At every hour of every day, I can tell you on which page of which book each school child in Italy is studying.
There can be no more thrilling idea of intimacy that connecting with someone through the agency of the written word. Here we meet, on the page, naked and unadorned: shorn of class, race, gender, sexual identity, age and nationality. The reader I seek is a tautology, for he/she is simply exactly the person who wants to read what I have written...
The difference between a writer who toughs it out and one who doesn't is that you push through the parts where you know that you've just written seven pages when all you're looking for is one paragraph.
My experience as a writer is that you really do write seven and eight pages to find the paragraph you were after all along.
I read a ton of scripts. I read a lot of scripts, and you read one, and first of all, you felt like you read it in 14 minutes, because you're turning the pages so fast you can't wait to see what's going to happen.
In Britain we have a very powerful tabloid culture with celebrities on the front page crying with their make-up smeared and tears, and it's kind of what you'd expect from someone who likes to dress up that way.
I think the writing and the casting and all of that has so much to do with actors becoming their characters. I think if an actor is right for a role, casting sees that and the words that are on the page, depending on how it's written, can really help your character develop.
VOID is filled with intrigue, suspense, and smoldering desire. This story will keep you turning the page until the very end.
I don't think paper will go away. I do believe that the value of paper will change, and Xerox is working on changing that value. Consider a color page. Actual life is in color, but you keep reproducing it in black and white. You remove value. It's a bad thing to do.
I read a lot of scripts, so I know by page 25 if I like it or not.
Examining the world in order to find consolation is very much like looking carefully over the pages of a great book in order to find our own name . ... Whether we find what we want or not, our preoccupation has hindered us from a true knowledge of the contents.
Whatever is felt upon the page without being specifically named there - that, one might say, is created. It is the inexplicable presence of the thing not named, of the overtone divined by the ear but not heard by it, the verbal mood, the emotional aura of the fact or the thing or the deed, that gives high quality to the novel or the drama, as well as to poetry itself.
In the mental disturbance and effort of writing, what sustains you is the certainty that on every page there is something left unsaid.
Should novels generally be 600 pages? No, they should not. Half of writing, maybe 3/4 of writing, is editing. This seems to be a thing that has not gotten through to them. It's my impression that you could get rid of half of most of these books. These people are not good enough to be this long, but they're apparently also not good enough to be shorter.
But the good deed, through the ages Living in historic pages, Brighter grows and gleams immortal, Unconsumed by moth or rust.
The words that bore the deathless verse of Homer from bard to a group of fascinated hearers, and with whose fading sounds the poems passed beyond recall, are fixed on the printed page in a hundred tongues. They carry to a million eyes what once could reach but a hundred ears.
Nothing moves except my eyes and my hand occasionally turning a page, and yet something not exactly defined by the word "text" unfurls, progresses, grows and takes root as I read. But how does this process take place?
The listeners who buy books after a reading multiply that reading; the author who realizes that he or she may be writing on a blank page but is at least not speaking to a blank wall may be encouraged by the experience, and write more.
There can be no doubt that Samuel Marchbanks is one of the choice and master spirits of this age. If there were such a volume as Who Really Ought To Be Who his entry would require several pages.
Nietzsche says that as soon as he had read a single page of Schopenhauer, he knew he would read every page of him and pay heed to every word, even to the errors he might find. Every intellectual aspirant will be able to name men whom he has read in this way.
Once, when the days were ages, And the old Earth was young, The high gods and the sages From Nature's golden pages Her open secrets wrung.
I gave my decisions on the principles of common justice and honesty between man and man, and relied on natural born sense, and not on law, learning to guide me; for I had never read a page in a law book in all my life.
Feminism, in all fields, has yet to produce a single scholar of the intellectual rank of scores of these learned men [e.g., Bruno Snell, Albin Lesky, Denys Page] in the German and British academic tradition.
History has tongues Has angels has guns has saved has praised Today proclaims Achievements of her exiles long returned Now no more rootless, for whom her printed page Glazes their bruised waste years in one Balancing present sky.
Today, on this day of possibility, we stand in the shadow of a lanky, raw-boned man with little formal education who once took the stage at Old Main and told the nation that if anyone did not believe the American principles of freedom and equality, that those principles were timeless and all-inclusive, they should go rip that page out of the Declaration of Independence.
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