I think a lot of what goes into writing can be taught - not mixing metaphors, etc.
Sport provides the spectacle, the metaphor, the religious ritual, the putty to fill the cracks in countless lives.
I think the labyrinth is an interesting metaphor for our lives as musicians. We're always being drawn toward the center of it because that's where the mystery is. What is music? It's a journey.
The Olympics are a wonderful metaphor for world cooperation, the kind of international competition that's wholesome and healthy, an interplay between countries that represents the best in all of us.
Walt Kelly was much more interested in allegory and politics, and I'm much more interested in metaphors and myth.
It's easy to look at the vampires as a metaphor for any feared or misunderstood group. It's also easy to look at them as a metaphor for a shadow organization that says one thing and has a completely different agenda on their mind, and anybody who gets in their way, they just get rid of them. Does that sound familiar?
I definitely write about my life and the issues I might have or the dilemmas I'm going through, but usually I write about it in a general way and make metaphors. Like "I'm the wolf and you are the moon ".
I didn't have the patience for the research, or anything like that. I just like how it sets the imagination off. It's just an area that's very fertile for great words. Great metaphors, potentially.
I was interested in this relationship between the armed robber and the banker who were from different worlds but had similar goals. It was kind of a metaphor for this larger marriage of the banks selling off their debt and these street guys scrapping over it.
Throughout my life, I've had different metaphors for freedom. At one time, it was skin diving. In the ocean you feel weightless; you escape from gravity.
Creativity itself is a joyous unlatching. The act of creative imagining, inventing, saying differently, crafting a metaphor or image, then crafting another metaphor or image when you go further or when you revise - all these take whatever you think "is" and make clear that other possibilities exist as well. The sense of possibility, the amplitude and freedom that sense of malleability brings - for me, that cannot help but be joyous.
Bangladesh is a world of metaphor, of high and low theater, of great poetry and music. You talk to a rice farmer and you find a poet. You get to know a sweeper of the streets and you find a remarkable singer.
One metaphor for how we are living is that you see so may people with cell phones. In restaurants, walking, they have cell phones clamped to their to heads. When they are on their cell phones they are not where their bodies are...they are somewhere else in hyperspace. They are not grounded. We have become disembodied. By being always somewhere else we are nowhere.
I think the leadership of a company should encourage the next generation not just to follow, but to overtake. The duty of leadership is to put forward ideas, symbols, metaphors of the way it should be done, so that the next generation can work out new and better ways of doing the job. The complaint Gordon and I have is that we are not being overtaken by our staff. We would like to be able to say, "We can't keep up with you guys", but, it is not happening.
Ideas result from the collision of metaphors inside the head.
You don't organize metaphors . . . you explode them.
That's always been in my mind my metaphor for a team working really hard on something they're passionate about. It's that through the team, through that group of incredibly talented people bumping up against each other, having arguments, having fights sometimes, making some noise, and working together they polish each other and they polish the ideas, and what comes out are these really beautiful stones.
Metaphors are an interesting example of creating magic in prose.
Your body is the ground metaphor of your life, the expression of your existence... So many of us are not in our bodies, really at home and vibrantly present there. Nor are we in touch with the basic rhythms that constitute our bodily life. We live outside ourselves - in our heads, our memories, our longings - absentee landlords of our own estate. My way back into life was ecstatic dance. I reentered my body by learning to move my self, to dance my own dance from the inside out, not the outside in.
Tell the image makers and magazine sellers and the plastic surgeons that you are not afraid. That what you fear the most is the death of imagination and originality and metaphor and passion. Then be bold and LOVE YOUR BODY. STOP FIXING IT. It was never broken.
Will we allow the decline of our language-the language of Shakespeare, Shaw and Steinbeck? Will we abuse our precious gift of communication? Will we bite our mother tongue with the teeth of indifference, crushing the taste buds of clarity and, without prompt application of the antiseptic of education, causing the gangrene of strained metaphors? Stand up, America, and let me hear your answer: Ain't no way, dude!
Frankenstein can be a metaphor for abandonment, or wanting to be accepted for who you are, or not liking who you are and wanting to actually change that.
With a horror movie, you're making a metaphor. You're making a personalized nightmare for the protagonist.
A good school is a relative concept, and the better schools are located in more expensive neighborhoods. But when everyone bids more for a house in a better school district, they succeed only in bidding up the prices of those houses. As before, 50 percent of all children will attend schools in the bottom half of the school quality distribution. As in the familiar stadium metaphor, all stand, hoping to get a better view, only to discover that no one sees better than if all had remained seated.
The game of chess is a metaphor for life... it teaches you strategy and it teaches you the value of knowing where you are, where you want to get to and what obstacles are in the way that you need to navigate in order to get there.
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