What I like about non-fiction is that it covers such a huge territory. The best non-fiction is also creative
The problem with fiction, it has to be plausible. That's not true with non-fiction.
One of the paradoxes of writing is that when you write non-fiction everyone tries to prove that it's wrong, and when you publish fiction, everyone tries to see the truth in it.
I read very widely, both non-fiction and fiction, so I don't think there's a single writer who influences me.
I grew up poor in crappy situations various crappy situations. What kept me sane was reading and music. I had so many different literary tastes growing up, be it fiction like Stephen King or Piers Anthony or non-fiction like reading Hunter S. Thompson essays or reading the Beats. I was a huge fan of the Beat movement.
There’s different ways to be impacted by truth. One is to read the scriptures. Another is to read other works by other people who have read the scriptures, non fiction for example. Another is to do studies. Another is to go to a place of worship. Another thing is to sit and listen to someone who’s speaking. There’s all kinds of ways. Another way is to write. About the truth. Discover the struggle through your character.
There's a fine line between fiction and non-fiction and I think I snorted it somewhere in 1979
Any woman who wishes to be an intellectual, to write non-fiction, to deal with theory, faces a lot of discrimination coming her way and perhaps even self-doubt because there aren't that many who've gone before you. And I think that the most powerful tool we can have is to be clear about our intent. To know what it is we want to do rather than going into institutions thinking that the institution is going to frame for us.
I was trained mainly as a short story writer and that's how I started writing, but I've also become very interested in non-fiction, just because I got a couple of magazine jobs when I was really poor and needed the money and it turned out that non-fiction was much more interesting than I thought it was.
There is a physics to the world, which non-fiction has a contract to stand in awe of, otherwise it becomes completely self-centered and ego-driven, which is the death of a memoir.
(about organizing books in his home library, and putting a book in the "Arts and Lit non-fiction section) I personally find that for domestic purposes, the Trivial Pursuit system works better than Dewey.
The non-fiction bestseller lists frequently prove that we all want to know more about everything, even if we didn't know that we wanted to know - we're just waiting for the right person to come along and tell us about it.
Read everything. Read fiction and non-fiction, read hot best sellers and the classics you never got around to in college.
So much history, if you or I were to write it, could seem a fiction. These separations, these lines that tell us this is fiction or non-fiction, that this is history or this is a novel, are often useless.
It's funny because when I was growing up, I was really into science fiction and fantasy as a kid. And, when I first became a screenwriter, I ended up really just doing historical drama and non-fiction based stuff, like Band of Brothers and stuff that didn't get made, but was also non-fiction.
Don't make a big distinction between fiction and non-fiction. These are arbitrary distinctions.
I think fiction can help us find everything. You know, I think that in fiction you can say things and in a way be truer than you can be in real life and truer than you can be in non-fiction. There's an accuracy to fiction that people don't really talk about - an emotional accuracy.
In non-fiction you have to stay true to historical events, be they personal or national .
I always say that writing non-fiction versus writing fiction is a bit like architecture versus abstract painting.
Many Americans have never owned a book. And others have never owned a non-fiction book. Providing them with a 300-page paperback would get them started, maybe. And even if it didn't, at least they'd own that one. So that's a serious problem.
I'm very interested in film making. It's telling a story, fiction or non-fiction. I have been filmed quite a lot. Contrary to popular belief, filming isn't glamorous. It can be wearingly repetitious, as the same shot is taken over and over again.
My documentaries have always been very much constructed in the spirit of dominant cinema. From the time I started making non-fiction, I was mainly interested in designing and creating documentaries like fiction, so it was a natural evolution to try and embark on doing a dramatic narrative.
I try and make non-fiction films that feel like fiction, so I'm always looking for the subtext and that's what really excites me.
Jesmyn Ward returns to the world of her first two books, but here in the mode of non-fiction. A clear-eyed witness to the harrowing stories of 'men we reaped,' she quickens the dead and brings them, vividly alive again. An eloquent, grief-steeped account.
I'm a huge historical fiction and non-fiction fan.
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