The possibility of an Oscar is something I definitely think about and the fact that I can even say that is just a blessing. It's something I would be incredibly honored to be a part of.
Cary Grant never won an Oscar, primarily, I suspect, because he made everything look so effortless. Why reward someone for having fun, for being charming?
I never planned to win an Oscar. When I auditioned for Ray, I was just thinking about what a great project it would be.
How are people who are young and look like Oscar [Grant] portrayed in the media? You gotta think about that. And somebody given a badge and a gun and told to go police in those communities, all of a sudden they got to protect and serve and talk to people they never even spent time with [and] they might have formed opinions about.
For me the movie [Fruitvale Station ] wasn't about that. The movie's about [Oscar Grant] life. And what happens on the platform is a very short part of the film. It's from Oscar's perspective. From the perspectives of the relationships that he's involved with.
People want to know everyone for a lot of different reasons. It doesn't have to be anything as big as an Oscar nomination. It could be a brand new job. People see their opportunity. And, when you're winning, everyone loves a winner.
I've just never seen a live event [like Oscar] where the emotional swings - it was just stunning.And it was interesting because, on one hand, "Moonlight" is one of these, like, generational pictures that you wanted to see win. But at the same time, if "La La Land" had won, I completely understood.
If there is an auteur who influenced me - and there is only one - that is Charlie Chaplin. And he never won an Oscar.
I even had success with commercials, which is strange, because out of the six ideas, two won the platinum Minerva in France - it's the Oscar for their commercials. One was about the Renault diesel and the other about the regular Renault.
I wasn't a kid growing up thinking, 'One day I'll get an Oscar and make a speech.' That wasn't on my mind.
[Oscar Wilde's Salome screenplay] is not autobiographical in a sense where you go to my house and see my kids and stuff like that, but that's why I guess it's semi-autobiographical.
I archive a lot of my clothes and have them wrapped up and in boxes. I call them 'little tombs' and keep them in a storage space... I would never get rid of the dress I wore on the night I won my Oscar. When I die, someone can have it, but not a minute before!
When you do these things, you sort of take the journey. The journey is all about how I can interweave the Oscar Wilde story, the story of Salome, the play itself and what it is, what it contains, and my journey as an actor, as a director, as a filmmaker, as a person struggling with whatever I'm struggling with - my own celebrity, my own life. This is semi-autobiographical in terms of my commitment to this kind of thing.
I live in Spain. Oscars are something that are on TV Sunday night. Basically, very late at night. You don't watch, you just read the news after who won or who lost.
You want to unify America with a sense of culture and decency and all of this that reasserts and reaffirms the concepts of American exceptionalism.But the left and who they are, you watch Hollywood, you watch the Oscars, you watch any left-wing, it's not even Democrat. It is ultra left-wing radical.
I carried my Oscar to bed with me. My first and only three-way happened that night.
You win an Oscar, and immediately people ask how you feel. So you don't have time to actually feel anything because you have to generate a response. And then some of the feelings you have are so intimate and visceral, words don't really do them justice.
If Milo [Yiannopoulos] were a liberal, he could say whatever and then some, and he wouldn't be addressing Conservative Political Action Conference, he would be emceeing the Oscars.
An Oscar is a total honor. It's thrilling, and on the one hand, it means a lot of things, and on the other hand, it doesn't really mean anything. It's a moment in time.
As far as piano players are concerned, Oscar Peterson is my very favorite. I also like McCoy Tyner. I think that the big jazz stars, both now and in the past...how shall I say it? These guys are as great as Bach, Beethoven; all of them. People don't know it yet. If jazz survives and is put on a pedestal as an art form, the same as classical music has been through the years, a hundred years from now the kids will know who they were, with that kind of respect.
Oscar Wilde: 'Do you mind if I smoke?' Sarah Bernhardt: 'I don't care if you burn.'
That's the Oscars for ya - you remember who was nominated, but you don't remember who won!
Our nights didn't begin until after noon. Because in the old days, you'd start Birdland at 8:30 or 9 pm and play until 4 in the morning. Then you'd go out to the corner and talk to a couple of musicians - I used to talk to Oscar Pettiford a whole lot - you'd stand there till 7, 8 or 9, or else go down to the jam session at Minton's.
The Oscars are not something I watch anyway.
Do we stand up over a gold plated trophy? Or do we stand up and say we need equal wages and equal treatment?The Oscars have not been any different for what...89 years? But why do we keep wanting to get thrown a bone? Why do we want to keep saying 'Can we please come to your party?
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