Usually I am on a work for a long stretch, until a moment arrives when the air of the arbitrary vanishes, and the paint falls into positions that feel destined.
The paintings are like prayers, relating to wishing for something beyond everyday life.
Good painting is like good cooking; it can be tasted, but not explained.
A poem is like a painting.
In figure painting, the type of all painting, I have endeavoured to set forth that the principal if not sole source of life enchantments are Tactile Values, Movement and Space Composition.
Painting with all its technicalities, difficulties, and peculiar ends, is nothing but a noble and expressive language, invaluable as the vehicle of thought, but by itself nothing.
Oh! I must somehow manage to do a figure in a few strokes.
To be a painter now is to be part of a very small, endangered species.
If you call painting dumb poetry, the painter may call poetry blind painting.
Painting dissolves the forms at its command ... it melts them into color.
The best portraits are those in which there is a slight mixture of caricature.
Painting is a language which cannot be replaced by another language. I don't know what to say about what I paint, really.
Abstraction is an esoteric language.
Painting is traditional but for me that doesn't mean the academy. I felt a need to paint; I love painting. It was something natural - as is listening to music or playing an instrument for some people. For this reason I searched for themes of my era and my generation. Photography offered this, so I chose it as a medium for painting.
There are only two styles of portrait painting; the serious and the smirk.
Painting is a blind man's profession. He paints not what he sees, but what he feels, what he tells himself about what he has seen.
A man of eighty has outlived probably three new schools of painting, two of architecture and poetry and a hundred in dress.
Painting is an infinitely minute part of my personality.
I do not paint a portrait to look like the subject, rather does the person grow to look like his portrait.
I experience a period of frightening clarity in those moments when nature is so beautiful. I am no longer sure of myself, and the paintings appear as in a dream.
A painting in a museum hears more ridiculous opinions than anything else in the world.
Sunlight is painting.
The painter should not paint what he sees, but what will be seen.
Why do two colors, put one next to the other, sing? Can one really explain this? no. Just as one can never learn how to paint.
The little may contrast with the great, in painting, but cannot be said to be contrary to it. Oppositions of colors contrast; but there are also colors contrary to each other, that is, which produce an ill effect because they shock the eye when brought very near it.
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