One of my first jobs was in a soap opera, five days a week. And what I found is, although there are different directors coming in and different crews, you just lived in your character. It's the nature of the story, the ongoing story, and it can get deeper and deeper.
You can't just live in phenomenon and not research it.
That's how I am and how I've always looked at the world. I understood what the pavilions were before I came to Venice, and I knew that wasn't going to be enough for me. I wanted to extend this conversation into something I call urgency. There is urgency with people in crisis. Some communities - often the black community - just live in this urgency.
There's always going to be someone prettier, smarter, funnier, better than you - something - but you're you. And no one can take that away from you. Every single person in this world is unique and special and worth something. You can become anything you want to. We just live in a society where they love to kick people when they're down, and they love to put a label on everything.
I instinctively live. I do what I do. A lot of people live off of logic rather than emotions. I just live off of emotion.
You don't always need all of the bells and the whistles. I learned in my life, throughout my journey, that I'm enough. I don't need all of the extras. I just live my truth, and as long as I do that, I feel like I'll be good in whatever circumstance.
The thing that I really want to try and do is just live my life really openly and honestly. I think there's so much power in that, as simple as it is.
I don''t wanna be rich, just live good.
If you just live in New York and you only know New York, you know a certain kind of condition of formality and informality. By being able to go to another context and to be able to use that as a counter foil to the context you know, you are about to see a wider range.
(After getting out of another treatment center) I came home one Sunday morning. I sat on the edge of my bed. I never grew up going to church. I never read a Bible. I wasn't anti-God. I just never thought about God. I just lived for myself and thought about myself...I was married by this point. I'd been married for two years. So, here I am sitting on the edge of my bed, nine o'clock Sunday morning. I have a son who's not quite two yet and I just broke down crying because I had been out all weekend doing cocaine.
In our business, just getting to 40 means something...that's why I think sometimes you have to just live in the moment. You have to enjoy life to its fullest.
I need to have perspective. That's one of the big things former players told me, to not try to live up to anything, just live up to yourself.
I hope that I can make music that helps people in some way or that they can connect with, and that I can just live a life where I'm surrounded by people that I love.
Some lack the fickleness to live as they wish and just live as they have begun.
As it turns out, that feeling of being lost or listless or never achieving your potential doesn't contain itself within any certain decade of life; it just lives in you until you learn how to cope with it or let it go.
Don't expect anything. Erase all life expectancies. Just live.
The visual stuff just lives inside of you. As far as really being able to take care of an actor on a set, how to talk to an actor, and how to get what you need out of a scene is probably where I might know a thing or two. Although, in TV, the actors are pretty much left alone. It's really the writer's medium more than anything.
I was raised to pursue my passions and pursue the things that I love, and to just live life to the fullest.
Having your own space is getting rarer and rarer these days. It's dangerous giving someone like me - who grew up fantasizing about studios and records - the freedom and resources to build your own studio. I would just live in it, which is what I pretty much did for all of the '90s.
You have this one life. So just live it and just do it.
I don't go off and sit down and try to write material, because then it's contrived and forced. I just live my life, and I see things in a word or a situation or a concept, and it will create a joke for me.
Our kitchen is warm; it's who we are. And it has everything. Honestly, I could get rid of the rest of the house and just live in the kitchen.
Is it so wrong to just live life and enjoy it? Between fun and function, why must we choose the latter?
The funny thing is that the process of coming up with an idea for a column or a 'Candid Camera' sequence is essentially the same thing. I just live my life with eyes and ears perhaps a little bit wider open than some people. Whatever bothers me or seems off kilter or in need of parody-or on a serious subject, in need of examination-in the past I had done a sequence about it. Now I write a column about it.
That’s one of the nice things about writing, or any art; if the thing’s real, it just lives. All the attendant hoopla about it, the success over it or the critical rejection—none of that really matters. In the end, the thing will survive or not on its own merits. Not that immortality via art is any big deal. Truffaut died, and we all felt awful about it, and there were the appropriate eulogies, and his wonderful films live on. But it’s not much help to Truffaut.
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