I subscribe to National Geographic, Scientific American, Discover, and a slew of other magazines. And it is while reading articles for pleasure and interest that an interesting What if? will pop into my head.
You start admiring someone who's famous for actually doing something---imagine that---and I swear to you I will buy you every item in her entire wardrobe. But over my own dead body will I spend my own time and money turning you into a clone of some brain-dead waste of skin who thinks the pinnacle of achievement is selling her wedding shots to a magazine.
The human body is a magazine of inventions, the patent office, where are the models from which every hint is taken. All the tools and engines on earth are only extensions of its limbs and senses.
The time to talk about it [genetic engineering to improve a baby's genes] in schools and churches and magazines and debate societies is now. If you wait, five years from now the gene doctor will be hanging out the MAKE A SMARTER BABY sign down the street.
Records, radio, television, movies, magazines-all are monopolized by the money managers who are guided by one ethic, the words wealth and power.
Now, what of the entertainment that is available to our young people today? Are you being undermined right in your homes through your television, radio, slick magazines, and rock music records?
I brought Yoko Ono to New York and gave her her first job there. I was editing a magazine called Film Culture.
You should know that my most important contribution was always in tailoring; coats, jackets, wool dresses… so few of which went into the magazines.
I was tired of illustration. You'd work so hard on a commission and it would go in to a magazine, and you'd turn the page and it was gone.
But I was always much more interested in reading fashion magazines than I was music magazines when I was a teenager. Just that sense of romanticism and escapism and the dream of it has always been quite alluring to me, as well as that sense of becoming a character through clothes.
About a year after (my stories began being published), magazine editor George Scithers, suggested to me that since I was so new at being published, I must be very close to what I had to learn to move from fooling around with writing to actually producing professional stories. There are a lot of aspiring writers out there who would like to know just that. Write that book.SFWW-I is that book. It's the book I was looking for when I first started writing fiction.
I was an English major at the University of Minnesota, and I was very shy, which many people misinterpreted as intelligence. On the basis of that wrong impression, I became the editor of the campus literary magazine.
The many magazines, ranging from pulp to slick, that used to serve as both farm teams for writers and lures to readers, with hundreds of short stories every month, don't exist. Most of the doors for new people have been sealed.
The poetry and transgression that was so much of surrealism's anarchic force has been recruited into mainstream culture. It has been made commonplace by television and magazine merchandising, by computer games and Internet visuals, by film and MTV, by the fashion shoot.
It was never something I had in my mind to do – a show on Nickelodeon, let alone being consider a teen idol. It’s odd. I remember my mom picking up a magazine with me on the cover and saying, ‘You don’t know how weird this is for me.’ I told her, ‘You don’t know how weird it is for me!’
While I was still going to embrace social media, I knew I had to do things that nobody else was doing. I decided I had to meet as many people as I could - face to face. While most artists would email galleries, I would show up in the lobby. Instead of liking an art show or exhibition, I would go there and meet everyone. And while most would send a magazine a press kit, I go and meet the editor. This notion of face to face contact became my mantra.
Murder is illegal, but if you take a picture of it you may get your name in a magazine or maybe win a Pulitzer Prize. However, sex is legal, but if you take a picture of that act, you can go to jail.
I'm into politics, and I love watching the heavier news magazine shows.
I like 'Elle' magazine. I love things online, like when all the big brands have a fashion show, I like to see the new collections.
God uses millions of no-name influencers every day in the simplest selfless acts of service. They are the teachers whose names will never be in the newspaper, pastors who will never author a book, managers who will never be profiled in a magazine, artists whose work is buried in layers of collaboration, writers whose sphere of influence is a few dozen people who read their blogs. But they are the army that makes things happen. To them devotion is its own reward. For them influence is a continual act of giving, nothing more complicated than that.
Magazines and talk shows are filled with people who say that a successful # marriage is hard and requires a lot of work. But to # soulmates , their harmony often feels effortless, as though it is the most natural thing in the world to be completely at ease in a # relationship .
And when you get an eminent journal like Time magazine complaining, as it often has, that to the young writers of today life seems short on rewards and that what they write is a product of their own neuroses, in its silly way the magazine is merely stating the status quo and obvious truth. The good writing of any age has always been the product of someone's neurosis, and we'd have a mighty dull literature if all the writers that came along were a bunch of happy chuckleheads.
The faculty of attention has utterly vanished from the Anglo-Saxon mind, extinguished at its source by the big bayad?re of journalism, of the newspaper and the picture magazine which keeps screaming, "Look at me." Illustrations, loud simplifications... bill poster advertising ? only these stand a chance.
A writer can get into a vast deal of trouble through misquotation. If you ever want to receive lots of mail, I recommend you get a Shakespeare quote wrong in a magazine or newspaper.
Keep in mind that Eric Alterman is media critic for The Nation-a hysterically left-wing magazine dedicated to the proposition that corporate America, U.S. foreign policy and the Republican Party are criminal, racist or both. The simple reality is that, for him, the Democratic Party is far too conservative.
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