We've become a little spoiled with menswear in particular because, of course, we've come off a period in the '70s and '80s when Armani, which is very soft, dominated menswear. And we've become obsessed with comfort. I actually don't like that.
A particular rule that seems to make sense in the individual case makes no sense when it is made a universal rule and applied to all cases. It makes no sense because it fails to take into account the connection between one broken window left untended and a thousand broken windows.
Do I think men are complicated? People are complicated! I don't know that there is one particular aspect of men in general that I don't understand - other than why do they have nipples? I thought we decided that men are just big, hairy apes.
The Western world, and the UK in particular, is drowning in a sea of its own blubber.
My dad's main client was the World Bank, and he spent most of his time traveling to Third World countries. His particular interest lay in the eradication of poverty through development and business.
With segregation, with the isolation of the injured and the robbed, comes the concentration of disadvantage. An unsegregated America might see poverty, and all its effects, spread across the country with no particular bias toward skin color. Instead, the concentration of poverty has been paired with a concentration of melanin.
The content or message of any particular medium has about as much importance as the stenciling on the casing of an atomic bomb.
We have all our private terrors, our particular shadows, our secret fears. We are afraid in a fear which we cannot face, which none understands, and our hearts are torn from us, our brains unskinned like the layers of an onion, ourselves the last.
There is something about my aura or essence, or whatever, that draws the ex-wife characters to me. I don't seek them out, but people tend to think of me for that particular archetype, or whatever you want to call it, and I don't mind it. I think there is a strength to it.
I love being on movie sets. It's a very particular setting. And not all of the time, most of the time, there's always people you don't like, and you have to see them every day.
It's the opposite on a sitcom. People crave the character to not learn from their mistakes. They want to just see the situation, and then see how that character is going to react to that particular chaotic catastrophe. That's just my take on it, anyway. I don't really get too hung up on what the future of the show is.
The people who believe that their soul is being crushed by playing a particular role need to take a vacation or check into the looney bin for awhile.
You just try to find something that interests you, and particular something that interests you that's gonna consume you the way that these big movies just really eat you up.
Most of the time, with voice-overs, you're recording before they've got the graphics, and you also don't get a whole script. I get my lines, as I show up that day. You don't know what the rest of the story is, so you really rely on the people in the room that you're working with, so they can fill you in on what's going on, right around your particular lines.
We do want people to know if in fact we learn of an incident that's focused on a particular city.If we learn of long-term planning, that's focused on a particular industry or infrastructure. And so we feel we have an obligation to let people know if we have information of a credible threat or not.
One particular night I was at the theater. I was not scouting for a project, but I was touched by this play by Évelyne de la Chenelière. I was touched by the character. I thought it was a rich character that could be rich enough for a movie.
If you're writing a screenplay from scratch, it involves a lot of creation. In this play, I had a strong main character and it involved some creation around him. That's what I like about adapting that particular play because I added some maneuvering space as a scriptwriter to invent my own things.
I'm imagining there's a particular audience out there that's younger and older, too. It works on two levels. Do they exist? I don't know. I had to make it to find out if it does. When you do something this experimental, that's part of the process and part of the risk. I only spent my own money, so that I'm the only person that gets hurt, if it fails.
The idea of the Overton Window is that there`s a fairly narrow window of proposals in any particular policy area that people will take seriously that wouldn`t get you written off as a kook. The way to move or expand that window is to advocate super extreme positions which change the realm of what`s politically possible because after something super nuts has been . floated, thereafter, slightly less nuts positions will start to look acceptable and moderate by comparison.
It is commonplace of all religious thought that the man seeking visions and insight must go apart from his fellows and live for a while in the wilderness. If he is of proper sort, he will return with a message. It may not be a message from the god he set out to seek but even if he has failed in that particular, he will have had a vision or seen a marvel and these are always worth listening to or thinking about.
Global warming hysterics generally have limited scientific knowledge, and of geology and meteorology in particular. Their belief is not science; it's more akin to religion. The main epicenter of hysteria is not the scientific community but seems to be Hollywood.
Deliberation is not a particular type of speech, but a political act of collective decision-making in consideration of consequences.
The great thing in hitting is, not to be half-hearted about it; but when you make up your mind to hit, to do it as if the whole match depended upon that particular stroke.
(The Song Remains The Same) is not a great film, but there's no point in making excuses. It's just a reasonably honest statement of where we were at that particular time. It's very difficult for me to watch it now, but I'd like to see it in a year's time just to see how it stands up.
...in my lieder concerts, I always strove, when possible, to sing only the works of a single composer, so that the audience could be gradually drawn into a particular creative genius' way of thinking, and could follow him.
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