The future is no more uncertain than the present.
I've never acted before in a movie I've directed. This felt like the time to do it just because the " Leaves of Grass" movie itself is so much of a platform for the lead actor. It's really written for an exciting performance and it really depends on the audience watching an extraordinary actor having a great time pulling off this feat. It makes sense to me as a director to act in support of that.
Nothing endures but personal qualities.
What we set out to do with this movie [Leaves of Grass] was to create something that was funny and serious and had large tonal ambitions. A movie that could be poignant and funny, and suddenly quite violent. To have a character utterly sideswiped, and to learn that life is about balance.
Even my wife and two of my children are in "Leaves of Grass". Because I love the source material so much, it was really easy to write and an utter delight to get to direct because I had people like Edward [Norton] elevating the material and surprising me in their interpretations of all of this stuff that's so close to me.
Walt Whitman's "Leaves of Grass" is still in print. They're debating right now over Mark Twain. He's still available. Winslow Homer can still be seen. Our arts are - they're there. We got to go get them and understand that this is an important legacy for our country.
A great city is that which has the greatest men and women.
Artist Allen Crawford brings Whitman's undying text to new life in gorgeous hand-lettering and illustrations, transforming the 60-page poem originally published in 1855 as the centerpiece of Leaves of Grass into a breathtaking 256-page piece of art.
Wisdom is not finally tested in schools, Wisdom cannot be pass'd from one having it to another not having it, Wisdom is of the soul, is not susceptible of proof, is its own proof, Applies to all stages and objects and qualities and is content, Is the certainty of the reality and immortality of things, and the excellence of things; Something there is in the float of the sight of things that provokes it out of the soul.
That the hands of the sisters Death and Night incessantly softly wash again and ever again, this soiled world.
O Captain my Captain! our fearful trip is done, / The ship has weathered every rack, the prize we sought is won
O me! O life!... of the questions of these recurring; of the endless trains of the faithless... of cities filled with the foolish; what good amid these, O me, O life?
I will write the evangel-poem of comrades and of love.
Shut not your doors to me proud libraries.
Comerado, this is no book,Who touches this, touches a man,(Is it night? Are we here alone?)It is I you hold, and who holds you,I spring from the pages into your arms-decease calls me forth.
I know I am deathless We have thus far exhausted trillions of winters and summers, There are trillions ahead, and trillions ahead of them.
The question, O me! so sad, recurring - What good amid these, O me, O life? That you are here - that life exists and identity, that the powerful play goes on, and you may contribute a verse.
It is no discredit to Walt Whitman that he wrote Leaves of Grass, only that he did not burn it afterwards.
The smallest sprout shows there is really no death.
Every cubic inch of space is a miracle.
I had a huge advantage with Edward Norton because he's directed a movie before, so one thing he appreciates is how hard my job is, he's very sensitive to that. We actually ended up finishing "Leaves of Grass" a day early.
Remarkably, there's no green screen in 'Leaves of Grass' movie. There is motion control. Technically, there were all sorts of challenges, but really the soul of it is Edward Norton talent. You write these characters when you write a movie, and all you can hope for or depend on is that your actors will elevate the material.
Suspension of disbelief and that whole question is part of the heart of the 'Leaves of Grass'movie.
And a mouse is miracle enough to stagger sextillions of infidels.
Beautiful that war and all its deeds of carnage, must in time be utterly lost.
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