Most of all people respond to a film tackling grave subjects that question and go against the prevailing mood.
On an everyday level, I use alcohol and drugs in general mostly to be in a happier mood, with the people around me.
I have a constant kind of soundtrack going on at all times. I almost always have a song in my head. I'm very musically inclined. It feeds my soul. It definitely helps me get into a mood or get out of a mood. Or inspires a mood. Honestly, it is one of my therapists - cheaper and always available.
I'm experiencing the mood to go out and share the music. I don't look at these concerts as a platform for people to watch me, look at me. No, a tour is about an interaction. A thing, myself, a band, and the people who support what I do and enjoy what I do.
Because sloths' metabolisms are so slow, they don't exhibit many external signs of stress and it can be hard to determine their mood.
When I got home from school, I never knew which mood of my mom was gonna be on the other side of the door. I didn't know what I was gonna get when I turned the doorknob. That's very good preparation if you want to be a producer.
The woman is skin covered prozac I like to call her. Half the trick to a film like this is keeping a sort of emotional level going and keeping an attitude that induces creativity on the set. You have to be in a good mood for that. You have to be happy to make a comedy I think and Anne sort of ensured that every time by expressing most of her feelings through the exciting medium of dance.
There is a certain silence that can emanate from a lifeless object as from a chair lately used, or from a piano with old dust upon its keys, or from anything that has answered to the need of a man, for pleasure or for work. This kind of silence can speak. Its voice may be melancholy, but it is not always so; for the chair may have been left by a laughing child or the last notes of the piano may have been raucous and gay. Whatever the mood or the circumstance, the essence of its quality may linger in the silence that follows. It is a soundless echo.
Do nothing in a depressed mood, nor as one afflicted, nor as thinking that you are in misery, for no one compels you to that.
There's always something going on on movie sets. Even just from, you know, maybe you come in tired some days and you're not in your best mood. It's different when you're shooting movies because you're on a schedule and you gotta come with your A-game every day.
It's hard to be in a bad mood when you're walking around looking like you're about to play the semifinals at Wimbledon.
On stage, there are hundreds of people watching you. It's so much energy directed at you. I pick up energy really easily. Even if I go to the grocery store and no one is paying attention to me, I can pick up other people's moods and it's really intense.
When a Pueblo Indian does not feel in the right mood, he stays away from the men's council. When an ancient Roman stumbled on the threshold as he left the house, he gave up his plans for the day. This seems to us senseless, but under primitive conditions of life such an omen inclines one at least to be cautious. When I am not in full control of myself, my bodily movements may be under a certain constraint; my attention is easily distracted; I am somewhat absent-minded. As a result I knock against something, stumble, let something fall, or forget something.
I'm in, like, dating Babylon. Like, I go on dates with men and, literally, like Sarah Palin will come up in like the first 20 minutes, and that doesn't put me in the mood. Like, talking about Sarah Palin. And they just want to know gossip, and I'm just kind of taking a little hiatus from dating right now, because I just don't want to talk about Sarah Palin.
I have thus decided to make a certain film and now begins the complicated and difficult-to-master work. To transfer rhythms, moods, atmosphere, tensions, sequences, tones and scents into words and sentences in a readable or at least understandable script. This is difficult but not impossible.
Kids put life into perspective. I never have a bad day. Life happens and you get bad news sometime, or things don't go your way at work - for me that might mean I lose a game or not play well - but that doesn't affect my mood from day to day. I love going home and seeing the smiles on my daughters' faces being happy to see me, and that makes everything all right.
I have bad days. Sometimes I have a lot of bad days. By and large, I think most people fall into a bad mood because they're able to ruminate on whatever the problem at hand is, and that makes it worse. But when you intercept the rumination process with something that requires your full attention - that's stimulating and absorbing, that places a demand on your intellectual focus - you don't get to ruminate. In a way, it's a mental health aid to be able to do that so much. My routine, what I do, it just feels like home. It's my comfort food.
I don't listen to a lot of music when I have my free time. But I'll go to a jazz club and have a drink and listen to a good jazz musician. Or sometimes in the morning, if I want to put myself in a good mood, I'll put on some Latin music.
I usually don't write about my life right when it happens. I process it, and I store it away. Then, when I get in the mood I pull the stuff back out.
Don't force yourself to go party if you're not in the mood.
A funny line can never exist on its own. It needs to be surrounded by mood and circumstances.
Sometimes the art pieces I gravitate toward speak to me in terms of narrative, at other times they speak to me in terms of mood.
I'm a great believer in relativity when making movies. Relativity, in my mind, meaning "Light to dark, big to small, good to bad." You visually embrace these things to enhance transitions and instantly paint environments and moods.
Hamburg will have a new and important attraction with which it can distinguish itself from other cities. But the important thing is that activities should not just be limited to the building, but that the concert hall should symbolize a general mood of creative rejuvenation.
The richly cadenced prose is hypnotic, the research prodigious, the analysis acute, the mood spellbinding, and the cast of characters mythic in scale. I cannot conceive of a better book about Capitol Hill. An unforgettable, epic achievement in the art of biography.
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