I've been starting in new places year after year after year. It's just like when I went to Greece or the Philippines. I love when people think I'm a new artist. It's a chance to start over.
Derek Trucks is a real good new artist. He's a young guy.
As a new artist there's always outside influences trying to tell you how to make a song better for radio and how to do your hair.
I would hate to be a new artist or writer in town today. But somehow the cream continues to rise. If there's one who's great, he just jumps out of the pack like you can't believe.
I have my own little sense of style. As far as image goes today for a new artist, you'll find that fashion is really important. I wouldn't want to show up for a performance in something that is absolutely the opposite of who I am as an artist.
The best part of being signed by a major label was having the support of a big company behind me and the ability to meet new artists and producers.
There's lots of R&B blogs that I like going on and it basically just names new music that isn't out and won't be out for a long time and stuff. It just gives you an insight on what's coming up next and finding out about new artists.
I remember the excitement of being a new artist. When up and coming artists ask me like, "Any advice you have for me?" I always say, "Take it all in because you'll never be a new artist again".
As a new artist you should ignore trends at all costs.
I love a lot of the young, new artists who are coming up, including Adele. I suppose anybody would freak out to work with her. To be able to play a saxophone solo on one of her songs would be the most ultimate thing ever.
I think in terms of getting new artists who are not in that sort of stereotypical teenage boy demographic; there's been a lot of progress recently. And I shouldn't make a definitive statement about this, but my impression is that the main impediment to progress in that regard is the number of people who are choosing to make a go of it.
Times are completely different now. If you're a brand new artist with a record you want to release to the masses, I would suggest you try and get it hot yourself first. This way you can create your own demand so you'll end up having the option of demanding what you want if you do decide to sign with a label. If you don't and you still get on hot on your own, you then have the ability to reap all of your profits.
As a new artist there are so many new ways to put music out there where you don't necessarily need a label because now labels will have their hands in your pocket and leave you with less control.
[I] try to do both because the writing for me, to be a new artist, the writing is gonna pay the bills.
Sometimes I look at new artists trying to come out or trying to make their name and it's like they're coming into the game blind. They don't really know what the world is going to expect from them and they really trying to get in where they fit in but me I almost got the red carpet.
There are a lot of new artists that I really dig and I think they really understand what R&B and Soul music is about.
I hear some new artists that sound country but the record labels and country radio lean more toward a more rock feel for what gets signed to a label and played on the radio.
I want to be a manager for new artists, get real estate.
It's just a blessing. Artists search and search for songs that will connect for a new artist because the familiarity is so low. People don't know what you look like. It's just so unbelievable to find a song that people are relating to. To have a song that people will actually pick up the phone and call the station to ask. It's a blessing.
Sometimes it's hard to listen to new music and get motivated, because it's elementary to me - no disrespect to new artists, because that's where we started, too. But it's like they're way back there in first grade, and I'm in college.
Six months is the most you can ask of any fan in this day and age, with the Internet and all these new artists. I understand that my music is in a lot of mediums. Some people want me to make an R&B album. Some people want me to never sing again. I just don't want people to be able to draw comparisons between my old songs and my new ones.
It is really sad for the new artists. Where's the next Elvis, where's the next Beatles, where's the Zeppelin? They're out there but they don't have a chance because once upon a time we [musicians of the 60s] had record companies, and they would support you and have point of purchase material and they would give you advances. In other words, they gave you the air to breathe to find yourself and spend the time to learn how to run.
A new artist today has to get their teeth fixed, has to tighten their jeans up, and they have to get 'em the right kind of hat, and if anything's wrong with their nose, if it's a little crooked, it's got to be straightened up.
I know I can only do as much as I can do... Although I have so many ideas of my own, I'm still very interested in helping to cultivate and encourage some promising new artists. But there are a lot of people and, unfortunately, a very small window.
In changing times, we should all lend our support to the independent retailers. Without independent retailers, many of the biggest names in music would still be undiscovered. They break new artists and movements. We all know the industry is changing, but we can't forget where we came from.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: