Jazz stands for freedom. It's supposed to be the voice of freedom: Get out there and improvise, and take chances, and don't be a perfectionist - leave that to the classical musicians.
I wonder what an agent would do if he had to travel with the band he's booking.
To me, nostalgia is nothing more than a mindless plundering of the past for the commonplace.
The qualities in music which I considered most important - and still do - were beauty, simplicity, originality, discrimination, and sincerity.
Jazz is people's music, a collectivity.
Jazz is the language of the emotions.
Jazz is what I play for a living.
Writing is like jazz. It can be learned, but it can't be taught.
I'm all in favor of getting grants for musicians. Or any other good brand of Scotch.
Trane was the father. Pharoah was the son. I was the holy ghost.
Make no mistake, this music is for everyone. Jazz is not an exclusive, elite club. Go ahead, listen to your Snoop Doggy Dog, Pearl Jam, Garth Brooks, but add a little Ellington, Basie and Coltrane to your life as well.
I tell my students, 'It's an important tradition and you have to go back and hear this music and learn its language all the way through. How are you going to know what's new to play, if you haven't listened to everything that's old?'
Most customers, by the time the musicians reach the second set, are to some extent inebriated. They don't care what you play anyway.
I'd been getting bored with the stereotyped changes (harmonies) that were being used all the time. I found that by using the higher intervals of a chord as a melody line and backing them with appropriately related changes I could play the thing I'd been hearing. I came alive.
But you listen to Coltrane and that's something human, something that's about elevation. It's like making love to a woman. It's about something of value, it's not just loud. It doesn't have that violent connotation to it. I wanted to be a jazz musician so bad, but I really couldn't. There was no way I could figure out to learn how to play.
It's a shame that jazz is now being turned into dried fruit. It's becoming quantized, diced and defined. It's becoming an idiom. To me if it's anything, jazz is a verb ? it's more like a process than it is a thing.
Music is my religion. Music is the only thing that has never failed me. People let you down, music won't.
The thing is this: When I play, what I try to do is to reach my subconscious level. I don't want to overtly think about anything, because you can't think and play at the same time - believe me, I've tried it (laughs).
A musician must make music, an artist must paint, a poet must write, if he is to be ultimately at peace with himself.
It’s like a language. You learn the alphabet, which are the scales. You learn sentences, which are the chords. And then you talk extemporaneously with the horn. It’s a wonderful thing to speak extemporaneously, which is something I’ve never gotten the hang of. But musically I love to talk just off the top of my head. And that’s what jazz music is all about.
My own feelings about the direction in which jazz should go are that there should be much less stress on technical exhibitionism and much more on emotional content, on what might be termed humanity in music and the freedom to say all that you want.
Don't play what's there, play what's not there.
Don't be a perfectionist... leave that to the classical musicians.
Jazz is known all over the world as an American musical art form and that's it. No America, no jazz. I've seen people try to connect it to other countries, for instance to Africa, but it doesn't have a damn thing to do with Africa.
Jazz is the big brother of the blues. If a guy's playing blues like we play, he's in high school. When he starts playing jazz it's like going on to college, to a school of higher learning.
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