We haven't truly had a zeitgeisty, 'songs on the radio' show, since...I want to say "One Night in Bangkok" was the last musical theatre song that charted. That was so long ago.
No offence to Hugh MacLennan, but you don't even have to know or understand any deep philosophy that's being espoused, you can just have the feeling of those words together, and that you know them and can sing along with that melody with your fist up in the air. It's a wild vehicle for sentiment, because it's so powerful on the musical front.
In terms of perceptions of the culture, most people don't think about music. They're not concerned with it. They don't take their musical legacy seriously.
I grew up in a really musical house where all of my brothers and sisters could sing, but I couldn't sing. Not only could I not sing, I couldn't hear pitch. I was totally tone deaf - legitimately, one hundred percent tone deaf. Nevertheless, I loved music.
Have we not all about us forms of a musical expression which we can take and purify and raise to the level of great art?.
I love to act, so the only way I could act was through community theatre and they would just do musicals. My musical upbringing was show-tunes and it sucks and I have been trying to get away from it ever since.
My dad is an engineer by trade but worked a lot with the people in the Indian film industry when I was growing up. He started out distributing films from India here in the '70s because there was no place to go for people to watch movies from the homeland. So he developed a network of actors, writers, directors, and musicians that became his friends and that he would tour around the country with, doing stage shows of the musical numbers from their films.
[The original Sister Act] is running all over the world now, on-stage as a musical. It lives!
I think everything you do in your life affects you creatively. Especially in music, if you do another thing musical.
I think speaking Italian affects your whole body movement. It's so musical and animated and passionate.
You begin to see that all of these things are connected: The kind of cuts that mean less environmental protection are also the kind of cuts that mean less musical education for the schools and that also mean more overcrowded schools.
I was lucky to get one good adaptation. Field of Dreams the Musical is lurking in the wings. Hope it will provide my daughters with a ton of money someday.
Jamaica is so musical, diverse and so extreme, from people singing in the streets to dancing.
In high school I went to the Los Angeles County High School for the Arts. And this is like Fame. It's like that sort of prototypical, dancers in the hallway, theater students, musical students, art geeks. And it was a kindergarten in the truest sense of the world: a children's garden where I was able to sort of really come into myself as an artist, as a person, sexuality issues - like, all of this became something where there was a firming-up and a knowing that went on.
Avant-garde, jazz, pop, classical, country and western, rock, free, straight-ahead, etc. are ultimately meaningless terms in the face of the music being discussed at best - at worst, those terms often serve as code words for what is in fact a cultural / political discussion more than a musical one.
I'd shift disciplines, whether it was musical instruments or sports or whatever, and it's the same with that.
I have been singing as long as I can remember. I used to be in choir; I used to do musical theater. I'd prefer not to sing my own songs, but there you have it.
I thought about what I wanted to do besides playing violin and singing backup in a band. Don't get me wrong, playing and singing in That Dog was really fun, but I wanted to work on other musical projects and sing more. So I started a vocal project, i.e. Imaginaryland.
There are so many international musical connections here, in Amsterdam. And some of them are amazingly successful.
I think my dream would have been to be a solo artist. But it didn't work out like that, and I also love to sing lots of musical stuff; I was really good at that, I've got a big voice. I dropped into musical theater and really enjoyed it and I sang for about nine years of my career.
I'm not saying every musical theater actor can do film or television, but a lot of them can. A lot of them are brilliant actors who absolutely don't need to sing to prove their ability and don't get the opportunity.
It's quite clear if you look at the actors in film right now, some of them came from theater but they didn't come from musical theater. There's still a bit of a stigma attached to it I would say.
On Broadway and in the United States it's very different - people crossover all the time into television. I think that we'll get there [in London] in the end, but it has to start with who comes to see you in the musical and whether they can see beyond the dancing and the singing.
I'm looking for the surprises, you know, and the unexpected moments of technology, the unexpected moments of musical creation.
Dre couldn't have given me those words to write, and he couldn't have given me that voice to sing. I couldn't have given him that musical talent or the ability that he has. What we made came from putting things together. I've always said that.
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