Roecker sure is a romantic about certain things, like art and music, though you might not know it from watching Live Freaky! Die Freaky!, his claymation musical retelling of the Helter Skelter Charlie Manson saga.
Any movie about cult figure Charles Manson needs lots of sex, drugs and blood. But as John Roecker discovered while filming his first feature - screening Friday and Saturday only at the Avalon - the key to amping up the gore is an old standby: puppets.
Rather than an excess of firearms there's a shortage of faith and family that has a lot more to do with what happened out in Littleton. Let's face it, our public square is more hostile to religion than it is to Marilyn Manson.
The idea of Marilyn Manson has been brewing in my head, one form or another, since I was about 12 years old at a Christian high school in Canton, Ohio.
I am a character, so that's the problem. There are many, many levels to how I behave. Some people might associate being Marilyn Manson as having lipstick on, but I don't really have some sort of other lifestyle.
Marilyn Manson has always been intended to confuse some, anger some and make some people feel at home. There's no way to misunderstand what I do - but everyone can understand it differently. That's the only way I've learned to embrace art - it has to be a question mark, not an answer.
I was arrested and put in murder's row. They were trying to get me for some murders I didn't do. They had me in a cell next to Charles Manson; he was going to trial at the time. And it was all a row of black and brown guys and one white guy: Charles Manson.
We're both cat lovers [with Marilyn Manson].
All the lousy little poets coming around trying to sound like Charles Manson.
I'd like to make over Marilyn Manson and just dress him really normally to see what he looks like. That'd be really weird!
Eyes Wide Open' took shape from two real life events straight from my own past. One was the sad suicide of my young nephew, a troubled kid, who was found at the bottom of a landmark cliff in central California. The second was a chance encounter forty years ago with none other than, ahem, Charles Manson!
But marriage is one long sacrifice.... Chapter 21, Medora Manson speaking to Newland Archer
Yet I was Marilyn Manson - times 10.
I'm not Mother Teresa, but I'm not Charles Manson, either.
There are probably more internet hate sites about me than Charles Manson.
Some make you sing and some make you scream. One makes you wish that you'd never been seen. But there's a shop on the corner that's selling papier mache, making bullet-proof faces, Charlie Manson, Cassius Clay. If you want it, boys, get it here, thing.
You read these stories of people who were in Hollywood in the late '60s. After they found out about the murders, everybody was like, "Have you met [Charles] Manson? Have you been to that ranch?" In some way, everybody felt connected, but what was it like for people who really were connected.
My style icons were Gwen Stefani, when she was in No Doubt, and then Shirley Manson in Garbage.
I have such a crush on Shirley Manson. I think she's the coolest thing.
Long before there was Marilyn Manson, long before there was Alice Cooper, way before Ozzy Osbourne, there was Screamin' Jay Hawkins
I've accepted the fact that Limp Bizkit is my band, one that I'm a part of, a band that I've built from the beginning. It does me no good to be in somebody else's band playing their music, like Marilyn Manson or Korn. Being in Limp Bizkit allows me to be myself.
I think Charles Manson was a hair's breath away from just being a terrorist. He wanted to start a war, too.
Violence, and evil, doesn't always come dressed in black, and it doesn't always look like Charles Manson. Nor does it always come to us as obvious and arrogant[...]. Often it comes to us with the simple plea to be reasonable.
I think, because it's one of my favorite moments in [Charles Manson's Hollywood]. That series got a lot of attention and people talk about it a lot, but they tend to focus on the episodes that have more to do with the murder, Charles Manson doing something particularly weird, or Sharon Tate.
How can Hitler, or some other murderer, appear in this world? I don't think any single theory can account for the phenomenon, and I think it's a mistake to try to reduce it to being brutalized by your parents or having grown up in some horrible situation - like Charles Manson.
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