I've been obsessed with clothes since I was a little boy.
We have a good life when we manage to live with both satisfied and unsatisfied needs, when we are not obsessed by what is beyond our reach.
The story goes that every Jedi constructs his own lightsaber, and every penmonkey constructs his own pen. Meaning, we all find our own way through this crazy tangle of possibility. This isn't an art, a craft, a career, or an obsession that comes with easy answers and isn't given over to bullshit dichotomies. We do what we do in the way we do it and hope it's right. Read advice. Weigh it in your hand and determine its value. But at the end of the day - and at the start of it - what you should be doing is writing. Because thinking about writing and talking about writing just plain isn't writing.
"Half genius and half buffoon," Freeman Dyson ... wrote. ... [Richard] Feynman struck him as uproariously American-unbuttoned and burning with physical energy. It took him a while to realize how obsessively his new friend was tunneling into the very bedrock of modern science.
Ever since I was little I really loved boyish clothes - I had a real obsession with strict clothes, like uniforms. They really got me going.
I think all of us begin as writers. I wanted to be a writer from the time I as eight, long before I heard of jazz. The question is, once you have that obsession, what is your subject going to be and you often don't know for some time. It might become fiction, it might be non-fiction, and if it's non-fiction it can go in any number of directions.
I've always been pulled toward people who can't seem to make anything fit. It's like a cinema of isolation, of loneliness. They go outside the system and create their own society to develop their obsession to an insane degree.
When you're first in love with somebody, and it's not true love, it's borderline obsession, it's kind of like an addiction. You switch into this weird, weird part of your mind when you just can't live without that person. And you want to envelop them. You want them flowing through your veins.
If people want to criticize a performance, that I understand. I think that's important. What's going on with this industry now is crazy. That obsession with celebrity is madness. I try as hard as I can not to read that stuff. Because most of the time it's a bit... factual. And it's frustrating because it's not about what you're setting out to do as an actor.
The '80s just had this sense of outrageous fun coupled with great stories and characters. Then there's the practical effects and buckets of gore in movies. These are movies that, for the most part, still stand up to this day. But I guess the real reason for my love and obsession with this period is these were my first horror movies. I was a teenager during the '80s and I think spending that part of your life in that particular time really has an impact on you for the rest of your life.
I'd work on Garbage or I'd edit a song or writing here, but I was able to do a lot of things with my family. There are things outside of Garbage, the whole band has come to realize that we need things like that. That's why we took that break. Garbage had swallowed us up and had become a full time obsession for us and we needed to escape that and reclaim our old lives.
Every book presents its own specific challenges, or should, and you're right that this one has a preoccupation with uncertainty. In this, Valiant Gentlemen is a rupture from previous work as its obsession is with the psychology of characters who are in states of unknowing living in unpredictable times where the stakes are unusually high.
When looking at female body builders and reading about the industry and the culture, their bodies just break down. They end up having to get breast implants and not having menstrual cycles. The obsession of pushing your physical self way beyond what nature is expecting is really interesting. I liked the idea of these women; it's their career, but it's also their obsession.
Aristocratic depression has this cosmic dimension to it, where it's asking these big questions about, "Why?" "What is the purpose of all this?" Neuroses of the middle class is the banishment of aristocratic depression, because it's kind of this obsession with quotidian detail that pushes these larger questions away.
In Germany, they were very interested in talking about their past. I respect that, and I think they've done quite well. It's become a kind of obsession, as it bloody well should, when compared, for example, to France, which hasn't done anything. France has done no work about their part in transporting eighty thousand people to their deaths. They are still the guy in the leather jacket with the onion, who's a part of La Résistance. In fact, they collaborated, not resisted.
Most little children's obsessions are robots and Barbie dolls. My obsession as a kid was the Versace house. I used to save up my pocket money to buy Versus shirts. I was that obsessed!
I think young people are aware, more than when I was young. There is such an obsession in the media of young people, about their beauty. The magazines and the fashion, all these kinds of things. They know that, and they use this power.
When you're writing - when I'm writing anyway - I'm writing out of different kinds of preoccupations and obsessions, different forms of drivenness, and so you're really hostage those while writing. I am, anyway. And it's only when you finally take the finished thing out of the furnace that you see what it was that went into the making of the thing.
There's another little vision in my life, going into a restaurant in New York years ago: All the women are sitting in their little strapless dresses with their cleavage, and there's this one woman in a sleeveless turtleneck and pants. And I can tell you that every man in that restaurant looked at that woman's arms. It was hypnotizing when everything was covered up. Just the face, the conversation - and you see the arms. And the arms and the hands become an obsession. I like that.
The truth about being a writer is you do not choose the stories you tell, but stories choose you. You do not choose, therefore, characters either. Novels are like dreams you dream with your eyes open; they are books which appear in your head with the same apparent immediateness as they appear in your dreams at night. A writer always writes their obsessions and the truth is that all throughout life we end up writing the same thing in different ways.
At some point, you have to disconnect, if the obsession with playing a real person gets in the way of the movie at large. At the same time, we're all interested, as actors in trying to get as close to the real thing as we can, and whatever you can do in order to create that transformation feels fun and, for me, the furthest I can get away from myself is fun. It's all part of the costume, the accent, and all that stuff. It's about trying to get close without it being a detriment to the point of view of the story that you're trying to tell.
Our present era, to my mind, is characterized by a profound forgetting of the past. "The future, the future, the future." The 21st century, all the technology obsession.
I think the Donald Trump's obsession is, is bigger than just polling. I mean it's funny because we've been harping on polls like never before, Trump was harping on his own polls endlessly. I mean his stump speeches would begin with him crowing about his latest poll numbers and that was just a kind of odd convergence.
Artists have wild desires and a terrible hunger to achieve... Without it they haven't the juice for striving or loving. But desire also can make them greedy and turn dreams into unrealizable obsessions.
I think we are obsessed in the U.S. with the personal, in ways that blind us to more important issues of life. I just think if we could take all the obsession with the personal (inaudible), and personal judgment and have people be concerned about the environment, what a different world we would live in.
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