I feel like after acting, the other half of why I love this business is the opportunity to work with and meet people who inspire you. That it pays my rent is a good bonus.
When one sings, one does not speak about the problems of the every day. One speaks about the things which inspire us, which helped us.
The best thing about lying in bed late is that you learn to distinguish between first things and trivia, for whatever presses on you has to prove its importance before it makes you move.
The way I grew up, I was always taught that it's uncouth to talk about money, and that's not what should inspire you.
Just the same way I'd say a prayer before going onstage, taking that even further and using the drum to inspire people. And using that as a vehicle for the intention.
I'm usually working on my own mythology, my own realm of created characters. Stories in mythology inspire me, though I may not be conscious of it.
The most important thing to say is that Sinn Fein isn't going back to anything. We are a party on the move.
When you write a novel or paint a picture, you have the opportunity to approach it and back off, tear up pages, write, rewrite, paint over, and come back to it. In film, once you start shooting, you can't restart the clock, and you keep moving forward, and you don't look back, and you don't go back. And that is, of course, antithetical to the creative process. It's really hard to generate a comfortable creative flow under that kind of pressure.
I hit a lot of bad shots, but you just need to laugh about them, be able to have a smile on your face, and just keep moving.
You get into pro ball and you realize all the guys were the best players on their teams. You have to keep moving forward.
Commitment to each other is critical. Let's make our deadlines and due dates mean something. For changes to occur, we have to embrace them over and over. Take it step by step -- but keep moving forward -- and a year from now, we'll find we've moved from here to there.
In this fight I want to show people who are in poverty, downtrodden or denied that you can succeed. I want my performance to be an inspiration to people. You have to stay in the moment and keep moving ahead. I just want to show everyone that you can find answers to your problems and afflictions with hard work and perseverance.
In truly great films - the ones that people need to make, the ones that start speaking through them, the ones that keep moving into territory that is more and more unfathomable and uncomfortable - nothing's ever simple or neatly resolved. You're left with a mystery.
Government is not a solution to our problem, government is the problem. ... Government does not solve problems; it subsidizes them. Government's view of the economy could be summed up in a few short phrases: If it moves, tax it. If it keeps moving, regulate it. If it stops moving, subsidize it. ... The problem is not that people are taxed too little, the problem is that government spends too much.
Don't turn around. Don't look back. Keep moving forward. Keep pushing. The pot of gold is at the end of the rainbow, not the beginning.
I always like the people who keep moving forward, but kind of stay in their own lane.
I started to understand what the song could be about. The ache of nostalgia even for things we don't like, the commitment to keep moving despite that ache. It made me think of how I relate to my privilege - as a white person, as someone who grew up upper middle class.
Don't ever give up on your dream. Ever. The most valuable thing I have gained from this whole TMNT experience so far is that I now know for a fact that anything can happen. After twenty-four years in this notoriously impenetrable and discouraging business, I was offered this iconic role out of the blue, without any audition or meeting, from people I didn't know. Stick with your passion, and keep moving forward. You can't go wrong.
I feel very, very fortunate to have the success that I've had. I want to keep working and keep moving forward. Acting is my dream job. I love it so much.
Everything has to be intrinsic plot-wise in the same way, to use the Linda Williams analogy but to move it on a bit, as musicals - in old musicals, like in an old Cole Porter musical, you get the action, then they do a song, which reflects a moment - everything stops while that is being sung - and then you restart. These days in most musicals, the plot keeps moving through the song. I think it would be nice if someone constructed some pornography where the sex continues to propel you through the story.
I only noticed this after I had finished the film 'The Bad Batch,' and watched it again a few months later... Arlen, main character, is kind of like a shark because she keeps on moving forward. I do feel that in modern society that still is the best way to survive.
The best writing advice I ever got was "Keep moving forward, don't retreat into rewrites." The worst came from a book that said "Writing fiction is like telling lies," which just seems stupid to me.
I would love to direct videos and that's what it keeps moving towards, but I have to stop being scared in order to do that.
There's something about urban life - you walk out your door, and you're in a steady of stream of life happening around you, and it's very easy to get caught up in that stream and simply kind of keep on moving.
There was so much good and different music back then and you'd just keep moving through it and discovering more new stuff. I went through my Black Sabbath phase before I even started playing guitar.
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