Some men send me condoms and underpants. I'm not sure what they want.
I'm not sure if I want to continue to work when I have kids.
But I wouldn't recommend writing. You can be a successful writer and never meet another soul. I'm not sure that's a good thing.
Again, it does seem like frustration is mounting in interesting ways, but I'm not sure there will be some dramatic tipping point. Then again, looking back on the history of television, you never know. People had to fight and articulate the politics and the rationale for different funding mechanisms. That was a long and drawn-out battle fought in different countries; it's not like BBC and the CBC in Canada just magically appeared out of the ether. People had to organize for it. I'm always willing to be surprised.
I am not sure I knew what I was doing, writing an "apocalypse" novel, when I started this book. Now that the book is done, I can own that I have in fact written an apocalypse novel, one that speculates on a dark, dark future. Why I did it, I really don't know - every time people read my work they comment on its darkness, its sadness.
I am not sure how a novel changes the world. I think it alters a reader's perspective by asking him or her to see the world through another consciousness. That can perhaps cause people to see their own lives differently. Or just give a single day, a single moment, a slightly different sheen.
I could probably say a lot of things, but I'm not sure they'd be fit for publication.
I'm not sure I can name a kind of story that wouldn't work in comics form. It's words and images, and we've been telling all kinds of stories with that combination since theatre was invented thousands of years ago.
China reformed its state sector before, in the late 1990s. Tens of millions were laid off at the time. That was scary and we had warnings of social unrest. But it did not happen. Instead, there was a restructuring in our economic system. I am not sure if China will follow a Western playbook in this respect.
I'm not sure running the press has changed how I write (though perhaps it has in ways I can't see), but it has certainly changed my relationship to how books get made.
Many of our holidays revolve around traumas that happened to our people and how we must remember them in specific ways. The way these stories are told and what we take away from them can change, and do in certain contexts, but overall I am not sure whether Jews want to let go of the narrative of the victim.
I've been in bands since I was about fifteen, so there are probably quite a lot of terrible teenage songs kicking about somewhere. I'm not sure what it was about to be honest, I think it was probably just something along the lines of teen angst.
I'm not sure any narrative model has been more important for me than Benjamin Britten's chamber operas.
I'm not sure what kept me from the mainstream. I thought it was because I was too hard to pin down genre-wise.
I wouldn't mind having another shot at doing comedy, but I'm not sure that's the way I'd want to go.
I try to use fiction in order to reduce the potentiality of something being true. We produce our own memories so I'm not sure of truth.
I'm not sure what gave me empathy for animals, but I do know that I have always loved animals since I was a very young child. I always felt a need to nurture and protect them. Perhaps I could see they needed that, and caring for them made me happy.
I'm not sure it's possible to stay in Hawaii. It's kind of impractical.
The choice that you really have is that you can go and work for TV which is so badly paid that you have to really churn them out which I think probably helps you develop certain muscles. I'm not sure though that you really want to have those muscles as a director.
I'm not sure everybody agrees with me. I guess a lot of people don't. We are living in a time that's as evil as any time that there has ever been.
There wasn't reparative therapy in Corinth. So in this passage I think people came to Christ and experienced a new life in him apart from the therapeutic process. But when it comes to someone pointing to this passage and saying homosexuals changed, well, I'm not sure that's what that passage is referring to.
I think that it is true that Eleanor Roosevelt, by being so active on that front, contributed to that impression very substantially. And it's to her credit that she was interested in this, let me say. But once again, I'm not sure the extent to which Roosevelt - I guess he did use her really, particularly on the civil rights front. No question about it, because she was well identified out there, and brought a good many blacks into the Administration, into the White House, into his presence and so on.
In terms of legacy, I'm not sure that I see some great historic deposit there, as a result of her passing our way. She heightened the sense of social conscience in the New Deal generally. To her great credit, she was early on the side of the blacks in their fight for civil rights. She had a tendency to participate, which easily oozed over into meddlesomeness.
A lot of people have been asking whether I would ever go into politics. I'm not sure I would.
It's very rare that I play cool people. I'm not sure what that says about me.
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