Being a pastor for 20 years I realized that the labels, agnostic, atheist, believer, everybody's human and everybody wants to know what kind of universe we're living in, and everybody's living according to a story.
In the unawakened state you don't use thought, but thought uses you. You are, one could almost say, possessed by thought, which is the collective conditioning of the human mind that goes back many thousands of years. You don't see anything as it is, but distorted and reduced by mental labels, concepts, judgments, opinions and reactive patterns.
Whatever happens, whatever you experience, feel, think, do - it's always now. It's all there is. And if you continuously miss the now - resist it, dislike it, try to get away from it, reduce it to a means to an end, then you miss the essence of your life, and you are stuck in a dream world of images, concepts, labels, interpretations, judgments - the conditioned content of your mind that you take to be yourself.
It's a wonderful thing to perceive the world and to interact with it and with other people and nature from that deep place of utter stillness, where the compulsion to immediately label and interpret whatever arises around you is no longer there.
Oh, I love labels, as long as they are numerous. I'm an American writer. I'm a Nigerian writer. I'm a Nigerian American writer. I'm an African writer. I'm a Yoruba writer. I'm an African American writer. I'm a writer who's been strongly influenced by European precedents. I'm a writer who feels very close to literary practice in India - which I go to quite often - and to writers over there.
In the past, people were going to record stores and buying albums or CDs. And the label was exposing their artist as much as possible and maybe getting them picked up by a major. Now I tell people to cut a good tune and have it up in the marketplace the next day. You better be prepared to give it away, and people will come pay to see you.
I've always thought that comedy was just another dramatic expression. I try to measure the amount of truth in a work rather than just looking at the generic distinction between comedy and drama. There's a lot of bullshit drama that leaves you totally cold. And there's a lot of wasted comedy time too. But when you get something honest, it doesn't matter what label you give it.
You gotta' sell a million records before you talk about getting paid at a major [label].
My intention is not to repudiate an African American identity but perhaps to resist how labels take hold, or to make it as slow a process as possible. That's more my sense of it.
People really have to start being a smarter consumer, read labels, and understand what hidden sugars are.
A photographer is a photographer and an artist is an artist. I don't believe in labels or titles. Why should a painter or sculptor who has probably never challenged the rules be an artist just because his title and an art school education automatically make him one.
My spiritual path has largely been Christianity - a label that I embraced and then rejected and have partially embraced again, as my understanding of Christianity has changed over time. When I accepted the mainstream, dogmatic definition of Christianity there came a point when I had to say, "Well, if that's what a Christian is, I'm not one."
The beauty of running your own label and your own show is that you are in charge. I get sent a huge amount of musicfrom new and established talent every day, so if I like a track, I play it - no questions asked.
I'm building my adult beverage empire the way I built my independent rap label. As my career.
National Geographic contacted me about getting on their label, and I was like, 'Wow, I want to be label mates with the sharks and lemurs!'
I always have wanted to know how the whole thing was done, what the process involved. And I don't particularly enjoy that my music is stripped of ancillary details, and it just sort of comes out of this big tap called the Internet like water. I like some of my water to be neatly presented in a bottle. With a label on it.
I want people to get out of that nasty habit of needing a label. Every genre for each song is different.
As actors you don't want to have one label. You'd rather have seven.
I'm really inspired by the interplay of visual art and music, a total artistic environment where there's sound and visuals. When I think about that I get stimulated and excited. It's a feeling that you can't label with words.
When you see a handwritten envelope addressed to you in your packet of mail when you get your mail out of the mailbox - when you see a personal letter waiting for you - it's exciting. It touches you. You say "Oh, somebody really thought of me and didn't just slap a mailing label across an envelope. Somebody wrote something to me."
We are a nation that has always gone in for the loud laugh, the wow, the yak, the belly laugh, and the dozen other labels for the roll- em-in-the-aisles gagerissimo. This is the kind of laugh that delights actors, directors, and producers, but dismays writers of comedy because it is the laugh that often dies in the lobby. The appreciative smile, the chuckle, the soundless mirth, so important to the success of comedy, cannot be understood unless one sits among the audience and feels the warmth created by the quality of laughter that the audience takes home with it.
Every label thinks, when they sign someone, 'This is the perfect pedigree to sign. They're cute, they can sing, they can dance, et cetera.' And they say to the public, 'Here, this is what you're gonna like.' But you might say, 'No, I don't like that!' You'll probably say 'no' many more times than you'll say 'yes!
Even though were not the most punk rock band, the way weve done things is pretty punk rock. Just kinda say it with a big middle finger to the record labels and do it ourselves.
The idea is to identify a destructive thought pattern, then simply label it and watch it and let it pass by whenever it appears in your mind.
Judge men less by the labels they wear than by their persistent labour for sure if slow progress.
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