I was like: I'm going to ask her [Julia Roberts] out but I'm going to be very nervous about it. Then she said yes, I got even more nervous.
It's been perfect. I can still ride a subway and work with great people. I can't imagine being Julia Roberts. I don't have the fortitude to withstand that kind of attention.
I knew everything about her backstory. I skimmed through all the books and read through everything that happened between Sam (Chaske Spencer), Emily and Leah (Julia Jones), so by the time we started filming, I knew everything that had to do with my storyline.
They're a handful, but Emily deals with that all the time and, as an actor, I deal with that all the time, so you just ignore it. When Julia [Jones] first came on set, she was like, "How do you deal with it?," and I told her, "You just tune it out after awhile." They were competing with each other, doing push-ups and just being ridiculous, so you just have to zone out.
I don't think Julia Roberts is as innocent as her image suggests. You have to be a really smart cookie to create an image as clean and pure and on-the-money as hers.
I don't know if you've ever seen some of the Sidney Lumet movies, like Dog Day Afternoon [1975] or Network [1976]. They're real events that happen in real time, and there are all of these different characters experiencing the same thing in different parts of the movie ... I am so bad at explaining my films. But it's in the world of finance and the world of media, and how they connect. It was a big undertaking. A big, mainstream movie, which stars Julia Roberts and George Clooney. But for me, it's really just a small story about character and people.
I love to work with Julia [Holter] because our voices have a similar timbre, and she's very unique. She finds very avant-garde harmonies that I adore.
We don't like to talk about that in America, but there are classes in America. And she [Julia Child] was of a class of women who were wealthy, privately educated, went to Smith, moved in that sort of circle. She was conscripted into the OSS, which is the early CIA, which was all filled with Yalies and Princeton and Harvard people and a few women who were typing mostly but also had something to do.
Well, she's so alive, Julia Child. And Margaret is so - is so designed. She's so intent upon making her point. That's the most important thing, is that she win the argument, and there is nothing that stands in the way of that train, you know. But Julia's just alive in front of you. That's part of why people loved her. They lived it with her. They breathed it with her. And the mistakes were all part of it.
Umm, there are so many people that I've never had one person that I've particularly idolised or I thought "Wow, I want to be just like them." It used to be when I was younger, Julia Roberts, I used to just love her. There is something so appealing about her.
We have an amazing relationship, and always have. She was so warm and welcoming to me - Veep was my first job out of school. Julia's [ Louis-Dreyfus] and my relationship couldn't be more different from Selina and Catherine's.
People have outs for numbers of episodes, usually, written into their contract. Some studios will say, "We're going to let Julia Louis-Dreyfus off of Veep to do three episodes, but not three episodes of the same show." But, that's all business affairs, so I'm talking over my head here.
Courtney Love is really cool and funny. I would like to meet Julia Roberts and Cameron Diaz. I think I could play their daughters.
In the dim light of the computer screen he seemed otherworldly; Julia thought him beautiful, though she knew it was the beauty of damage.
We're alike, Jess would tell himself, me and Miss Edmunds . . . We don't belong at Lark Creek, Julia and me.
Some men you know are Southern before they ever say a word," Julia said as she and Emily watched Sawyer's progress, helpless, almost as if they couldn't look away. "They remind you of something good--picnics or carrying sparklers around at night. Southern men will hold doors open for you, they'll hold you after you yell at them, and they'll hold on to their pride no matter what. Be careful what they tell you, though. They have a way of making you believe anything, because they say it that way.
The only type of men Julia's mother had warned her about were wealthy industrialist who polluted the environment and took advantage of third-world countries. And Republilicans.
I have an evening dress, pink mull over silk (I'm perfectly beautiful in that), and a blue church dress, and a dinner dress of red veiling with Oriental trimming (makes me look like a Gipsy), and another of rose-coloured challis, and a grey street suit, and an every-day dress for classes. That wouldn't be an awfully big wardrobe for Julia Rutledge Pendleton, perhaps, but for Jerusha Abbott - Oh, my!
People were always saying to Margaret, 'Well, Julia sings and Betsy writes. Now what is little Margaret going to do?' Margaret would smile politely, for she was very polite, but privately she stormed to Betsy with flashing eyes, 'I'm not going to do anything. I want to just live. Can't people just live?
For me, it's the unexpected and surprising combinations of produce that are the most exciting and lure me into the kitchen for a little bit of experimenting. Apples and sweet potatoes together? Who knew? Carrots with grapes? Okay. I may not be Julia Child, but I can do pretty well with a simple recipe and a lot of enthusiasm.
The name game is frustrating. Agents will say, They love you, but they're going to offer it to Julia Roberts first.
I want to do the romantic comedies. You know, the stuff that Meg Ryan and Julia Roberts or Reese Witherspoon would choose, of course.
Julia Louis-Dreyfus is just perfect in 'Veep.' She gets to show off the spiky claws beneath her patrician finesse. The obvious way to play 'Veep' would be to make Louis-Dreyfus a folksy heroine, one with more common sense or populist heart than her enemies. But she isn't one.
Julia progresses from cradle to grave, showing how government makes every good thing in her life possible. The weak economy, high unemployment, falling wages, rising gas prices, the national debt, the insolvency of entitlements - all these are fictionally assumed away in a cartoon that is produced by a president who wants us to forget about them.
As great as Ed is, the wisdom out here is that he can't carry a movie. They'll pay him $3 million to be the second banana in Julia Roberts things. But they won't put up $3 million for an Ed Harris movie.
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