Objects Quotes - Page 9

• Because that’s how it works after something terrible has happened. You know this is true if something terrible has ever happened to you. A thousand objects take on new meaning. Everything is a reminder of something else.

  Deb Caletti

  Reminders, Terrible, Thousand

  Deb Caletti (2012). “Stay”, p.43, Simon and Schuster

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• You become like what you worship. When you gaze in awe, admiration, and wonder at something or someone, you begin to take on something of the character of the object of your worship.

  N. T. Wright

  Character, Admiration, Worship

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• Does she still love you?" "I don't think so," Magnus said dryly. "She wasn't very pleasant the last time I saw her. Of course, that could be because I've got an eighteen year-old boyfriend with a stamina rune and she doesn't." Alec sputtered. "As the person being objectified, I ... object to that description of me.

  Cassandra Clare

  Love You, Thinking, Years

  Cassandra Clare (2012). “Cassandra Clare: The Mortal Instruments Series (5 books): City of Bones; City of Ashes; City of Glass; City of Fallen Angels, City of Lost Souls”, p.1827, Simon and Schuster

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• The loved object is simply one that has shared an experience at the same moment of time, narcissistically; and the desire to be near the beloved object is at first not due to the idea of possessing it, but simply to let the two experiences compare themselves, like reflections in different mirrors. All this may precede the first look, kiss, or touch; precede ambition, pride, or envy; precede the first declarations which mark the turning point—for from here love degenerates into habit, possession, and back to loneliness.

  Lawrence Durrell

  Loneliness, Ambition, Kissing

  Lawrence Durrell (2012). “The Alexandria Quartet: Justine, Balthazar, Mountolive, Clea”, p.39, Faber & Faber

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• Ah,” said Magnus. “Nerd love. It is a beautiful thing, while also being an object of mockery and hilarity for those of us who are more sophisticated.

  Cassandra Clare

  Beautiful, Nerd, Hilarity

  Cassandra Clare (2012). “City of Lost Souls”, p.209, Simon and Schuster

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• I've got the Mark of Cain," said Simon. "That means nothing can kill me, right?" "You can kill yourself," Magnus said, somewhat unhelpfully. "As far as I know, inanimate objects can accidentally kill you. So if you were planning on teaching yourself the lambada on a greased platform over a pit full of knives, I wouldn't." "There goes my Saturday.

  Cassandra Clare

  Teaching, Mean, Knives

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• You aren't going to go crazy," I said firmly. "You're stronger than you think. The next time you feel that way, find something to focus on, to remind you of who are." "Like what? Got some magic object in mind?" "Doesn't have to be magic," I said. I racked my brain. "Here." I unfastened the golden cross necklace. "This has always been good for me. Maybe it'll help you." I set it in his hand, but he caught hold of mine before I could pull back

  Richelle Mead

  Crazy, Thinking, Hands

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• My object then," replied Darcy, "was to show you, by every civility in my power, that I was not so mean as to resent the past; and I hoped to obtain your forgiveness, to lessen your ill opinion, by letting you see that your reproofs had been attended to. How soon any other wishes introduced themselves I can hardly tell, but I believe in about half an hour after I had seen you.

  Jane Austen

  Believe, Mean, Pride

  Jane Austen (2015). “Jane Austen Collection: Pride and Prejudice, Sense and Sensibility, Emma, Persuasion and More”, p.728, Xist Publishing

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• I earnestly wish to point out in what true dignity and human happiness consists. I wish to persuade women to endeavor to acquire strength, both of mind and body, and to convince them that the soft phrases, susceptibility of heart, delicacy of sentiment, and refinement of taste, are almost synonymous with epithets of weakness, and that those beings are only the objects of pity, and that kind of love which has been termed its sister, will soon become objects of contempt.

  Mary Wollstonecraft

  Heart, Mind, Wish

  Mary Wollstonecraft (2012). “Mary, A Fiction and The Wrongs of Woman, or Maria”, p.303, Broadview Press

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• I was forced to fall back upon the unsatisfactory conclusion, that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth. It was possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression.

  Edgar Allan Poe

  Lying, Fall, Simple

  Edgar Allan Poe (2015). “The Fall of the House of Usher”, p.2, Booklassic

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• Trapped in silence, Marco traces apologies and adorations across Celia's body with his tongue. Mutely expressing all the things he cannot speak aloud. He finds other ways to tell her, his fingers leaving faint trails of ink in their wake. He savors every sound he elicits from her. The entire room trembles as they come together. And though there are a great many fragile objects contained within it, nothing breaks.

  Erin Morgenstern

  Apology, Silence, Leaving

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• Like the eye which sees everything in front of it and never sees itself, faith is occupied with the Object upon which it rests and pays no attention to itself at all. While we are looking at God, we do not see ourselves - blessed riddance. The man who has struggled to purify himself and has had nothing but repeated failures will experience real relief when he stops tinkering with his soul and looks away to the perfect One.

  Aiden Wilson Tozer

  Real, Blessed, Eye

  "More Than a Savior: When Jesus Calls You Friend". Book by Robert Crosby, www.huffingtonpost.com. 1999.

