They say a lot of women would like to see me naked, but there's not a lens long enough for that.
Trying to be a professional dancer, paying my rent by posing nude for art classes, staring at people staring at me naked. Daring them to think of me as anything but a form they were trying to capture with their pencils and charcoal. I was defiant. Hell-bent on surviving. On making it. But it was hard and it was lonely, and I had to dare myself every day to keep going.
The naked women's body is a portion of eternity too great for the eye of man.
When you're writing what you love, it's the most fun you can have with your clothing still on, unless of course, you write naked.
I come from a family of all women and one boy, my brother. We're all women and we're all precocious and opinionated and like to have fun and we always had friends in the house and we were always, like, half-naked.
You know what's the most terrifying thing about admitting that you're in love? You're just naked. You put yourself in harm's way and you lay down all your defences. No clothes, no weapons. Nowhere to hide, completely vulnerable. The only thing that makes it tolerable is to believe the other person loves you back and you can trust him not to hurt you.
Dancing in the strip club, Not the dancing, but the being naked was excruciatingly scary for me.
Being naked in water - there's nothing better. It's primal and freeing.
Of course, for me Naked Lunch was the big one, but I still believe I was right to pass on that. James Grauerholz and Barry Miles did an important job with their 2003 "Restored" edition because they knew what they wanted to do, and what they could do. At the time, I simply didn't know. I hadn't even edited Junky back then. So I did the right thing to pass. Instead, what I most want to do now is complete "The Making of Naked Lunch," on which I have been working, on and off, these past 25 years.
It's easy for me to be vulnerable and craft songs when I'm being a hermit in my woods loft, secluded. When I get attention for it, whether it's on stage or in life - I have sort of a love-hate relationship with all of it. That makes me feel really stark naked.
I picked up On The Road, Howl, and Naked Lunch (in that order) in high school. I was blown away. The writing was amazing and the places it took me was even more far out. It opened up new avenues of thinking for me and so I went down the beaten road.
It's a tract against capital punishment in the genre of Swift's Modest Proposal. I was simply following a formula to its logical conclusion. Some people appear to have understood it. The publication of Naked Lunch in England practically coincided with their abolition of capital punishment. The book obviously had a certain effect.
I'm against Capitol Punishment in all forms, and I have written many pamphlets on this subject in the manner of Swift's Modest Proposal pamphlet incorporated into Naked Lunch; these pamphlets have marked Naked Lunch as an obscene book.
Naked Lunch was from about a thousand pages of material. A lot of it overflowed, then, into the cut-up trilogy including Nova Express.
The idea was that we would decide the order when we looked at the proofs. I remember Brion Gysin saying "Well, why change it? It's perfect the way it is, the way it came from the printer." Made one major change, that is, the first chapter that came from the printers, which would be the beginning, we moved to the end. The first chapter became the last chapter. There's no actual cutups in Naked Lunch.
[My] dream writers room: "'Naked City.' Because it still holds up as the absolutely quintessential New York pure cop procedural."
I love [Kim Kardashian] nude selfies. Like, I love the ones from the side, the back ones, and the front. I just love seeing her naked.
While I deplored and denounced the incivilities of Quakerism in my day (such as the going naked in public by some at sundry times), my position regarding their religious views was, "They will answer to God, at their own peril, in the great day approaching [that is, the day of divine judgment]."
What's more vulnerable than being naked, especially when you're out in the cold on the street? I agreed to it as long as I could pick the towel, and I picked the smallest, most floral towel I could find.
I really like to be alone. It's nearly like being naked in the studio, and if someone were to walk in, that wouldn't feel good.
When we see something beautiful it calls up raw, naked emotion and that's an embarrassing situation to be in.
If you are a large company and you want to do something unique, you almost by definition have to tap onto the core business in some way. Otherwise you are going into a naked fight against startups, and that's just a tough place to be.
I happen to be extremely comfortable naked.
I come from a very naked family, so that's just something that's not a big deal for me. I don't think it means anything other than that.
I just do in the stadium the same thing. I scream and I become naked mentally. I give everything to our fans.
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