The most obvious difference between writing novels and memoirs is that my memoirs are true stories, and explore certain experiences I've lived, and thus operate within the boundaries of memory and fact.
The very idea of photography is as Oliver Wendell Holmes said in the 19th century, "it's a mirror with a memory."
I have had the advantage of the opportunity to meet with Mr. Trump on several occasions. And my experience is that he's very intelligent. He's thirsty for information. He wants to hear what you have to say. He listens to his advisers. He digests the information very quickly, and he's got a good memory, because I remember one time I was talking to him about something, and then he pulled some information out of his memory banks that was a great connection that I hadn't even thought to mention to him.
The term syndrome generally appears to be a constellation, or collection, of similar traits or behaviors within an individual. So, savants do have sort of a constellation of symptoms, which is characterized by some spectacular skill, or skills, coupled with this massive memory which is grafted on to some underlying disability. So those three conditions quantify, in my mind, the term syndrome.
Those first memories of my modeling career are not my favorite. At the beginning, it was tough. I was very lucky, my career took off very quickly, but still. All the memories I have about first casting in general - they're not nice. Just because there's so many girls, so much competition. I don't blame those casting directors, they see so many girls and they can't be nice to everybody. But you don't feel like a person, you feel like a number.
The inaction of the international community towards Guatemala is injustifiable. The community should play an active role with concrete measures and sanctions imposed, as was the case in South Africa, Iraq, Yugoslavia, Cuba and Haiti. Why for us no? Why legalize death in one place and somewhere else no? This is clear in our memories.
Strip away the morphing landscapes and rips in the space-time continuum, and my stories are about things that novels have always been about: love and sex and identity and memory and history and redemption.
Memoir is a unique opportunity to revisit yourself. I don't mean by memory. I mean in the revision process. You don't just write a chapter and that's it. You must constantly return to it. You must dote on it. And even if it's saying something ugly about who you are, you have to find the poetry in it. You have to find the poetry in yourself.
I think all immigrants and refugees are preoccupied with memories to one degree or another. But again, this question of how much to remember and how much to forget is really aggravated for those who have lost a tremendous amount.
With "Margaret," I remember clearly it was, you know because I did remember it clearly. I was young. I was young in terms of experience and what did I know about and I had an incredible memory from my own childhood. And so it never occurred to me to write for any other age group. And I thought I'm going to write a book and I'm going to tell the truth.
I always loved the idea that a photograph was a memory frozen in time.
I don't think you can erase memory, you can just bury it, and when we're ready to process old traumas they can reveal themselves in unique ways.
Much like photographs, I also love the idea that ghosts are memories frozen in time. We can be haunted by both just as horrifically. One really becomes a metaphor for the other.
One of the first memories I have was watching Whoopi Goldberg perform her one-woman show on Broadway on HBO. She moved seamlessly through an array of spirited and soul-stirring characters, each one holding a mirror up to me and allowing me in many ways to see a reflection of myself on screen.
I think that is what we do by preserving and telling our stories. If you don't tell your stories, other people will tell their story about you. It's important that we nurture and protect these memories. Things change. Existence means change. So, the kind of precious memories about being black for my generation won't exist for my kids' and grandkids' generations unless we preserve them through fiction, through film, through comic books, and every other form of media we can possibly utilize to perpetuate the story of the great African-American people.
My earliest childhood memory is of my father going crazy when the Giants won the World Series in 1954. He started whoopin' and hollerin' and jumpin' up and down all around the living room. I started crying because he scared me to death.
[Dan Fried ]is a pillar of the U.S. State Department. He`s part of its institutional memory. He has been in the room for basically every important negotiation, every standoff, every big development, particularly between the United States and Russia for decades.
I do sing about drinking, but it's in a party way. I don't sing about drinking in a drowning-my-sorrows way, like in George Jones's "If Drinking Don't Kill Me (Her Memory Will)."
[White House] feels even more like home now because you have all these memories that were formed watching your kids grow up.
When I started going to church, my first memories are of the minister getting up and accusing us of being full of sin, though he didn't say why; then they would pass the collection plate, and I got it in my mind that this had to do with purification of the soul, that we were being invited to buy expiation from our sins. So I gave it all up. It was too nonsensical.
I have such memories; I keep thinking about all the people I worked with. I was in the recording studio and I was talking to one of the engineers who is 24 and they don't know these people. They just absolutely don't know the people and it just tickles me. I don't feel like I've grown up.
Salinger is such a terrific writer; he did so many great things. He is one of those writers that I still reread, simply because he makes me see the possibilities and makes me feel like writing. There are certain writers who put you in the mood to write. In the way a whiff of a cigar will bring back memories of a ballgame on a Saturday afternoon, reading Salinger makes me want to get to the typewriter.
Inspiration comes from books, music, films and of course, living memories and life experiences, my own and those of people I've known or met; the casual glimpse from the stranger or the life and death of the close relative; to breathe, for a moment, a Chekhovian air, it's all song and ice.
I'm grateful to have been acting for as long as I have because I have so many experiences and memories, and I've gotten to learn from some of the greatest actors, directors, writers and cinematographers. I feel like my career has been a privilege. I can't imagine my life without it.
I feel my time in baseball has come and gone. I feel like I had a great career. I had a lot of fun and have a lot of great memories. At one point in time, I'll be able to tell it all. Right now that's in the past. I see things differently. I more want to help.
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