I have been interested in visual arts since high school and, after realising that I had absolutely no interest in the economics degree I had undertaken at ANU, I started a BFA in Sydney which I completed at VCA in Melbourne.
Even when you feel as though everything is 100% it can still go wrong on the night (like in Melbourne!) so you never know for sure that you're going to do the performance you expect.
I lived in a suitcase for a year, and then a relationship brought me to New York for about four months, then I lived in Melbourne. Then I moved back to Gothenburg because the immigrant laws are strict for both Australia and the U.S., and I would have to marry someone to get into those countries. But I wouldn't really be able to get involved in a sham marriage without being able to tell anyone about it.
I think it's very, very important that people outside the capital cities, not just Sydney and Melbourne but also Brisbane Perth Adelaide and so on, have the greatest access to the best cultural experiences they can in both the performing arts and the visual arts.
I was good at football and cricket at school. My dad said, 'Son, be an architect,' and I came to Melbourne passionate about becoming an architect.
I once sang 'Summer Nights,' from 'Grease,' at a bar in Melbourne with John Travolta, who's a good friend of mine. He looked cool singing the part of Danny - sitting in an armchair, smoking a cigar - while I got stuck playing Sandy.
I like the fact that Melbourne always seems to support their chefs and promote them in ways I find really admirable.
Mind you, I live in an area of Atlanta that is nearly 88% black. But in six days in and around Melbourne, I saw maybe three people of African origin and maybe one easily identifiable Australian aborigine.
So the HP guy comes up to me (at the Melbourne conference) and he says, 'If you say nasty things like that to vendors you're not going to get anything'. I said, 'No, in eight years of saying nothing, we've got nothing, and I'm going to start saying nasty things, in the hope that some of these vendors will start giving me money so I'll shut up'.
Melbourne, I always knew you'd need to learn about this kind of thing. I 'd just kind of hoped you'd learn it on a real guy.
I have to fit holidays around tournaments, particularly the grand slams, in Melbourne, Paris, London and New York.
Singing at the Opening Ceremonies of the Sydney Olympics in 2000 was amazing and, probably the highlight of this decade is the opening of the Olivia Newton-John Cancer and Wellness Centre in my hometown of Melbourne, Australia.
My earliest memory is seeing Michael Jackson in Melbourne with my sister when I was about ten. I still have this souvenir stick with a glove that would light up and make a peace sign in a bunch of different colors. I'm so happy my mom didn't throw that out.
I guess I've been fortunate in having an ongoing film career while being based in Melbourne. I'm happy to commute. A day on a plane. Come on. It's easy.
And then after the success at Melbourne Comedy Festival, then we regrouped back in LA and we went back into workshopping and decided to develop a proper show and that's when we started working on "Stuffed and Unstrung," which is a much bigger and sharper version of "Puppet Up."
Surprisingly enough, I haven't had a letter from Amateur Boxing Scotland bosses offering their congratulations for my Melbourne medal win.
My niece is - her name is Sasha, is currently learning Russian at Melbourne University and I look forward to the day when I can talk to her about Pushkin.
On each side of the war against war, hopes soar, hopes dive, hour by hour now. Resignations abound, timetables slip, and the world waits, mesmerised. I'm off to Melbourne to record an arts chat show.
I moved from New Zealand to Melbourne when I was 17. I'd planned to go to university to study French, but I was offered a contract to write and record an album that was too good to pass up. Looking back now I think that was pretty young but, at the time, I was ready to have an adventure.
I had a very strange career. I mean I went from playing to 150,000 people in 1983/84. Three or four years later I was playing to four people, you know, in Melbourne. I thought - bit strange, you know bit odd, bit erratic.
Every immigrant family, it seems, has someone who does not belong in the new country they have come to. It feels like permanent exile to that one brother or wife who cannot stand a silent fate in Boston or London or Melbourne. I’ve met many who remain haunted by the persistent ghost of an earlier place.
I’m telling you, you’d like him. He goes to a public school and just started at Spencer’s. The other day, he was going off on unaerobic vs. aerobic respiration, and I was thinking, ‘You know who this sounds like? Melbourne.’” -- Trey
My father was a truck driver. That's where it all started, and academically I was a disaster at school. My cousin got his name on the honour board; I, at Melbourne High School, I carved mine on the desk.
My father is doing a radio program - classical music. He has a beautiful speaking voice and that's his passion in life, his music. My mother lives in Melbourne and is an avid photographer. She's also started writing for a magazine out there and she submits poems, very funny ones, and articles. In some way or other, my family is always doing something with the media.
I had been self-publishing for a number of years at that stage and selling my books at markets around Melbourne - little pocket books. I'd make them for 10 cents and sell them for a dollar. But I knew there was an audience who loved silly stuff so I just kept plugging away.
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