I want all this loud profanity in the street stopped. I want people to think about choices.
The stage is the opposite: you are talking loud so you can project to the back row and you know the whole play. In a movie, you are scene-to-scene; you only know the purpose of that scene. On the stage, that is artistic science. It is real, it is loving, it is truthfully you. It is two different formulas to make two different art pieces, but it is all about truth.
As an Asian American, I'm aware of how stereotypes can be very destructive. We've been defined by the drag queens. And yes, they exist. But we've been defined as irresponsible, flamboyant, loud, and garish. I think what we need to do - and what we haven't done as aggressively as we should have - is to depict the vast diversity of the GLBT community.
It was a role [Dean Sanderson] I hadn't seen before, and yet it was very accessible and relatable at the same time. I read scripts that have one or the other, but I rarely read scripts that have both. And it was laugh-out-loud funny.
This is how we honor 53 dead, innocent people who had nothing to do with their deaths. They just were in the wrong place at the wrong time, when a bigot decided to take 'em out. And all of a sudden we're judging the aftermath as to whether or not [Barack] Obama's an effective president? For crying out loud!
I had to write a comedy set and film a show at the same time. And it's the second time I've been up on stage as a stand-up comedian with untested material. I was saying it out loud for the first time that night. It didn't go how I expected, but in the best possible way.
If you have questions about how people earn their wealth, for crying out loud, the Clintons have a way of doing it that virtually nobody else could parlay.
I have no problem in asking a diner to leave for two reasons: 1. If they are rude to my staff. No one has that right. If we make a mistake, allow us to rectify it. 2. If they are loud and abusive at the table. They have no regard or respect for the other diners, who may have worked very hard to save up their cash to afford your prices.
When I was home, traditionally since I was young, I'd write in cafés. That was the romantic notion in 1963. Café atmospheres back then were different. The café life really stemmed from the Parisians' idea of it, with poets struggling over their poems and drinking coffee. No music, no sounds, maybe a little jazz, or soul, but mostly nothing. Now you go into a café and the music is really loud, people are having business meetings, they are on their cellphones. It changes from generation to generation.
Talk loud enough about human rights and it gives the impression of democracy at work, justice at work. There was a time when the United States waged war to topple democracies, because back then democracy was a threat to the Free Market. Countries were nationalising their resources, protecting their markets.... So then, real democracies were being toppled. They were toppled in Iran, they were toppled all across Latin America, Chile.
"Summer Sisters" is probably my least autobiographical book. The whole idea started with rowing down the pond. And I heard an explosion. I don't like sudden loud noises. They scare me. And then all these people came running down the hill and jumped in the water in their finery and a bride and groom was with them, and that's where it all started.
Of course you don't want anybody to feel shame for their sexuality. But you also want to make it clear that a loud, a loud and proud approach to your sexuality at a young age isn't necessary to be a fully integrated person.
There should be more on television that uplifts people and shows them how to better prepare themselves for earning a living. There still aren't enough people that say "this should not be." We just let it go. We need to raise a loud voice about our fellow human beings.
When I'm flying, I really like to listen to piano music. Something impressionistic, loud and beautiful. Flying can be such a claustrophobic experience, it's nice to open that up a bit with music.
I keep wanting people to realize that there needs to be a tidal wave of peace and love. People should be treated with love and respect regardless of the color of their skin or their sexual preference. We need to keep saying that as much as we can and as loud as we can.
The essence of the cinema that I'm interested in is a combination of love, rage, and curiosity. Sometimes it's hard to see those intentions, or maybe it's hard to portray them on film in a way that doesn't sound too preachy or irrelevant. So instead of saying it out loud, you say it multiple times in the movie by hiding it. You get a sensation after you see the whole film throughout yourself.
My mom always used to tell me, "Do what you love and be kind." And I discovered video at a very early age, and so my love was ideas and video. I thought what I wanted my career to be was, I wanted to create contexts in which I could philosophize out loud.
I am quite loud and bolshie. I'm a big personality. I walk into a room, big and tall and loud.
My favorite saying is, 'If it's too loud, turn it up.'
When I was a teenager, I really didn't like loud rock music. I listened to jazz and blues and folk music. I've always preferred acoustic music. And it was only, I suppose, by the time Jethro Tull was getting underway that we did let the music begin to have a harder edge, in particular with the electric guitar being alongside the flute.
When you think about rock at its origin, and you think of the Beatles and millions of kids screaming as loud as they can and running as fast as they can towards the Beatles, there's no one who is that kind of lightning rod, who commands that kind of power and has that kind of creative magma.
If you take a loud pride in anything, people will rightly shoot you down.
I had a good loud voice and I wasn't afraid to be goofy or zany.
I love good, loud speakers.
I don't like to sing loud.
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