When I was covering baseball the Reds had a first baseman, Sean Casey. His nickname was "The Mayor" because he knew and connected with absolutely everyone. Incredibly lovely ... even invited Red writers to his wedding. And that never happens.
There's no right way. There's no measurement system. That's why, you know, art competitions are a little confusing to me. I mean, they're lovely, but so many people are affected by different people and different things in such different ways. And yeah, it's immeasurable.
My dream is a red dress Above my knees High-heel red sandals And me coming over the top The music booming Hi Howie I will say With a lovely smile I don't want to play the game I want to be it.
Everyone who knew [Barack] Obama from being in Hyde Park knew he was the smartest guy in any room he walked into; a decent, compassionate, lovely person; pragmatic, middle-of-the-road and ambitious.
Also to get to see over the course of time how they change, and how Andy [Hertzfeld], regardless of how he's treated, still maintains a friendship with Steve [Jobs] over the course of time. Enough to want to show up and cheer him on. It says a lot about his character, and also that he cares about Steve. Yeah, I find it moving, and I find it a lovely thing on Andy's part.
The Australian accent just a very lovely accent and it doesn't have the pretention maybe of an English accent, but yet seems a little bit more exotic than an American.
My evaluation of President George W. Bush is nothing personal. He's a lovely person. Sadly, I believe he will be remembered for taking us into war unnecessarily at the cost of thousands of American lives, injuries to tens of thousands of our troops, and trillions of dollars to our economy - enormous costs to our reputation, and undermining the capability of our military to protect us. That, I think, will be the overwhelming issue for which his presidency will be remembered: extensive damage to our country.
My musical sensibilities were formed around punk rock, that quintessential dilution of an art that's both ugly and lovely at the same time.
We were looking for someone who could get the film [Filth] made at that kind of level, with the finance we wanted, and we spoke to a lot of people. When I met James [McAvoy] in the Soho Hotel with Jon Baird, the director, he looked about ten years old. I thought there's no way he's going to be a forty-year-old divorced alcoholic cop. I thought, really lovely guy, I'll let him and John talk and see if they get on.
I do for myself exactly what I would do for you - make a lovely cup of tea, or a hot bath, or go buy myself a fabulous pair of socks. I believe that you take the action, and THEN the insight follows - I do loving things for me, stroke my own shoulder, put myself down for a short nap, and the insight follows: that I am a wild precious woman, a human merely being, as e e cummings put it, deserving of respect, tenderness, protection, delight, and solidarity. And that is what Home looks like for me now.
I look at Playtone, the company that produced My Big Fat Greek Wedding. I call them my Playtoners. They are the kindest people who treated me like gold before that movie made a dime. We became personal friends. When I think about how lovely and wonderful they are that convinces me that you don't have to make a deal with the devil to succeed. It's a choice.
Just watching Chris Nolan direct was amazing. He is one of the most lovely people, which as you know doesn't always go hand-in-hand with great directors. But with Christopher Nolan, and there's only a few I think like him in Hollywood, that's absolutely true.
I think authenticity is important whichever homeland you're from but one of the lovely things about British cooking is that we adopt great food and dishes from all of the lovely people who come from overseas to live in our country. We're a magpie nation - we take the best bits of other cuisines and embrace them as our own.
The lovely thing about writing comics for so many years is that comics is a medium that is mistaken for a genre. It's not that there are not genres within comics, but because comics tend to be regarded as a genre in itself, content becomes secondary; as long as I was doing a comic, people would pick it up.
The Nova Scotian black community always remembered Viola Desmond - they didn't lose track of her, ever. Her memory was very much alive there, but the rest of us didn't know anything about her. It's just so typical of Canadians that we know Rosa Parks, in that "bad country to the south of us" - they needed this lovely, courageous woman to sit down in the front of the bus - but we wouldn't know ours, because of course we "don't have racism in Canada."
I had been used to improvising and even in the audition I was feeling free to rearrange Aaron Sorkin words a little bit, as lovely as they were. I didn't find out until after I got the part how furious Aaron was at me for doing that. They said, "He was livid. He did everything in his power not to jump down your throat!" But I came to realise that Aaron was writing in metre and the rhythm of the language is very important.
I think, when people so strongly associate an actor with a character they play - but the main feeling is I feel very happy that I've been able to play somebody that people connect so strongly to. That's overall a very good feeling. There's the sweet and the sour, I guess. It does sting a little bit. Your insecurity as an actor maybe seeps in, but ultimately I think it's a very lovely thing. It doesn't happen that often. It's mostly good, I'm fine with it.
It's lovely to be old. I've got age, experience and zero personal ambition. No body could corrupt me by anything: possibly a job in the government, a peerage, a quango, I don't want any of it.
I don't want to be precious or weird . It's lovely to be recognized by people who like your work, and it's not as if I've done a Marvel movie. People say that with great power comes great responsibility, but it's more like shitty things will happen if you take certain jobs.
The lovely thing is that now being offered things is just a blast. In the beginning, I'd be offered something and be like, "What? What do you mean? Are they sure?" And now, I have less shock about it. It's just a real pleasure. It's a privilege.
In London, there must be thousands of people in the business of making films, whereas in Nottingham or Sheffield, you're probably talking about below a hundred. So there aren't thousands of people scrapping for the same money and for the same jobs. I went out in Nottingham the other night and there's a really beautiful community of people who are really supportive. It's not this back-stabbing thing, high-rent, high-cost, high-tension. Up here we are independent filmmakers and there's a lovely sense of camaraderie.
Hillary called and it was a lovely call. And it was a tough call for her. I mean, I can imagine. Tougher for her than it would have been for me and for me, it would have been very, very difficult. She couldn`t have been nicer. She just said, "Congratulations, Donald. Well done." And I said, "I want to thank you very much. You were a great competitor." She`s very strong and very smart.
I don't think I'm prepared for life in the spotlight. I don't even think I'm really prepared now, but I still don't really feel like I'm in the spotlight a lot. I'm not a household name. I'm not followed around by paparazzi. I still have a very normal life. I'd love as many people to know and like my music as possible, but there's something quite lovely about being able to still go and watch your boys play football.
I'm not interested in being gratuitously relatable and broadening out what I do in order to reach more people. When I'm going into specific details of the trauma, I think it's the details that connect with people. I'm accidentally relatable - I didn't mean to be, and I didn't think I would be. It feels like what I'm saying on stage is quite shameful and possibly perverted; so for other people to be laughing and go, "Oh, yes, we understand that. We are like that too," is very lovely.
In the '80s, the world I was living in wasn't this world of consumption. There wasn't that much to buy, really. Actually I'm still struck by that. There's not an awful lot of stuff I want. Somebody quotes Diogenes, who's walking around saying, "How many things there are in the marketplace of which Diogenes has no need." I always feel that. Except of course when you're living in Venice, California and you see all these lovely houses!
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