that time to learn from him and to give him an opportunity and a space where he can create. Everybody always wants to play with Cachao, because he's the guy.
That's always my downfall - when I start not having fun or not feeling passionate about what I'm doing. But that's why I love Emilio Pucci. There are some design houses that operate on a more intellectual level, but the way Pucci has always worked is more spontaneous and instinctual.
Choose something that you're passionate about. So for me, that's creating jobs for women who don't have a voice. I would like to be their voice until they're strong enough and on their feet to have their own and really be heard. The way that I can do that is not necessarily by hand-outs, because my hand-outs wouldn't be great enough to really affect change. It's by providing jobs.
I feel like you can hope and dream and wish, but until you do, nothing is going to happen. So whatever you're passionate about, whatever your hopes and dreams are, you have to go full-steam ahead. But of course I have my moments where I'm trying so hard, and it never seems to break through. It's always when you want to give up that something's going to happen, right? So you just can't give up.
I consider myself a very passionate person, so as much fun as I like to have, I'm also the biggest asshole I know.
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I was working as hard as a human being could work. That tempo hasn't changed. I just have more diversity and more companies, and now I've got 33 companies so my dance card is full. Four kids and three grandkids, but I love that passionate lifestyle. I love constantly growing, I love seeing and feeling that you can have an impact. And gradually it went from just coaching to actually running businesses because I've had experiences that were life changing.
I'm always trying to want to connect with fans and to connect them to each other. I mean, there's other things that I'm trying to do, but in terms of connectivity, that is really important to me. And I am a smaller artist still and there are people that are super passionate about my music, but not everyone in their circle knows about me. But yeah, I've always trying to find ways to connect fans to each other.
Throughout my career, I have benefitted from the experience and counsel of a wide range of people who took a very personal interest in me. As a result, I am always happy to share lessons learned from my journey with others. I am particularly passionate about mentoring young black girls. While we are a very diverse group, there is a special bond that connects us to each other. When I work with them, I see them in me and I believe they see me in them. By coming together, we are able to show the world the power and the promise of black girls.
I want to be remembered as an artist who was really passionate about his work. And as an inspiration. I do what I do to inspire people.
If you know what it is before you even start, it's not as interesting. Central to being an actor is pretending, and the adventure of it all. That's why you become a junkie for different kinds of situations. I try to attach myself to people who really inspire me, and directors who are really passionate. That way, I can give myself more fully and trust the impulse behind why the film is being made, and I can be a little more irresponsible in finding out what the character is. I have to worry less about what the character means if I trust the director.
I aspire to be an instrument of the director. I'm happiest like that. The stronger the director, the more I'm willing to give them. It's not just about admiration for their films, it's how they deal with you, and whether they get you or the way you work. If they don't, you better adjust your way of working to suit them. I want to work with people who are good at what they do, and people who are passionate. As you get older, you suffer fools less easily. That's why there's all those cranky character actors. I'm an exception. I'm a sweetheart.
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