It [lighting the set up] is quite a process. It's like drawing. It's like being an artist. You pencil it in first, and then you ink it. When you're filming, it's like you're penciling it all in. You know where everything is going to go. But, that application of the final ink takes some time.
I got addicted to lighting people up, just seeing people so happy 'cause they rediscovered what they're capable of and so that became my life's work.
Whoever kindles the flames of intolerance in America is lighting a fire underneath his own home.
Each story has a different approach for me and I try to work with lighting that will tell you visually the story better than if it was shot in available light.
It's an old, established rule, but "golden hour" lighting is ideal because the first and last hours of sunlight are diffuse and warm. For that reason, women with photos taken outside during those hours tended to look great.
Education is not about filling a pail, it's about lighting a fire.
Please listen to me - you are not paying attention. I am talking to you about the Holy Scriptures, and you are looking at the lamps and the people lighting them. It is very frivolous to be more interested in what the lamplighters are doing... After all, I am lighting a lamp too - the lamp of God's Word.
I swear, guys in groups are capable of the stupidest things." "Like war," Kellan says, heaping napkins and ketchup packets onto her tray. "And jumping off rooftops." "And lighting their farts on fire," she says.
Everybody you work with sees what you're doing from a different point of view, a very specific point of view. So, if someone is lighting, they're seeing it from that point of view. A production designer is seeing it from the placement of furniture that tells you about the character. Everything that goes into the room should tell you about the person who lives in that room.
I'm married to an artist. I get a lot of inspiration from art, from the lighting in art, from the compositions in art, from the textures, and all of that. I'm always playing with it.
Too often girls accept that of course the boys will get better lighting and seating at their sports events, of course the football team will get more attention, privileges, and space in the yearbook. We need to teach girls to look around and notice when they're being treated like second-class citizens, and then to insist on equal treatment.
When I was creative director [at Estée Lauder], I was always being asked about my beauty must-haves. From there I had this fun idea to create a line of what was in my makeup bag. But I also love accessories, and people associate me with home, family, and beauty. As a girl, my favorite toy was my dollhouse; if I could still play with it now, I would! I used to love a well-arranged room: the furniture, the fabric, the lighting.
You know, whenever you're shooting a film there's different obstacles and challenges, whether it be from the makeup artist getting fired that you liked or whatever - the one that did the makeup the way you wanted. There's always stuff that changed, like the DP leaving the set, and there's a new guy in there, and the way he does lighting isn't the same as the last guy.
For interiors, if you have a basic sofa, you can add fun throw pillows, and cool lighting to make the space more interesting. In fashion, you make a little black dress really amazing with jewelry, shoes and an incredible bag. If you have those clean, basic, pieces you can really mix things up with the accessories and make the space, or the outfit, uniquely your own.
I always look for nature or natural lighting within buildings and within rooms that has been done by somebody else to suit their needs. I look at it very closely as a photographic thing, then enhance it.
Woody makes a movie as if he were lighting 10,000 safety matches to illuminate a city. Each one is a little epiphany: topical, ethnic, or political.
God help the teacher, if a man of sensibility and genius, when a booby father presents him with his booby son, and insists on lighting up the rays of science in a fellow's head whose skull is impervious and inaccessible by any other way than a positive fracture with a cudgel.
It is very different to make a practical system and to introduce it. A few experiments in the laboratory would prove the practicability of system long before it could be brought into general use. You can take a pipe and put a little coal in it, close it up, heat it and light the gas that comes out of the stem, but that is not introducing gas lighting. I'll bet that if it were discovered to-morrow in New York that gas could be made out of coal it would be at least five years before the system would be in general use.
My first priority when taking pictures is to achieve clarity. A good documentary photograph transmits the information of the situation with the utmost fidelity; achieving it means understanding the nuances of lighting and composition, and also remembering to keep the lenses clean and the cameras steady.
There is not the slightest question but that the God of the Old Testament is a jealous, vengeful God, inflicting not only on the sinful pagans but even on his Chosen People fire, lighting, hideous plagues and diseases, brimstone, and other curses.
Do you think these sannyasi children of Sri Ramakrishna are born to simply to sit under trees lighting dhuni-fires? Whenever any of them will take up some work, people will be astonished to see their energy. Learn from them how to work.
I'm a big fan of fiction film where you have a story and you have to transform that into a visual language, basically working with actors and also transforming that into how you pronounce that in the visual language of the shots, the construction of the shots and the lighting. All of that appealed to me from the beginning of my career at the university. When I graduated from the university, I wanted to deal mainly with that, with the visual aspect of the movie.
Even with cameras being very cheap, one thing that researchers noticed was that you look really bad in a videoconference image because the lighting is bad and you get shadows and things.
On his method for lighting up: "Nothing special, but I do blunts, cigarellos, pipes, bongs, bowls, I'll smoke out of an old Timberland boot if you can rig it up and get some weed some out of it. I'll smoke that. Man, I've been saying that for years, so I might just try to make me a Timberland boot contraption that you can smoke weed out of. I think I'm gonna try it."
To me if there's an achievement to lighting and photography in a film it's because nothing stands out, it all works as a piece. And you feel that these actors are in this situation and the audience is not thrown by a pretty picture or by bad lighting.
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