A talent is a combination of something you love a great deal and something you can lose yourself in - something that you can start at 9 o'clock, look up from your work and it's 10 o'clock at night.
Anger and intolerance are the enemies of correct understanding. The best way to find yourself is to lose yourself in the service of others. You must be the change you wish to see in the world.
Eminem's 'Lose Yourself' is my go-to song to pump myself up if I'm having a tough time or if I get really nervous right before a speech.
In the case of two actors connecting with each other and trusting each other, our bodies have memories without us having to consciously think about it, so rather than think, "Oh, I must think about my daughter dying," you just let that go and trust that you have all the emotions you need in there, and by losing yourself in the scene, that stuff kicks in without having to spend the day thinking about horrific things happening to your own child.
It doesn't necessarily matter if I'm onstage or not. I just find the communal experience of a rock concert, or any type of music performance, achieves a kind of transcendence that I associate with spirituality. It's the closest thing to what I think people expect church to be like. Or maybe just what I've always thought church should be. You lose yourself, and at the same time come to the realization or understanding that you're part of something bigger than yourself.
In desire, there must be some small amount of tension. And that tension comes with the unknown, the unpredictable. You can close yourself off at home and say, "Whew, at last I'm in a place where I don't have to worry," or you can keep yourself open to the mystery and elusiveness of your partner.
You can lose yourself in pleasure, 'til your body's going numb, but will it ever be enough.
We must not just be in the world and above the world, but also of the world. To love it for what it is... is the only task. Avoid it and you are lost. Lose yourself in it, and you are free.
You easily close yourself off to certain things because you want to seem like you know it all, or you're not weak - emotion is often confused as weakness - so when emotions are undeniably physically affecting you, I think it's a gift.
Scars are souvenirs you never lose, the past is never far, did you lose yourself somewhere out there, did you get to be a star, and don't it make you sad to know that life is more than who you are?
Never lose yourself on the stage. Always act in your own person, as an artist. The moment you lose yourself on the stage marks the departure from truly living your part and the beginning of exaggerated false acting. Therefore, no matter how much you act, how many parts you take, you should never allow yourself any exception to the rule of using your own feelings. To break that rule is the equivalent of killing the person you are portraying, because you deprive him of a palpitating, living, human soul, which is the real source of life for a part.
You have to lose yourself in the team and you have to lose yourself in the game
Well they are very frightening for me because their stupidity is so flat. You look into the eyes of a chicken and you lose yourself in a completely flat, frightening stupidity. They are like a great metaphor for me... I kind of love chicken, but they frighten me more than any other animal.
When I feel like I'm doing my best work, there is a bit of a freedom, a bit of flight that you're not so much losing yourself but you're sort of in the zone.
When you lose your temper, you lose yourself—on the mat as well as in life.
You find yourself by losing yourself. By not thinking about yourself all of the time. When I am in a slump with my writing, I'll go and walk for a week. Walk and not see a human being. Something happens after four or five days which is quite wonderful. It is an ancient thing. Your sense of smell. Your hearing. They come back.
Sometimes you have to lose yourself 'fore you can find anything.
Do not pursue the past. Do not lose yourself in the future. The past no longer is. The future has not yet come. Looking deeply at life as it is. In the very here and now, the practitioner dwells in stability and freedom. We must be diligent today. To wait until tomorrow is too late. Death comes unexpectedly. How can we bargain with it? The sage calls a person who knows how to dwell in mindfulness night and day, 'one who knows the better way to live alone.'
Over the past year I'vediscovered if you keep on giving and giving, you end up losing yourself. I think that learning to give and receive is the trick. Perfect happiness is also a feeling, and the most amazing thing is that we were all born with the gift to make it happen in a heartbeat. Putting on certainmusic, reading something can make us feel a certain way. I think the key to happiness is allowing ourselves to not feel bad or guilty for feeling it, and letting it be contagious. And to not be dependent on other people to create your own happiness.
Many a play is like a painted backdrop, something to be looked at from the front. An Ibsen play is like a black forest, somethingyou can enter, something you can walk about in. There you can lose yourself: you can lose yourself. And once inside, you find such wonderful glades, such beautiful, sunlit places.
Everybody has talent and it's just a matter of moving around until you've discovered what it is. A talent is a combination of something you love a great deal and something you can lose yourself in - something that you can start at 9 o'clock, look up from your work and it's 10 o'clock at night - and also something that you have a talent, not a talent for, but skills that you have a natural ability to do very well. And usually those two things go together.
Then the challenge is, once you left brain it and build it, then when you're on stage you have to know it so well that you can get lost in it. I don't want to be onstage looking like a robot, I want to be at the end of the day very emotional and what feels like someone being up there rather than reciting things. That's always the challenge, to analyze and then somehow lose yourself in something you absolutely know backwards and forwards. And nothing's going to surprise you, but you have to be surprised by it and let it surprise you.
I find that with fantasy, you lose yourself in it a lot. It's great to be able to go into a dark theater or turn off the lights in your house and just get sucked into this world. I remember watching Star Wars when I was a little kid when they did the re-release of all the originals. I couldn't even read yet but my uncle took me and he would read me the opening as the words were coming up on the screen. I just remember being so sucked into that and thinking, "I want to be Luke Skywalker."
It doesn't happen all the time, but in the moments where you really lose yourself and you fall into this character, it's like time travel.
Do you want to have an easy life? Then always stay with the herd and lose yourself in the herd.
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