A lot of what is famous about film making are the movie stars and what is considered a movie star is a lot of great acting, but also a lot of physical beauty.
It's funny, it never occurred to me that a movie star would play me. But now that she [Reese Witherspoon] is playing me, it's like, of course, it couldn't be anyone else! I don't know if you've seen pictures of Reese and me and Reese and my daughter Bobbi, who's named after my mother, and also plays me. There's a kind of resemblance.
I think what women are doing to themselves is that they're seeing these different images of perfection - the perfect wife, the perfect mother, the perfect career person, the perfect movie star - and they're somehow thinking that they should be all of these things, and that's the problem.
I'm not a movie star like other actors in the way that I need to walk around with a bodyguard. My goal is just to get some interesting parts and make enough money to live free. Otherwise, to be a movie star, it's a lot of compromise and also a lot of headaches. You can't do what you want. You become a prisoner of your fame. This happened to me in France and I don't want it. I want to go to the terrace of a café, have a coffee. I have no problems with the fact that people recognize me, I'm very glad about it, but to be a movie star is kind of unreal for me.
I like playing dress-up, and I love pretty jewels, but for me, being a movie star would be a very dangerous place.
Being a public figure was reserved for movie stars.
The ultimate idea of rags-to-riches success in America is the Hollywood movie star.
I am an actress. I am not a movie star.
The most wonderful person I met was John Travolta. He's one of the ultimate movie stars of all time.
I am not a rock star or a movie star; I'm a businessperson. I definitely know who my friends are. I'm much more open and trusting than, say, my daughter is.
America puts killers on the cover of Time magazine, giving them as much notoriety as our favorite movie stars.
The stuff that I've been doing lately is political. It's not always about people who are super famous movie stars. The fact that people are still taking a chance and listening to the blacklist episodes is really exciting.
I read a lot of summaries about the story [ based on the Cyrano de Bergerac. ]. I also watched Roxanne, the movie starring Steve Martin.
I think hopefully as you're getting older you're getting parts that require more preparation, and by that I just mean - I don't know, usually the older you get you get characters with more responsibility. Each one is different, there are certain movies that when the guy starts you pretty much come with that character on page one and then you see their growth, whereas other guys a lot has happened before that movie starts and you have to come in with something.
There are a lot of powerful women in Hollywood who have been movie stars for a long time who are getting into their forties and fifties. I still want to see them work.
The studios insisted that only stars could make movies successful. And that was the real disappointment of the time. You'd see great writer-directors in the '90s becoming part of a system where financiers and movie stars could change the material. I came along just before all that happened.
That was pretty cool [Life With Mikey]. Michael J. Fox at the time was huge. I was like, "Whoa, he's a real bona fide movie star!" I was a kid. It was a huge deal. That's kind of it. We shot it in Toronto, and a little bit in New York.
I happen to be a movie star, but I'm not saying, "Hey, I'm a role model. Imitate me."
Whether you're a movie star or doing time in a correctional institute, everybody can have bad judgment, and it's something you have to address. You learn to go on from it. It shouldn't stand in your way. You shouldn't let people continue to throw it in your face.
From my point of view, when I was thinking about the prospect of [Michael Douglas] in this part, I wondered if he would go all the way with it. The reason I was concerned is that, oftentimes, actors - especially movie stars - when they're playing a character who might be perceived as unattractive or eccentric, will wink at the audience while they're doing it.
I just think the David O. Selznick story is one of the great, epic stories of Hollywood history that nobody knows. Maybe one of the reasons why nobody knows it is because he wasn't a movie star.
When guys see a movie starring women, they go, "That must be filled with these characters I see in these movies who are such a drag." And that's just bad for everybody.
I sometimes think if I had gone to Oxford or Cambridge and looked like a handsome young guy who could be in an Evelyn Waugh novel or something, I'd be a massive movie star. But there's a longevity to what I do. It's more reliable. Someone isn't deciding that I'm the next big thing.
When I was young, all I wanted to be was a movie star. At a certain point, I started to grow up and really care about what I did.
Oh, absolutely. James Caan was the first movie star I'd ever met, much less worked with. He was an important person to me and my brothers and Wes. Bottle Rocket was the first movie for all of us. As you know, back then, [Caan] was having some career changes, I think.
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