I'm so glad that talented writers and everybody who produces shows are being meeting with such success - it gives me more hope for the future of satire. They're probably the most powerful form of satire out there today.
Furthermore, the financial and social investment in prisons means that black and brown youth become, essentially, fodder for the machinery of capitalized incarceration. The steady supply of guns in the U.S. makes an already untenable situation even more dangerous, and all of us must raise our voices, write to Congress, hit the streets in protest, attend budget meetings of local municipalities - all to state our opposition to such criminal procedures and practices for our youth.
When people get in trouble with addiction, it's because they're holding themselves to too high a standard and because they're not meeting it, they have to punish themselves, and it turns into this cycle of failing and falling lower and lower.
The Russians wanted Donald Trump, not Hillary Clinton. Their entire intervention in the American president election - from the news bots, to allies like Carter Page, Paul Manafort and Michael Flynn to the meeting with Don Jr. - was about hoping to elect a president who would ease the sanctions that pinch the oligarchy that enables Vladimir Putin.
I've spent my life living in rural America, some of it in blue state Vermont, some of it in red state upstate New York. They're quite alike in many ways. And quite wonderful. It's important that even in an urbanized and suburbanized country, we continue to take rural America seriously. And the thing that makes Vermont in particular so special, and I hope this book captures some of it, is the basic underlying civility of its political life. That's rooted in the town meeting. Each of the towns in Vermont governs itself.
I have learned so much from my dad. Perhaps the biggest thing I've learned from my dad is how to be prepared at all times... whether it's for a big court case or a hostile media interview. My dad always says "Stick to your points, focus on what you are there to get across, and try not to get sidetracked."We are often trying to communicate complicated legal cases or explain laws, and it's important to keep going back to the 3 core points you want people to take away - from interviews, from our radio shows, from meetings, and from court.
When I started meeting members of the hijra community, it was a whole different ballgame. They were like me. This was the first time I felt that I was with other people who were the same as me. It was not about cruising a man, it was not about sleeping with somebody - it was beyond that. It was so much a community, wanting the best for each other, loving each other, caring for each other.
What keeps my flame burning is, first, I'm ornery and persistent. I don't like giving up on things and I believe in my band and I just happen to have the sort of personality that really likes to see things to the bitter end. The second reason is the incredible people I've been fortunate to meet as a result of pursuing this insane, money-hemorrhaging enterprise. Literally every time I release a well-reviewed, poor-selling record, the net result is that I end up meeting more kind, like-minded, creative and brilliant people. That's really all the reward I need.
You feel guilt when you're not necessarily in the best mood and you say to your fans "No, I don't want to take a photo," or you're not as happy or bubbly as they probably thought you would be. I've had to remind myself that's okay. No one's forcing me or any other celebrity to take time out of their day to say hi to these fans or do these things. There is a sense of guilt that you can feel sometimes for not meeting their expectations, but that's kind of wrong for me to think that way, because I am a person.
Art makes people do a double take and then, if they're looking at the picture, maybe they'll read the text under it that says, "Come to Union Square, For Anti-War Meeting Friday." I've been operating that way ever since - that art is a means to an end rather than simply an end in itself. In art school we're always taught that art is an end in itself - art for art's sake, expressing yourself, and that that's enough.
I'd never written a book or a story that required meeting people, and that's not necessarily my best skill, even in English. I prefer to do my research in books.
I spend most of my time in South Korea but at least one-third of my time is spent traveling around the world, meeting people, speaking about climate change and sustainable development and trying to foster global citizenship especially for young people. What I observe is there clearly is a need for global citizenship. That is exactly right. We are having troubles around the world. We need global vision.
Luck is opportunity meeting up with preparation. So you must prepare yourself to be lucky.
There are times when you have sharp elbows, and people are trying to muscle you out of certain meetings - because then people could leak to the press that you had a role in certain decisions. I, at twenty-six, was very impatient and didn't know how to keep my powder dry. I was running a team of seventy-five people when I had never been a boss. I was the worst boss ever.
It's funny how much one learns from context. Throughout that entire visit to Kenya, with all its meetings, there was an experience of the place that taught me things I couldn't learn by reading global newswires. The fact that I learned so much makes me wish that I could visit more places. So many of the zones, of course, are closed, so one knows about them only in secondhand ways. My research has only scratched the surface. There are thousands of zones around the world. There's just so much work to do.
I really believe in completely being naive and having high hopes when meeting someone new. I can kind of re-do my stupidity or my naivete.
We're missing a lot of the real-life stories of what people's work looks like. Those are the people that I want sitting on the zoning board meetings, on the zoning commissions. Those are the people I want participating in business improvement in their own industry. The gentrification processes that often happen in cities so often manifest in street sweeps of sex workers. How do you get sex workers on neighborhood associations, regarded as members of the neighborhood?
One Negro meeting another at an all-white cocktail party cannot but wonder how the other got there. The question is: Is he for real? Or is he just kissing ass? Almost all Negroes, are almost always acting, but before a white audience - which is quite incapable of judging their performance.
Contrary to popular belief, maybe, I'm a really friendly guy, I guess, and I really like meeting people. And I'm not really super impressed even if you're my hero; I can just rap with you and we can hang. I'm not gonna like sit there and bite my lip and ask questions about certain songs - okay I might do that once or twice. But it's just, like, two people hanging out.
I believe that I've grown in my acting career because I've become more confident. I've become less worried about what people think. When I go into a meeting - 'audition', I have a different sense of self when I walk into the room. I'm here to give you my interpretation of your lines. This is my stage; I'm not waiting to be hired by you to be on your stage. We all might die tomorrow, so I'm going to have to live in my gift, today, and give you the best performance in this room, right now, in case this is the last time you get to see me!
The US have dealt with Iran. I'm not saying attack it; I'm saying we should have taken it seriously. The Iranian connection to 9/11 is much stronger than the Iraqi one ever was. That was the big lie: That Saddam had something to do with 9/11 - not the WMD - the connection between Saddam and bin Laden. We were spun on that and we were spun on the famous Prague meeting between Mohammed Atta and Iraqi intelligence, which was a complete lie. Both the CIA and the FBI came out and said that never happened.
I never feel a huge need for backstory in my novels or films. Quick sketches are often enough. When you encounter people in life - like a chance encounter at a bar or wherever you happen to be - you make these incredibly quick, quite intricate decisions about people based on very small amounts of coded information. We're good at that. Long descriptions prior to meeting someone or as you're getting to know them almost don't work.
I came out to Los Angeles for a couple of meetings in the summer of 2005, and I ended up getting a movie called Firehouse Dog for Fox. And I thought, "Oh, man. I'm doing a movie. Maybe I'll work a lot more now. I'm an actor now." Then, for eight, nine months I didn't work after that. After that movie, I began to get some guest star roles, fairly consistently, but because I had been so presumptuous before in thinking that the other jobs would lead to something, I realized: "Just get up. Go to work. Go home. This is your job just like everyone else's job."
I like people, I really do. I like meeting people. But most of the time I would rather be at home reading a book than reading in a bookstore. It's a performance, and it ends up being all right, and then you have a nice shot of bourbon afterwards, and it's all good. I want to please people. I want to be nice. I want to be liked. As a result I say yes to everything. But it takes a lot of vital energy out of me.
If you want a film and they don't want you, sometimes you have to go fight for it. Sometimes that ends up just being a meeting really, just sitting down with them and just saying here is my vision for it and here is why I really love it. But for the most part, I think filmmakers gravitate towards people that are excited - as excited as they are about the film and as passionate about it. So sometimes going after it isn't so much a function of auditioning as it is just sitting down with the filmmaker.
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