I am carrying out my plan, so long formulated, of keeping a journal. What I most keenly wish is not to forget that I am writing for myself alone. Thus I shall always tell the truth, I hope, and thus I shall improve myself. These pages will reproach me for my changes of mind.
It's been said that happiness writes white. It doesn't show up on the page. When you're on holiday and writing a letter home to a friend, no one wants a letter that says the food is good and the weather is charming and the accommodations comfortable. You want to hear about lost passports and rat-filled shacks.
Here I am, on the road again. There I am, up on the stage. Here I go, playing star again. There I go, turn the page.
I heard some famous people had an anniversary, five long years together, it was Hollywood history. Now my grandma and grandpa never made no printed page, but they took the love of 57 years right to the grave.
Four years ago nobody but nuclear physicists had ever heard of the Internet. Today even my cat, Socks, has his own web page. I'm amazed at that. I meet kids all the time, been talking to my cat on the Internet.
As soon as I got into the library I closed my eyes and took a deep breath. I got a whiff of the leather on all the old books, a smell that got real strong if you picked one of them up and stuck your nose real close to it when you turned the pages. Then there was the the smell of the cloth that covered the brand-new books, books that made a splitting sound when you opened them. Then I could sniff the the paper, that soft, powdery, drowsy smell that comes off the page in little puffs when you're reading something or looking at some pictures, kind of hypnotizing smell.
The job of the first eight pages is not to have the reader want to throw the book at the wall, during the first eight pages.
Fiction is very greedy. It will take all you know and then some. The first novel I tried to write, I was struck by this - the appetite of the blank page for ever more information, ever more data. An empty book is a greedy thing. You are right: You wind up using everything you know, and often more than once.
You don't sit up in a cave and write the Great American Novel and know it is utterly superb, and then throw it page by page into the fire. You just don't do that. You send it out. You have to send it out.
Everyone of them words rang true and glowed like burning coal, pouring off every page like it was written in my soul from me to you.
Elizabeth Barrett Browning could write a poem two pages long. Could she have brought it to a music publisher?
I'm trying to grow. I don't want to stay on the same page.
I've never written about my husband, Steve, or any of my children because I know them all too well. I see them in all their complexities which makes them impossible to render on the printed page.
I have a lady, she's a great lady. I love her a lot, she loves me. We're on the same page. Whenever that day happens when we're not on the same page we'll move forward with it. We're interested in having our lives be our lives right now and not a third person's vis-a-vis marriage and whatever that means.
I have three brothers and they're all into computers. They're all intellects. My mother would pay me a quarter a page to read a book and I couldn't make 50 cents. I just couldn't do it.
I will say that comic books are not the easiest things to translate to film, number one. Even the most well meaning of filmmakers find what's acceptable on the printed page is very difficult to bring to film.
But a writer's contribution is literary and a film is not literary. When you take that stuff off the page, and cast the people who are going to fit into those roles, that's what being a director is.
When I am writing a story it feels as real as the life I am experiencing off the page. It's an emotional illusion, I guess.
I think everyone's different but in comedy, I try to do my scene to make the director and the other actors laugh. If I can make them laugh and we have the same sensibility, then I'm on the right page.
It's a comedy thriller, brilliantly written and it's full of twists and turns at every page. When I was reading it I was desperate to get to the end to find out what happens, it really hooks you.
I keep telling myself I should try very hard to write a novel of about 210 pages... I don't seem to be capable of it, but I keep hoping it will happen.
I tried once in my life to write a novel. I had written something like 80 pages of it when my laptop got stolen. When I told people this, they acted as if something tragic had happened, but I kind of felt relieved, grateful to the thief who saved me from another year of something that felt more like homework than fun.
But it's the particularity of a place, the physical experience of being in a place, that makes it onto the page. That's why I don't just do library research. I very rarely write about somewhere I haven't been.
The writer creates the role on the page and then the actor takes it and makes it their own.
Before I write the first page of a novel, I spend a long time creating detailed backgrounds for my characters. I imagine the experiences that have formed them, what makes them happy, angry, fearful, and what they yearn for.
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