In fact I'd like to go back and live in Shakespeare's London.
I was picked up on a London street by a model agent. She took me to her office and then sent me to Paris to work in shows. It was supposed to be two weeks, but I ended up living there with my Zimbabwean boyfriend. I made enough money modeling and acting in French movies to buy a nice flat.
As a kid who wasn't into sports, at school I felt almost alienated at times, whereas in the theatre community there was this amazing sense of camaraderie. Early on, we would go to rehearsals with my dad and I was like the mascot for the backstage crew. That was a big part of my childhood, so I dreamed of one day doing a play in London.
I definitely want to do more movies, and I'm also a writer, so I have a few screenplays that I'm working on, one of them based off my one-woman show that I used to do in New York. Two of the screenplays I've written by myself, and then I'm also working on one with my writing partner, Tom Riley, who's in London.
My London constituency in Hackney has one of the highest levels of gun crime in the country. But the problem is no longer confined to inner city areas. Gun crime has spread to communities all over Britain.
Finally, there's a sense in which I look at this Westminster village and London intelligentsia as an outsider.
You know Manchester is always a bit of a hard place for people coming from London, just with all the history. Manchester has this immensely huge and healthy history musically.
When Blur first started and we were playing Manchester the Hacienda was the place to go. That was where a lot of exciting stuff was happening and London was pretty dead.
Manchester has it's own pride and London has it's sort of pride and sometimes we can be a bit mean to each other, but I think if we dig the music we can get on really well.
Gentlemen never wear brown in London.
Two successive commissioners in London police were fired by the mayor that came into office. That doesn't mean the police in London is not independent and does not exercise powers. Ultimately it is the political executive that has to answer.
What I find really attractive is something that's going to be a little dangerous. Something that might get me into trouble; you know, you turn up in London and you've just rewritten Dickens. And, of course, then you think, 'What have I done?
I gained a first class degree in Physics at Imperial College London in 1968 and did research in solid state physics, but did not pursue meteorology matters until gaining an M.Sc. in astrophysics from Queen Mary College London in 1981, after which I investigated and attempted to construct theories of solar activity.
When I'm in London, Claridge's is a great favourite. I'm a big fan of art deco architecture and the rooms are extraordinary.
I hated Sundays when I was growing up in Streatham, south London. Everything closed down and stopped.
Billions of taxpayers' money has been wasted in bad deals. The London Underground modernisation, personally negotiated by one of Gordon Brown's team, was a disaster, as the National Audit Office has confirmed.
I moved to Seattle when I was two or three years old. Had my early education there, and would spend summers on the farm in Maryland. Then I went to boarding school in New Hampshire, to St. Paul's School. From there, I moved to London.
The Globe' is one of the most terrifying theatres in London. It's that mob element - everyone packed in and staring up at you.
As an arts journalist in London, working mainly for the BBC, I interviewed hundreds if not thousands of authors. From them I gleaned a great deal of passing instruction in writing and I observed one fascinating detail: no two writers approach their work - physically - in the same way.
I mean, I suppose when I'm in London, I'm home so I'm more comfortable.
London's not a white city. So why should our catwalks be so white?
I would teach U.K. parents how to stop their children throwing litter. London is a beautiful city but its streets are disgusting.
My natural accent is American. I chose to speak with a U.K. accent when I was about to enter the final year at drama school in London. I was going to try to find a way to stay in the U.K. after I finished college and could not imagine trying to live and get work there with an American accent.
I have no sense of being famous - you're just working. And then you'll have a random day in London when you'll do some press and it creeps into your awareness that this goes out - that what you do every day goes out to televisions right across the country.
I spent a lot of time in London when I was growing up and I've always picked up accents without even really meaning to. It used to get me into trouble as a child.
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