We are what we are. We don't have to define it or label it.
Label celebrity a consumer society's most precious consumer product, and eventually it becomes the hero with a thousand faces, the packaging of the society's art and politics, the framework of its commerce, and the stuff of its religion.
I would love for people to know that the label feminist is something that everyone should wear proudly, because it just means that you support women.
Who is Tom? There is no Tom. If we sell a pair of shoes today, we give away a pair of shoes tomorrow. Originally we thought of "Tomorrow's Shoes," but I could only fit "TOMS" on the label. I had no idea everybody would want to meet him. There is no Tom; it's an idea for a better tomorrow.
The new millennium won't be about sexual labels; it'll be about sexual expression. It won't matter if you're sleeping with men or women. It'll be about sleeping with individuals. Soon everyone will be pansexual. It won't matter if you're gay or straight.
There was a bidding war between Epic Records and Jive - now RCA - which was bittersweet. Just having labels bid over me was really cool, but I ended up going with Jive because it felt better over there, and they have my favorite artists like Usher, Chris Brown, and Justin Timberlake.
I've started a little independent record label called 'Six String Productions' and recorded a couple of tunes, and I hope to do some more with some future artists next year. It's a real passion project of mine.
I hope one day it won't matter who you're in love with. Gender is just a word. LOVE is beautiful. labels are for assholes. don't ever stop being yourselves.
My record label, which is a huge record label who represents massive, massive stars - they've never done anything like this before, and they were so excited about this idea of an animated character which is singing legitimate music. It's not a comedy record, it's a legitimate record. And they really jumped on board. So, we've got our Facebook page up, we'll be jumping on Twitter very soon, and sort of be creating Haley outside of American Dad.
I'm fortunate because people can't put a label on me, which I embrace wholeheartedly.
I truly would love to be a designer-label girl, but I am very much High Street.
I feel like my music has become a lot of things. It's hard to label the evolution, but I like there to be an evolution. I just like to paint with all different kinds of colors.
The moment you label something, you take a step-I mean, you can never go back again to seeing it unlabelled.
I think bisexuality is frowned upon for a lot of different reasons. But I don't like any of those words. I don't like any of those labels. I think they're limiting.
I accept the proposition that there has been a significant improvement in underlying productivity growth in the United States, that it is very closely tied to improvements in information and communications technology, and that it is likely to spread around the world. But I resist the new economy label because it seems to encourage a disrespect for the old rules that could seriously undermine our success in taking advantage of the new opportunities.
The Broader interpretation that often seems to underlie the new economy label is that we are witnessing a more fundamental change in the paradigm. The old rules no longer apply. Throw out the NAIRU. Heck, throw out supply and demand. No limits, no business cycles.
The important thing is not to know who "I" is or what "I" is. You'll never succeed. There are no words for it. The important thing is to drop the labels.
I'm a big fan of the American Tapes label. But that's very hard to keep a grip on that because you blink your eyes and they've released three records, all of which are limited edition, all sold at one show. So you have to follow in drips and drops on eBay, which I do.
Imagine someone so infatuated by a band that they have every different pressing of every album the band made. Most of the time, the only difference in the album is the matrix number or a different 'made in' notation on the back cover or label. This is enough to make some people extremely excited. Actually, much more than excited.
What does New York sound like? For me, the Charlie Parker at the Royal Roost recordings on the Savoy label are the total embodiment of the New York music experience.
I didn't know fashion or any of that until the label gave me a stylist.
I used to enjoy all the white bands when I was a kid listening to the radio. But the record companies, they take music and label it - like, they say "rock". Because the white singers can't sound like James Brown, they call him "soul". They've been doing that for years. That's the prejudice crap.
White folks always think that you have to have a label on everything - you know what I mean?
In 1916, when Johnny Heartfield and I invented photomontage in my studio at the south end of the town at five o'clock one May morning, we had no idea of the immense possibilities, or of the thorny but successful career, that awaited the new invention. On a piece of cardboard we pasted a mishmash of advertisements for hernia belts, student song books and dog food, labels from schnaps and wine bottles, and photographs from picture papers, cut up at will in such a way as to say, in pictures, what would have been banned by the censors if we had said it in words.
The difference with a major label and independent is mainly resources. That's the difference that I feel sometimes where I as an artist would have to be more creative and more patient.
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