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• Belief is one of the most powerful organic forces in the multiverse. It may not be able to move mountains, exactly. But it can create someone who can. People get exactly the wrong idea about belief. They think it works back to front. They think the sequence is, first object, then belief. In fact, it works the other way.

  Terry Pratchett

  Powerful, Moving, Thinking

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• Something must always remain that eludes us ... For power to have an object on which it can be exercised, a space in which to stretch out its arms ... As long as I know there exists in the world someone who does tricks only for the love of the trick, as long as I know there is a woman who loves reading for reading's sake, I can convince myself that the world continues ... And every evening I, too, abandon myself to reading, like that distant unknown woman.

  Italo Calvino

  Reading, Elude Us, Space

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• ...one emotion after another crept into her face like objects into a slowly developing picture.

  F. Scott Fitzgerald

  Faces, Emotion, Developing

  F. Scott Fitzgerald (2013). “The Great Gatsby”, p.97, Atlântico Press

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• Indeed, the maligned American pastime of baseball may be by-far the greatest and best sport by one criterion, when it comes to emulating and training for genuinely useful Neolithic skills! Think about it. The game consists of lots of patient waiting and watching (stalking), throwing with incredible accuracy and speed, sprinting, dodging... and hitting moving objects real hard with clubs! And arguing. Hey, what else could you possibly need? Now, tell me, how do soccer or basketball prepare you to survive in the wild, hm?

  David Brin

  Basketball, Soccer, Sports

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• In poetically well built museums, formed from the heart's compulsions, we are consoled not by finding in them old objects that we love, but by losing all sense of Time.

  Orhan Pamuk

  Heart, Museums, Losing

  "Orhan Pamuk's Museum of Innocence - in pictures", www.theguardian.com. April 27, 2012.

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• With the death of my father, it wasn't just the objects of everyday life that had changed; even the most ordinary street scenes had become irreplaceable mementos of a lost world whose every detail figured in the meaning of the whole.

  Orhan Pamuk

  Father, Everyday, Ordinary

  Orhan Pamuk (2011). “The Museum of Innocence”, p.312, Faber & Faber

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• But the man who is not afraid to admit everything that he sees to be wrong with himself, and yet recognizes that he may be the object of God's love precisely because of his shortcomings, can begin to be sincere. His sincerity is based on confidence, not in his own illusions about himself, but in the endless, unfailing mercy of God.

  Thomas Merton

  Men, Mercy Of God, May

  Thomas Merton (2002). “No Man Is an Island”, p.228, Houghton Mifflin Harcourt

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• A book is a physical object in a world of physical objects. It is a set of dead symbols. And then the right reader comes along, and the words—or rather the poetry behind the words, for the words themselves are mere symbols—spring to life, and we have a resurrection of the word.

  Jorge Luis Borges

  Spring, Book, World

  Jorge Luis Borges, Calin Andrei Mihailescu (2002). “This Craft of Verse”, p.4, Harvard University Press

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• Art is not, as the metaphysicians say, the manifestation of some mysterious idea of beauty or God; it is not, as the aesthetical physiologists say, a game in which man lets off his excess of stored-up energy; it is not the expression of man's emotions by external signs; it is not the production of pleasing objects; and, above all, it is not pleasure; but it is a means of union among men, joining them together in the same feelings, and indispensable for the life and progress toward well-being of individuals and of humanity.

  Leo Tolstoy

  Art, Mean, Men

  Leo Tolstoy (2009). “Last Steps: The Late Writings of Leo Tolstoy: The Late Writings of Leo Tolstoy”, p.98, Penguin UK

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• Purchasing power is a license to purchase power. The old proletariat sold its labour power in order to subsist; what little leisure time it had was passed pleasantly enough in conversations, arguments, drinking, making love, wandering, celebrating and rioting. The new proletarian sells his labour power in order to consume. When he’s not flogging himself to death to get promoted in the labour hierarchy, he’s being persuaded to buy himself objects to distinguish himself in the social hierarchy. The ideology of consumption becomes the consumption of ideology.

  Raoul Vaneigem

  Drinking, Order, Making Love

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• Adrian was easily distractible by wacky topics and shiny objects.

  Richelle Mead

  Topics, Wacky

  Richelle Mead (2012). “The Golden Lily: A Bloodlines Novel”, p.83, Penguin

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• How promising you are as a Student of the Game is a function of what you can pay attention to without running away. Nets and fences can be mirrors. And between the nets and fences, opponents are also mirrors. This is why the whole thing is scary. This why all opponents are scary and weaker opponents are especially scary. See yourself in your opponents. They will bring you to understand the Game. To accept the fact that the Game is about managed fear. That its object is to send from yourself what you hope will not return.

  David Foster Wallace

  Running, Mirrors, Games

  David Foster Wallace (2011). “Infinite Jest”, p.128, Hachette UK

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• Poetic simile was strictly limited to statements like 'his mighty steed was as fleet as the wind on a fairly calm day, say about Force Three,' and any loose talk about a beloved having a face that launched a thousand ships would have to be backed by evidence that the object of desire did indeed look like a bottle of champagne.

  Terry Pratchett

  Wind, Desire, Ships

  Terry Pratchett (2012). “The Wit and Wisdom of Discworld”, p.17, Harper Collins

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