I grew up treating a life as a writer as a career in letters, one devoted to many kinds of writing. And so it seemed normal to study both fiction writing and the literary essay as an undergrad.
I included receipts, faxes, newspaper clippings, all sorts of things. I've read novels composed entirely of emails or letters, but not assembled across this kind of mix of materials. I wanted to create the feeling of a detective going through a box of clues.
I received a wonderful email after I spoke at a school from a girl who'd lived in a war zone and endured horrors no human being should suffer, let alone a child. This young lady was fortunate to be bought to Britain and seemed to adjust well, but suddenly found herself falling off the rails and sliding into hell when I chatted to her. In her letter, she told me the difference that I'd made. She's now 20 years old and a fashion designer employing staff and she puts her work ethic down purely to talking to me. It's my most treasured letter.
I read every single letter. Some just break my heart. I've cried over letters that have come in, from young women and older women alike, saying to me, "You know, you made me want to stop crash dieting and just be healthy. You are my role model. I want to be like you."
I've translated two of Bae's novels, A Greater Music and Recitation, which are coming from Open Letter and Deep Vellum in October and January respectively. A Greater Music is a semi-autobiographical book centred on a Korean writer moving to Berlin, learning to live and even write in a foreign language.
Someone asked me if I would like to write a man on death row, be a pen pal, and I was like, sure. I volunteered. I had been in a place in my life - a relationship had ended; my parents were getting elderly - I was kind of adrift. The name that was given to me, just randomly, was Todd Willingham. And he wrote me a letter, and in this letter, he thanked me for writing him and [said that] if I would like to visit, he would put me on his visitor list... I was just really struck by the letter from Todd. It was very polite; it was very kind.
I was just really appalled, and I really kept quiet until I saw the governor [Rick Perry] get on and repeat the same words that the prosecution had used in the penalty phase: that he [Todd Willingham] was a monster. And that got me to get on to the computer and connect with some of the media and say: "I have his letters. He wasn't a monster. He was a caring individual." Let them see another side.
A dream ignored is like a letter unopened.
[Some people] put their work on the internet and check every day how many people look, how many people made contact, but I don't have internet, I don't have a hand-phone, I don't have fax, I don't have email. I just have old-fashioned telephone and letters.
I have some stuff that I've been working on the past year or two, but I haven't put anything together into songs or anything like that. Maybe it'll turn into letters to the president, I don't really know what it'll turn into.
I started writing letters home to my mother, saying that I wanted to come home, grandma won't let me sing.
After the second chapter of Days of Obligation, which is about the death of a friend of mine from AIDS, was published in Harper's, I got this rather angry letter from a gay-and-lesbian group that was organizing a protest against the magazine. It was the same old problem: political groups have almost no sense of irony.
I usually don't know how to fight hard for roles. I've certainly sent a passionate letter or two... which always leads nowhere.
We are beginning to shift into life code. And in the process of shifting into life code, every life form on this planet is coded in a double helix with a sugar phosphate backbone. And that codes whether you become a bacteria, an orange, a lemon, a Lemur, a Cow, a sheep, a human being, a politician, any one of these things is all coded in this four-letter code.
We have so many different options now and ways to communicate digitally. But I don't think anything is more meaningful or powerful than a hand-written letter.
People who follow their religion to the letter of the law are just silly. I mean, I want to tell Hasidic Jews I promise you, God will not mind if you wear a nice cotton blend in the summer.
There was an author who titled his books by days of the weeks and another one that used colors. Then there was Edward Gorey who wrote the book The Gashlycrumb Tinies, about the untimely death of 26 Victorian children, each representing a letter of the alphabet. I thought what a great way to link the titles.
A is for Alibi, my first book, was published in 1982. As it happened the next couple of books took place in June and August of that year. Without meaning to I painted myself into a corner. The other issue was the aging process. I did not want my main character to age one year for every book so I slowed the whole process down. This way I could get through all 26 letters of the alphabet without making her 109 years old in 2015. I might end the series in either 1990 or on New Years Eve 1989.
In the infancy of civilization, when our island was as savage as New Guinea, when letters and arts were still unknown to Athens, when scarcely a thatched roofed hut stood on what was later the site of Rome, this contemned people had their fenced cities and cedar palaces, their splendid Temple, their fleets of merchant ships, their schools of sacred learning, their great statesmen and soldiers, their natural philosophers, their historians and their poets.
In business a reputation for keeping absolutely to the letter and spirit of an agreement, even when it is unfavorable, is the most precious of assets, although it is not entered in the balance sheet.
The fear of loss is an engine of horrors, but also a source of the greatest forms of heroism. There's not a lot of art that puts that in bold letters. It's psychologically very interesting and acute, I think. That's not the central reading, I think, of the New Testament.
Prayer is not adult letters written to Santa Claus, and God is not some parent-like figure up in the sky who's going to take care of us.
Getting your letters or pictures digitized. I don't think it's that important. The more you spend on your materials, you're given the sense that those things are more important due to the total amount spent. You'd probably be better off giving that money to a soup kitchen.
I've read some of Kurt Vonnegut letters from when he was young. He was a prisoner of war, and even when he was in his early twenties, there were things mentioned that showed up in his novels. One of the sweetest things in those letters was him wanting to be a writer but doubting himself, not having confidence in himself.
One of my favorite things is when I get letters and video messages from fans or people who have attended one of my workshops that say things like "because of your workshop, I finally have the confidence to go after my dream/love myself/have the strength not to listen to anyone telling me I can't do the things I really want to do!"
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