In the attacks on the old ways of doing things on word in particular came into currency. That word was "kitsch." Once introduced, the word stuck. Whatever you do, it musn't be kitsch. This became the first precept of the modernist artist in every medium.
The Fur Company may be called the exterminating medium of these wild and almost uninhabitable regions, which cupidity or the love of money alone would induce man to venture into. Where can I now go and find nature undisturbed?
No individual photo explains anything. That's what makes photography such a wonderful and problematic medium. It is the photographer's job to get this medium to say what you need it to say. Because photography has a certain verisimilitude, it has gained a currency as truthful - but photographs have always been convincing lies.
Having an opportunity to play different characters, and work in different mediums, that's what's fun. The worst question you could be asked is, "What do you like better, film, television or theater?"
Bad criticism has followed things like comic books or TV, and they put down a medium. A medium cannot be inherently good or bad.
Certain media attracts more pulpy or low-brow things, especially when they're young. Finding the best story, in any particular medium, is going to be as good, in any other medium.
From film to film, even documentaries, I was learning the medium and learning how to bring form into some kind of relationship with the content, how to work it, and above all, how to create some kind of order out of chaos.
I found that with Rooney, her instincts in films was always to underplay and to sort of reduce down what was necessary to bring you in - a sense of economy, a sense of scale, which just seemed to understand the medium so well. When you see that in a younger actor, I always think it speaks to incredible knowledge. I can't exactly figure out where that comes from, that confidence to know how to be quiet.
I'm the most experienced cinematographer in this medium, so there's no point in having that extra conversation in the middle of the loop. You're making the film in relation to what's happening now, and you can't really affect what's happening now. It's not like you're in control of anything in front of the camera. If you're calling yourself the director and you're not the cinematographer, I think you're kidding yourself.
The whole thing of working in all these different mediums, it's just so that I can always be playing hooky from one of them. I can always be rebelling against my boss. Like, I'm supposed to be writing this book, but - heh heh heh - I'm writing a movie, secretly. I'm procrastinating, and in my off-hours I'm working on this movie that I'm not allowed to do, because I'm supposed to be writing a book!
So the recordings were these immersive landscapes, and yet, unlike the performances that almost no one would see, I had a sense that these could live forever. I was just starting to get my head around the democratic aspect of art; I didn't want to make rarefied things that were either alienatingly obscure or elite and art-worldy, so a recording that anyone could buy was a great medium.
I was always doing films, but the ceramics didn't come until later. I did take ceramics in university, which gave me an appetite for the medium, but I couldn't figure out what I wanted to do with it yet.
I think I misunderstood Instagram and just thought it was people photographing their friends, and discovered there were a number of people, a number of artists, who were taking it very seriously and doing very imaginative work with Instagram as the medium.
A work can do many things at once, and it doesn't have to be just about the world, it could also be about photography, it could be about perception, it could be an exploration of the medium. It could be a document, it could be a visual poetry, and it could be a formal exploration all at the same time.
It's great to do theater and have the live response and know what that can bring to a performance. I like to juggle as many mediums as I can.
I make different choices in regards to the stories I want to be a part of. In my mind, it's a totally different medium. Commercials are little skits, and movies are stories; I became a little more picky in my choices for stories that I wanted to be involved in.
Whether this vast homogeneous expanse of isotropic matter is fitted not only to be a medium of physical interaction between distant bodies, and to fulfil other physical functions of which perhaps we have as yet no conception, but also to constitute the material organism of beings exercising functions of life and mind as high or higher than ours are at present is a question far transcending the limits of physical speculation.
We have to evolve means for obtaining energy from stores which are forever inexhaustible, to perfect methods which do not imply consumption and waste of any material whatever. I now feel sure that the realization of that idea is not far off. ...the possibilities of the development I refer to, namely, that of the operation of engines on any point of the earth by the energy of the medium.
The vast interplanetary and vast interstellar regions will no longer be regarded as waste places in the universe. We shall find them to be already full of this wonderful medium; so full that no human power can remove it from the smallest portion of space or produce the slightest flaw in its infinite continuity.
[This legendary Amazonian substance is] a cybernetic transdimentional medium of some sort that is generated out of the mysteries of the physiology of the human body.
It is way less certain to be a wonderful business in the future. The threat is alternative mediums of information. Every newspaper is scrambling to parlay their existing advantage into dominance on the Internet. But it is way less sure [that this will occur] than the certainty 20 years ago that the basic business would grow steadily, so there's more downside risk. The perfectly fabulous economics of this business could become grievously impaired.
Anecdotes, personal stories, reminiscences, like biblical parables, are the medium through which faith is restored. Stories are a form of poetry, and give us a saving image to personally relate to.
History is like self-reflection through the medium of language propelling itself into self-recognition.
Don't wish for "secrets" of the masters, either. There are none worth fooling with. They had no special mediums or paints, nor special brushes that made their work great.
Not only in peasant homes, but also in city skyscrapers, there lives alongside the twentieth century, the thirteenth. A hundred million people use electricity and still believe in the magic powers of signs and exorcisms . . . movie stars to mediums. Aviators who pilot miraculous mechanisms created by man's genius wear amulets on their sweaters. What inexhaustible reserves they possess of darkness, ignorance and savagery!
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