The great enemy of clear language is insincerity. When there is a gap between one's real and one's declared aims, one turns, as it were, instinctively to long words and exhausted idioms, like a cuttlefish squirting out ink.
One of the really bad things you can do to your writing is to dress up the vocabulary, looking for long words because you're maybe a little bit ashamed of your short ones. This is like dressing up a household pet in evening clothes. The pet is embarrassed and the person who committed this act of premeditated cuteness should be even more embarrassed.
Never use a long word where a short one will do.
How come abbreviated is such a long word?
His heart; some long word at the heart. He is dying of a long word.
Never use a metaphor, simile, or other figure of speech which you are used to seeing in print. Never use a long word where a short one will do. If it is possible to cut a word out always cut it out. Never use the passive voice where you can use the active. Never use a foreign phrase a scientific word or a jargon word if you can think of an everyday English equivalent. Break any of these rules sooner than say anything outright barbarous.
Speak English!' said the Eaglet. 'I don't know the meaning of half those long words, and I don't believe you do either!
Why does everyone have to pretend to be stupid and not know long words?
It behooves us to avoid archaisms. Never use a long word when a diminutive one will do.
I would never use a long word, even, where a short one would answer the purpose.
I was just asking Chad [Myers], how can you get a volcano in Iceland? Isn't it too- when you think of a volcano, you think of Hawaii and long words like that. You don't think of Iceland.You think it's too cold to have a volcano there.
There are science teachers who actually claim that they teach "a healthy skepticism." They do not. They teach a profound gullibility, and their dupes, trained not to think for themselves, will swallow any egregious rot, provided it is dressed up with long words and an affectation of objectivity to make it sound scientific.
For I am a bear of very little brain, and long words bother me.
When we asked Pooh what the opposite of an Introduction was, he said "The what of a what?" which didn't help us as much as we had hoped, but luckily Owl kept his head and told us that the Opposite of an Introduction, my dear Pooh, was a Contradiction; and, as he is very good at long words, I am sure that that's what it is.
There are many other little refinements too, Mr. Bohlen. You'll see them all when you study the plans carefully. For example, there's a trick that nearly every writer uses, of inserting at least one long, obscure word into each story. This makes the reader think that the man is very wise and clever. So I have the machine do the same thing. There'll be a whole stack of long words stored away just for this purpose." Where?" In the 'word-memory' section," he said, epexegetically.
Do not put statements in the negative form. And don't start sentences with a conjunction. If you reread your work, you will find on rereading that a great deal of repetition can be avoided by rereading and editing. Never use a long word when a diminutive one will do. Unqualified superlatives are the worst of all. De-accession euphemisms. If any word is improper at the end of a sentence, a linking verb is. Avoid trendy locutions that sound flaky. Last, but not least, avoid cliches like the plague.
It's not unsporting to thrash a cowardly cad,' said Simmons. 'Everyone knows you don't fight like a gentleman.' 'That might be called an oxymoron,' Ramses said. 'Oh--sorry. Bad form to use long words. Look it up when you get home.' The poor devil didn't know how to fight, like a gentleman or otherwise.
Well,” said Owl, “the customary procedure in such cases is as follows.” “What does Crustimoney Proseedcake mean?” said Pooh. “For I am a Bear of Very Little Brain, and long words Bother me.
What are letters?” “Kinda like mediaglyphics except they’re all black, and they’re tiny, they don’t move, they’re old and boring and really hard to read. But you can use ’em to make short words for long words.
I like 'pencil-necked weasel'. It has 'pencil' in it. Pencils are good things. You can draw or write things with pencils. I think it's what you call someone when you're worried that using a long word like 'intellectual' may have too many syllables. It's not something that people who have serious, important things to say call other people.
Long words, fat talk they may tell us something about ourselves. Has the passion for fat in the language increased as self-confidence has waned?
Never is a long word.
IF is a very long word in Formula One; in fact, IF is F1 spelled backwards.
There are some simple maxims which I think might be commended to writers of expository prose. First: never use a long word if a short word will do. So, if you want to make a statement with a great many qualifications, put some of the qualifications in separate sentences. Third: do not let the beginning of your sentence lead the reader to an expectation which is contradicted by the end.
The long words are not the hard words, it is the short words that are hard. There is much more metaphysical subtlety in the word "damn" than in the word "degeneration."
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