I could stand in the middle Fifth Avenue and shoot somebody, and I wouldn't lose any voters.
Republicans think that [Ted] Cruz would be like Barry Goldwater. He'd lose in a landslide and pull the party down with him. They'd lose Senate and House seats.
Dishonest, which is Hillary Clinton in the eyes of the American people, beats crazy. Dishonest loses to normal. So, let's just pick somebody out of the phone book if we have to.
Donald Trump can't beat Hillary Clinton, I think it's very clear, and she doesn't want to run against me, because I can beat her, because I will fight her and force her to fight on ground that she will lose on.
People do lose weight on an Atkins diet. The reason they lose weight is because of calorie reduction. If a person's caloric intake has not fallen, if they are really shoveling in the steak, they don't lose weight.
In China, because China is gaining wealth, rice consumption is way down. Rice is a poor person's food, and they're eating less of it. To wait in line at a fast food chain is cool. And they haven't historically had weight problems. So they don't have this culture of, "I need to lose weight."
People have to know that if they've wanted to lose weight, if they've wanted to get their diabetes better and get their cholesterol down, here is how it works. Beyond that point, you can't force people into changes, you have to guide them.
When I lose my column again, I'm sure I'll get hungry again. Maybe it's having a kid, but it's probably just getting to do what I always wanted to do - I'm really not that hungry.
I never thought I would make a living as a pencil-sharpener. The first goal was: I don't want to lose money. And then the goal was: I want to see if 100 people buy my pencils. I just kept upping the benchmarks.
I think parenting actually makes you lose pieces of your soul again, because they go off, into your children. Or, I mean, I am so fragmented, and I'm such a spacey person.
It is perhaps true that that sort of sexual energy wanes over time - as the original impetus loses its luster. And then, I suppose, it's on to the next thing. But eros is eternal, like joy.
I'm really only capable to two emotions at this point: lust and hunger. I lost revenge a few years back, and even then, it was reserved only for ex-girlfriends and particular football games that caused me to lose a lot of money.
I know when I watch a film at this point, if I completely lose myself in the characters and the story and the world of the film I know that it's at least in my opinion, that was great. Otherwise I'm thinking: "Oh I know they were just doing A, B and C, right before they walked into the scene, then the camera was there, then they probably took the shot from this reverse close-up and moved it into this." When all of that drops away then I'm like: "Okay this was phenomenal, this was fantastic." I mean, any film or TV performance in general is probably good.
Like I said, when all of that goes away and you just completely lose yourself in the fantasy of it, then that's usually when I walk out of the theatre or turn off the television and just go: "That was brilliant!"
I know hands down I would lose for sure, but I would love to just dance with Beyoncé. Really, that's what my dream is. She is such a good dancer and I know I would lose, like hands down I know I would lose, but I just want to be in her presence and see her dance up close. She is so good, I am literally obsessed with her and I think she's amazing.
When you do an arena show, and the lights have to sync up to the sound, and the sound has to sync up to the music, and all of that - things are really mapped out, and you lose some of that spontaneity.
We live in a world that is so quick to lose people's attention, and to move on to the next thing. We live in a YouTube world, so it's hard to build something slow like you did fifteen or twenty years ago. You have to have the kind of show that keeps people interested.
It's important for me to not historicize. I work to diffuse the issue of identity and to intensify identification. You have to lose your authority in the making of a film to achieve this. The film is about me being absolutely dislocated. I focus on the very personal to arrive at the very political.
Essentially Rumsfeld wins, Cheney wins, and the CIA and State Department lose. Bush, Cheney, and Rumsfeld have more centralized control over intelligence, analysis, and operations than ever before. And the way they interpret the law, if the President authorizes an intelligence mission to be run covertly by the Pentagon, they don't have to tell anybody, including Congress, about it because the President is the commander in chief.
Don't do what we did. Make sure it's right and make sure it's what you wanna do. Make sure it's actually a good deal, that you're not going to lose out too much on it.
The Alzheimer's Association is what I am passionate about. My grandfather had it. My mom has it. It's a horrible disease, and with our aging population, it's a growing problem. It's terrible to lose your brain and your power to be conscious or in the moment.
I always tell women, "Get in front of a mirror, know your body." Don't think, "OK, I'm going to lose five pounds and I'm going to gain five pounds." Try to find an acceptance in the present and buy things that make you feel good. I would say, if you're buying less expensive clothes, buy two sizes bigger. They'll hang better.
There's also a lot of punch you get from doing an extreme closeup and have it just be that image with nothing around it. There's a clarity and precision and impact there that you sometimes lose if you put everything else in that background.
Once you lose somebody so close to you, you become very overprotective.
You try to do as much as you can on set because practical looks cool and practical looks great. Until you get to a point where the reality is you look at it - and I went through this in my last movie which was a war film, which my brother fought in Iraq and I did a ton of research and as much as I could made it documentary-like - and then at some point on set, the reality is somebody says to you, "You know, you can use a real squib and you can have three hours of clean up and you can lose five shots or we can do that blood explosion in post and you can get those five extra shots."
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